Stathman reacted to DBounce in I WILL be getting a Fuji X-T3!
Here is some unedited footage you guys can play with. I'll be curious how you grade it. On an interesting side note discounting the wind noise, the audio in the clip is quite good and the mics are stereo. I think in a quite environment you might be able to get away with in-camera audio. I did not expect that. Honestly, I usually just mic my subject if they are speaking, but in a pinch these built in mics might work.
Stathman reacted to mojo43 in GO Colombia // Sony a7iii // Mavic Pro // RX100
I filmed this over 5 weeks in Colombia on a personal trip. I brought along minimal gear... well as minimal as I could Let me know if you have any questions and if you are thinking about visiting Colombia I would highly recommend it!
Stathman reacted to Andrew Reid in I WILL be getting a Fuji X-T3!
X-T3 in da house!
Just a quick glimpse at the image, but I already have a feeling it's the best I've ever seen from a camera this price. Wonderful codec and detail.
I am trying the Zhongyi SpeedMaster 35mm F0.95, which is also a positive first impressions, very clean bokeh and Noctilux-like rendering.
I am letting that duke it out with a couple of cheap Speed Booster clones though, to see if it's worth the money over, say, a Minolta 50mm F1.4 + SB.
Hey guess what - you can punch in to focus during 4K recording and the quality is incredibly detailed, unlike Sony.
The EVF is better than A7 III hands down.
I am using Film Simulation bracket-mode for stills which is right next to Movie mode on the drive lever, makes it a bit easier to switch.
1/50 assigned to "T" on the shutter dial.
Just waiting for my B+W vario ND to arrive.
It will be manual focus for now as I am away from my main base with all my fuji glass back there. Will be bringing this to Photokina with me and saying to Canon "why would I buy YOUR 1.8x crop mirrorless camera"
GH5 just got beaten I think.
All it lacks over A7 III is a way to get the full frame look with Canon lenses at the same time as AF. There needs to be a better range of adapters!
Stathman reacted to jonpais in I WILL be getting a Fuji X-T3!
Why don’t you stop being an arrogant prick? You come on here sparring with the admin, trashing members’ work, behaving like you know more about sensors than god knows who. I studied photography at a top ranking school of design and worked as a photographer for a $52 billion dollar Fortune 500 company but I don’t join forums and tell the founder the camera they’re buying sucks, that Fuji is shiite and that the a7 III sensor is garbage. Why don’t you crawl back in the cave you came from?
Stathman reacted to Andrew Reid in Blackmagic Pocket Cinema Camera 4K
I am not slating the guy. K-pop videos are just not my artistic bent. I know it is the Trump-era and people are a little sensitive about criticism just like him. You can't seem to critique the work of someone these days without it coming across as you hating the living daylights of the person who made it. I certainly don't hate.
I just like to think objectively, that something like this from me, aimed at 800,000 camera users, would have been more useful and Blackmagic would have sold more units. But what the fuck do I know?
Maybe it needs more arses?
Stathman got a reaction from hansel in Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p
Reading this lines crossed my mind if it would be ever possible to have waveforms on top lcd.
That would be something!
Stathman reacted to Geoff CB in Sony a7 III discussion
GFILM with my "INSTA" LUT, added Saturation and some minor LIFT/GAMMA/GAIN
Funny thing is that it's from a comparison I was doing with multiple settings. All I think look great. Also keep in mind EOSHD in this comparison is straight out of camera compared to the others using LUT's.
Stathman reacted to mercer in Blackmagic Pocket Cinema Camera 4K
Make it 40... to me this camera doesn’t even exist.
Eventually we’ll have footage from John Brawley or Frank Glencairn or Noam Kroll and the footage will look amazing. More people will love it but a few will find something wrong with it...
Eventually card info will be released, and more people will complain.
Eventually AF tests will show up comparing this camera to the PDAF of the a6500 and more people will complain.
Eventually low light tests will show up comparing this camera with the GH5s or the a7sii and more people will complain.
At the end, when it’s released, a bunch of people will complain because they hate that they have to use an IR Cut filter and they will complain that they only get 45-60 minutes of battery life and that they wish it had IBIS...
