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Stathman

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  1. Like
    Stathman got a reaction from Mark Romero 2 in How would you grade this?   
    @webrunner5 Right click on Resolve's monitor --> Grab still, then in the gallery panel right click on saved still --> export.


  2. Like
    Stathman reacted to Geoff CB in How would you grade this?   
    My attempt, It's what I would have for a thriller.

    Resolve:
    Basic Correction with dropped mids -> Resolve's Rec 709 fuji LUT at 25%  ->  Color and sharpening to face.


  3. Like
    Stathman got a reaction from Kisaha in How would you grade this?   
    @mercer I played a little with your file...
    Better click on it
     



     
     
    I think i prefer the first one.
  4. Like
    Stathman got a reaction from mercer in How would you grade this?   
    @kye This is what i was thinking also. 
    I don't know nothing about the movie, story, scene etc.
    Don't have a clue what feelings wanted to be expressed on this scene.
    I was just playing... 
    @mercer The 1st one is warmer and the 2nd is cooler. Combine them and you are at point 0 again. Just kidding   
    Lovely frame btw. And what about this bokeh!
  5. Like
    Stathman got a reaction from mercer in How would you grade this?   
    @mercer I played a little with your file...
    Better click on it
     



     
     
    I think i prefer the first one.
  6. Like
    Stathman reacted to mercer in How would you grade this?   
    @Stathman ... you're right... it is. Hmm. Anyway thanks.
  7. Thanks
    Stathman got a reaction from mercer in How would you grade this?   
    I tried to reproduce the issue with no success.
    The image i see in FCPX is identical with the one i see in Safari.
    But i did realise this. The uploaded image is completely different when it is small. it's like you described it. Darker with more contrast maybe? When you click on it, it's ok.
    Don't know why though...
  8. Haha
    Stathman reacted to Márcio Kabke Pinheiro in NX2 rumors   
    I've heard a rumour that all the court's members were NX1 users, and that Lee promised to launch the NX2 if he is released. 
  9. Like
    Stathman reacted to mercer in Canon 5D mark iii RAW video 2018   
    Thanks! Between this and the MLVApp, it’s almost impossible for even me to mess up this footage... lol. 
    I recently processed this through the MLVApp as LogC. Even though it’s in B&W, I used a LogC to Rec709 LUT and an S-Curve before desaturating it.... I love my Nikkor 35mm 1.4...

  10. Like
    Stathman got a reaction from mercer in Canon 5D mark iii RAW video 2018   
    Yes, it's amazing!
    You should just change the naming scheme to Davinci Resolve.
    Everything else, leave it as is. 
  11. Like
    Stathman reacted to Andrew Reid in Fuji X-H1. IBIS, Phase Detect 4K beast?   
    https://www.eoshd.com/2018/02/fuji-x-h1-cinema-4k-200mbit-hybrid-camera-ibis-rival-gh5/
    A Fuji "A6500" basically, but in a bigger body.
    However it does have Fuji's colour science and ergonomics.
    And the A6500 was already pretty cool.
    Then there are the lenses - they're better as well.
    I think it's not to be sniffed at... But it falls short of the GH5 and GH5S in terms of overall feature-set and codec. Should have had 10bit.
  12. Like
    Stathman reacted to Axel in Is FCPX still trash?   
    Though you can do that (Deadcode wrote), it's not recommended. FCPX is not good with clips that are isolated from their card-structure bundle. Through the import dialog, FCP will copy selections from the card by wrapping them in a Quicktime container. That's the way it works. But keep in mind: 
    1. because of the skimmer, you can browse the card very quickly, find your shots and import only selections - in case you think you need to save disk space.
    2. you can alternatively just import everything and do the qualifying and organization later on (you did it in the Finder? - waste of time). Forces you to copy from the card. Into the Library or to an external folder. Links to clips without copies ("leave files in place", the Premiere way) is possible (by copying only the MTS files to disk or by drag&drop), but you shouldn't do that!
    3. either way you can start editing while the clips are still being imported = in effect that's editing directly from card.
    The concept of the primary storyline. In this (e, w, d, ctrl+shift+y) you create the spine of your narration. If you have text (off comments or an interview), you put that to the primary and all illustrating clips are then connected (q). For a music video, you'd first select the music track and hit q. From there on, you connect everything to the black slug. Connected clips can move freely (no need to use p). The magnetic timeline is locked. To lock a connected clip in it's position relative to the music, just overwrite it to the primary storyline by hitting cmd+alt+down.
    The following 10.3 show is staged of course. But it's done by a master. You think FCPX is inferior to Premiere? Watch it from beginning to end, particularly what he does in the timeline, and imagine what ordeal this had been in a track-based timeline:
     
