Garug

People who need 24p can afford cameras that have it. 24p truly is no match for 60 Hz monitors.  I would be happy if 24p would one day be gone from internet, but much more likely that I have 120 Hz monitor before that happens and then it does not matter anymore.

People who need 24p can afford cameras that have it. 24p truly is no match for 60 Hz monitors.  I would be happy if 24p would one day be gone from internet, but much more likely that I have 120 Hz monitor before that happens and then it does not matter anymore.

After reading this https://www.eoshd.com/2018/09/why-i-wont-be-buying-the-upcoming-blackmagic-pocket-cinema-camera-4k/ I can only smile and had to come here to ask, is this a kindergarten :)

To fly maybe not, that would be a really big drone  but to install on gimbal, no problem, here is BMMSC with a 3kg + lens on a gimbal. 
 
 
 

To fly maybe not, that would be a really big drone  but to install on gimbal, no problem, here is BMMSC with a 3kg + lens on a gimbal. 
 
 
 

I wonder that handle, is the camera really able to take it if lifting from it? well it is badly out of balance anyway.

Do not know about this camera, but on Micro cameras, the air is not blown to the electronics, just to the cooling element and then out.

That looks a bit different and out of the box but confortable so does this and would handle the BMMPC4K just perfectly even with big lenses.

That looks a bit different and out of the box but confortable so does this and would handle the BMMPC4K just perfectly even with big lenses.

BMMSC is pretty awesome especially for the size. Is this creative, probably not, it was just to demonstrate what is possible with such a small camera, it is operating the camera system with one hand and driving with other  
 

Some more videos with the XC10 on LeViteZer 360 gimbal 
 
For more see http://www.levitezer.com/blog/
 

I was making some Gimbal tuning tutorials and decided to test something a bit different, it turned out to work surprisingly well, or what do you think?
 

I was making some Gimbal tuning tutorials and decided to test something a bit different, it turned out to work surprisingly well, or what do you think?
 

The BMMCC form factor is perfect for a small and capable gimbal. The question just is, how much interest there is for such.
 
LeViteZer Smooths the movement, www.levitezer.com

Regarding LCD dimming, it doesn't let you change the LCD brightness while set to 4K recording. The option is literally grayed out - kinda strange. Is it a heat or power consumption issue? 
 
 
Also, how's everyone feeling with overheating? I used my A6300 exclusively on a 5-camera (All others were A7s I and II) live studio shoot with a top 40s pop artist and was overheating all day. Our workflow was to capture a 10-song live album, so we'd roll cameras, run one ~4 minute song, take a 30-45 second break, and then run another 4 minute song. The camera started overheating on the third song, and for the rest of the day I'd be doing this:  
 
for as long as possible before we ran through the next song. This generally did the trick but obviously garnered some odd looks from the band, though they're used to our shenanigans with pulling good stuff out of tiny cameras.  Heat levels were extremely high way up in the battery slot so pulling the battery and blowing cool air right up there seemed to do it as a preventative measure. 
 
As for the shoot itself, I am absolutely floored at the autofocus. It's insane. I can't share any footage but when it comes out I'll upload a raw A6300 take - the moves it allowed me to do while simply handholding the camera, going from macro shots of hands on keyboards to medium shots of the musicians, passing instruments in the foreground, etc. Holding down the AF/MF button lets you quickly lock focus in case you know you're going to be making a move that will trip it up, and also enables the focus ring on the lens so you can hold the button down, fly in manual focus for a few seconds, let go, and it's back in AF mode. 
 
The image, too. Absolutely bonkers. Rolling shutter sucks super hard(and you can even see it on closeup shots of hands and stuff where the camera's not moving), but the camera is an absolute dream otherwise and I've been able to shoot around it. 1080p mode also sucks. It's not unusable, but it's of a level of detail I'd expect out of a 5D Mark II. Loving the 16-70 Sony Zeiss OSS lens and the 24/1.8. Has anyone used the 18-105 F4? Does it compare?