And eventually the usual suspects will be the only people that have the camera and the footage will be absolutely gorgeous.
Stathman reacted to BTM_Pix in My LUMIX Hardware Controller Is Complete
As someone less than politely pointed out on the other thread, I appear to have been a bit of a lazy arse in the almost 12 months since I tripped over and found the Cinelike d thing.
You may recall it happened because I was researching making a hardware controller and after several iterations, here it finally is.
And yes, it does look rather like a calculator doesn't it?
The different iterations (including an Android app at one point!) have been in pursuit of making something small, standalone, self powered, fast connecting, push buttons and with an integrated screen at a lowish cost and, well, here we are.
Here is the finished spec and features :
Compatible with all Panasonic Lumix cameras that can be controlled by wifi Integrated USB rechargeable battery Full colour screen 20 keys with 3 bank switch keys giving 60 direct switch operations of functions Control of Aperture, ISO, Shutter Speed, White Balance, Colour Profile, Contrast, Saturation, Sharpness and Noise Reduction. Automatic unlocking of Cinelike D and Cinelike V on GX80/85, LX10/15 and TZ10 Control of manual focus in fine and coarse steps Control of One Shot AF Control of Record Stop/Start Store and Recall 8 focus points 4 selectable transition speeds between focus points Store and Recall 8 setup presets (each consisting of Aperture, ISO, Shutter Speed, White Balance, Colour Profile, Contrast, Saturation, Sharpness and Noise Reduction) Presets are stored in non-volatile memory so are available in any session. Boot time to camera connection and control under 2 seconds. Wifi control range tested to 20m. Optional accessories :
Interface module to support Nintendo Nunchuck controller for manual focus control (native lenses and adapted lenses with smart adapters) and zoom (integrated lens cameras and power zoom lenses only) Wireless interface module to sync remote record and stop on supported Tascam, Zoom and SoundDevices audio recorders. The controller fits a regular cheap cellphone to threaded adapter holder so as well as being used handheld it can be mounted to anything you have a need for with the right attachment so could be on a cage or a gimbal or whatever.
I'm going to be doing some more testing of it in anger in the next couple of weeks and I'll put up a video of it in action then.
So, I have been a bit less lazy than first imagined
By the by, the controller has both wifi and bluetooth so it begs the question would anyone be interested in a version of it for the Pocket 4K ??
Stathman got a reaction from Hans Punk in Magic Lantern Raw Video
You forgot something...
"Foolishly I should have quit earlier to recover the logs from the SD card, but alas that Sandisk appears to be toast, hence the lack of precise data - just my anecdotal report."
"Do not try on expensive cards until we figure out what happened!"
Stathman reacted to BTM_Pix in Panasonic Profile Stepper App
So, as you may recall, I have an interest in tweaking the combinations of the basic profiles in the camera along with the contrast/sharpness/saturation/NR parameters.
The purpose of that is basically a mining operation to see if there are some combinations that perhaps may not be intuitive but whose interaction may yield pleasing results.
Outside of the usual "select cinelike d, reduce everything to -5" etc stuff that we all do, who really knows if Natural with +4 contrast/-5 sharpness/+3 saturation/+2 noise reduction might actually be the golden ticket?
I did a hardware controller last year based on a midi control surface that let you tweak the parameters in real time which, whilst offering a way of 'discovery through play', wasn't exactly ideal from a structured testing point of view.
It also wasn't particularly practical (or cheap) for you to go out and replicate yourselves if you fancied a go !
Anyway, in pursuit of something a bit more structured, I created a very simple automated testing app which I thought I might as well hand out in case anyone else is interested in this sort of thing.
Its Android only so you elitists with that other phone type are out of luck for now
As its also a bit of a utilitarian thing that was only really designed for my own meddling, its not exactly pretty either but it works. Mainly.
OK, so here is how it looks, how to use it and what it does.
First things first, obviously, is to enable the Wifi on your Panasonic camera as per if you were using their app and then go into your phone/tablet and connect to it.