  13. Like
    Stathman got a reaction from kidzrevil in Canon 5D mark iii RAW video 2018   
    Yes, that was my feelings exactly after trying out a 70D.
    Although it can't do 1080p (almost) the color depth and the flexibility of raw is magical.
    I would choose it over super crisp cheap 4k without a doubt.
  14. Like
    Stathman reacted to froess in Panasonic GH5S brings massive low light improvement - exclusive interview and hands-on   
    https://vimeo.com/208637237
    https://vimeo.com/150067275
    Mostly handheld, without ibis. Lenses from 12mm to 35mm on the pocket camera.
     
  15. Thanks
    Stathman reacted to Bozzie in BMPCC | Zeiss 25mm   
    Thank you kindly, @Stathman! 
    No, didn't use any filters. I find that moire generally appears in brickwork, patterned/striped material and metal edges. Shallower depth of usually helps with these kind of issues 
  16. Like
    Stathman got a reaction from Bozzie in BMPCC | Zeiss 25mm   
    Beautiful!
    Did you use any filter to reduce moire?
  17. Like
    Stathman reacted to Bozzie in BMPCC | Zeiss 25mm   
    BMPCC + Carl Zeiss 25mm lens. Stylised color grade based on my BozBMDFilm to Rec709 LUT. Download Page: https://goo.gl/B9Ns51
     
  18. Haha
    Stathman got a reaction from webrunner5 in Magic Lantern Raw Video   
    Well, it's 2018...
    Happy new year! 
  19. Haha
    Stathman got a reaction from webrunner5 in Magic Lantern Raw Video   
    The guys at the ML forum are having progress on the digic 6.
    Hopefully santa will come with an 80D! 
  20. Like
    Stathman got a reaction from kaylee in Magic Lantern Raw Video   
    The guys at the ML forum are having progress on the digic 6.
    Hopefully santa will come with an 80D! 
  21. Haha
    Stathman reacted to webrunner5 in Fuji X-H1: new APSC video oriented camera   
    I like pie.
  22. Like
    Stathman got a reaction from mercer in Magic Lantern Raw Video   
    Thanks for this!!!
    This method works better than any other i have tried so far.  
  23. Like
    Stathman reacted to SigurdW in Organic chicken shot in ML RAW   
    Shot this promo back in August on a 5D3.

    Using a Tamron 24-70 f/2.8 and a Canon 70-200 f/2.8

    It was professionally graded in Baselight Studio, the colorist was very surprised when he found out what it was shot on.

    Let me know what you think or shoot a question!
     
     

  24. Like
    Stathman reacted to Andrew Reid in Panasonic GH5 Review and exclusive first look at Version 2.0 firmware   
    Firmware 2.0 for the Panasonic GH5 has been officially announced, and will be available for download at the end of September 2017.
    I've been testing a pre-production version of this on my camera thanks to Panasonic, to bring you my first impressions of the new features which include:
    Professional 400Mbit ALL-I intraframe codec for 10bit 4K 4:2:2
    "Open Gate" High Resolution Anamorphic Mode (4992 x 3744)
    Hybrid Log Gamma with view assist feature for HDR shooting
    New and improved autofocus engine for video
    Performance optimisations and bug fixes
    Read on to find out what it's like to shoot with...
  25. Like
    Stathman reacted to hyalinejim in Improving GH5 colour - comparison with 5D3 RAW   
    Here is the LUT for colour correction only - the V-Log gamma remains unchanged. This should be first in your post pipeline.
    https://drive.google.com/open?id=0B1exEpCRAfgFcVdtSXhRdmJvalE
     
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