In the ProfileStepper app, you then press the "Connect" button and it will take control of the camera. It might complain the first time about approving the connection but if it does just repeat and it will be fine.
Once connected, you press the individual parameter buttons and select the range that you are interested in so in this example we have set it to be using the base Natural profile and how it looks with all permutations of Contrast from -5 to +3, Sharpness from -2 to 0, Saturation from -5 to +5 and NR from -5 to +1.
Next up is to set if you want to use Stills or Video, which we toggle between by pressing the Stills button and then to create a delay (of between 1 and 10 seconds) between shots you press the button (currently set to 2 seconds) and select it.
When you are happy with the settings range, press the Start button and the app will begin compiling the list of commands it needs to send to the camera. As this is a variable amount of time (in our example there are 2079 commands ) you may see a progress pop-up before it proceeds to the playout screen. Be patient.
The progress screen will then appear and display the value of each parameter in the set it is sending to the camera and the current progress (in this case we are on set 4 of 2079).
After it sends each set to the camera, if you have the mode set to Stills it will then fire the shutter on the camera. Obviously, make sure you have a decent memory card capacity if you are testing a lot of permutations!
If you are set to Video mode, a recording will begin on the camera as soon as you pressed the Start button and the changes will all be recorded into this one recording. This is where the Delay function becomes useful as it determines how long each setting is held on the video as it progresses. As with the Stills mode, be careful regarding capacity as if you have 1000 permutations with a Delay time of 5 seconds then, well....
In either mode, pressing the Stop button will abort and return you to the main screen and if you are in video mode it will stop the recording.
The purpose of the progress screen is not just to provide you with a countdown to whats going on but also meant to act as a slate so that you can put your phone/tablet in your test scene and the settings will then be embedded in the images/video when you review them. This is an example frame from a GX80 to illustrate.
There is a 3 second delay built in to the beginning of the command playout process to allow you to do this but obviously as the camera is being controlled over Wifi you can place the phone/tablet in the scene and press Start from there anyway. This just gives you a chance to get your hand out of the way !
So there you go.
Its a bit of a niche app to say the least but might be useful for some.
Bear in mind, its not really meant to be about analysing every single permutation in one go (though it can do that if you want) its more about helping you to look at how more targeted ranges of settings interact with each other (such as Saturation and Contrast in a specific Profile for example). And what exactly is the Noise Reduction bringing to the party in terms of colour shifts and sharpening etc.
Download link is here
You'll need to set your device to install apps from non-Play store sources etc.
Its completely free, no ads or any bollocks like that.
As I say, its my own test tool and wasn't designed for general release but thought it might be useful to share.
If nothing else, its a quick way to get the Cinelike D hack on to your camera!
Because its just a quick and dirty test tool, there is no particularly elegant error handling going on (other than telling you that you haven't connected the camera) so if it throws one up just quit and restart it.
If you set the To range to be lower than the From range (i.e. the From is -3 and the To is -4) then it won't execute the commands so don't do that.
NB - The eagle eyed amongst you may have spotted the Bracket function at the bottom of the screen. This does exactly what you might expect but its unrelated to the main function but I needed it to test something so you get it as a bonus! You set the shutter speed and then the 1/3rd steps above and below and press Bracket and it takes the required frames with suitably altered shutter speeds. Its a bit flaky on some Panasonic cameras because they don't all allow the 1/3rd shutter changes so your mileage may vary and, as I say, you can largely ignore it.
Stathman reacted to Deadcode in Magic Lantern Raw Video
Storm is coming...
SD Card writing speed hack
If you are familiar with the ML possibilities, you already know the best RAW capable cameras are those with CF card. The CF Card interface is capable of 70MB/s writing speed with 5D2, 75MB/s with 7D, and 95MB/s with 5D3.
6D / 700D which has SD interface is only capable of 40MB/s, limited by the camera and not the SD card.
Now the ML team are pumping up the SD card interface writing speed. It seems like the 40MB/s can be raised up to 70MB/s or even further.
That means the 700D will be able to record in 2520x1072 continuously
I hope they can make it stable