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froess

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  1. Like
    froess got a reaction from mercer in Better than parfocal?   
    that's because it's a parfocal lens. with old cameras, you didn't have punch in focus. you zoomed with your lens, focus and the frame the shot.
  2. Like
    froess got a reaction from webrunner5 in Sony A7S Mark 3 - What to expect   
    prores was never that common on consumer cameras other than blackmagic. even on sony cameras, you have to pay for that option. it's an expensive codec because of apple. so i don't understand all of the sudden this requests for prores raw. it only works with final cut at the moment and if you don't have prores, most likely you're not going to get prores raw. that's why you see proprietary codecs, xavc, avc, canon xf avc, etc
  3. Like
    froess got a reaction from Alpicat in Blackmagic Pocket Cinema Camera 4K   
    To me, just getting more options beyond 1600 is a surprise for a blackmagic camera.
     
    And a welcomed one.
  4. Like
    froess got a reaction from TwoScoops in Blackmagic Pocket Cinema Camera 4K   
    To me, just getting more options beyond 1600 is a surprise for a blackmagic camera.
     
    And a welcomed one.
  5. Like
    froess got a reaction from mercer in Blackmagic Pocket Cinema Camera 4K   
    To me, just getting more options beyond 1600 is a surprise for a blackmagic camera.
     
    And a welcomed one.
  6. Like
    froess got a reaction from deezid in Blackmagic Pocket Cinema Camera 4K   
    way better specs than i expected.
  7. Like
    froess reacted to MurtlandPhoto in Blackmagic Pocket Cinema Camera 4K   
  8. Thanks
    froess got a reaction from TwoScoops in Blackmagic Pocket Cinema Camera 4K   
  9. Like
    froess got a reaction from mechanicalEYE in Blackmagic Pocket Cinema Camera 4K   
  10. Like
    froess got a reaction from Eric Calabros in Sony FS5 II announced with 4K 120fps RAW recording at NAB 2018   
    Skintones are now magenta and not green. Great..!
  11. Like
    froess got a reaction from kaylee in Sony FS5 II announced with 4K 120fps RAW recording at NAB 2018   
    Skintones are now magenta and not green. Great..!
  12. Haha
    froess got a reaction from IronFilm in Sony FS5 II announced with 4K 120fps RAW recording at NAB 2018   
    Skintones are now magenta and not green. Great..!
  13. Like
    froess got a reaction from Lux Shots in NAB 2018   
    Very interested in the ninja v
  14. Like
    froess got a reaction from Emanuel in NAB 2018   
    Very interested in the ninja v
  15. Like
    froess reacted to webrunner5 in NAB 2018: Five new Focus monitors from SmallHD   
    Hell my Samsung Note 8 has a 1200 nit OLED display. Who the hell would buy a 300 nit one in this day and age? And pay 750 bucks for it on top of it?
  16. Like
    froess reacted to Don Kotlos in NAB 2018: Five new Focus monitors from SmallHD   
    Not necessarily it depends on the quality of the monitor and how well the calibration works. It could be still good enough for most things. The previous was just a guess.
  17. Like
    froess got a reaction from leeys in How Did They Get So Much Dynamic Range?   
    Time of day will be your friend. Doesn't hurt to have big windows like the ones on the first video.
    On your work, some shots you have very hot buildings outside but not enough light inside to compensate, so you have to compromise.
    Choose the time of day wisely and it will be easier to balance inside and outside. Don't fight the sun, use it.
     
     
  18. Thanks
    froess got a reaction from salim in SmallHD 501 $599 flash sale - a deal or not?   
    I have used the 502 and loved it. Great monitor, very clear image on the right conditions.
    With strong sunlight, even with the hood, it's difficult to see. On those occasions, you can turn it into an EVF but I didn't like the loupe.
    I'm curious to use the focus, but in general, i really like the 502 (same as 501 but with sdi).
  19. Like
    froess got a reaction from Mark Romero 2 in How Did They Get So Much Dynamic Range?   
    Time of day will be your friend. Doesn't hurt to have big windows like the ones on the first video.
    On your work, some shots you have very hot buildings outside but not enough light inside to compensate, so you have to compromise.
    Choose the time of day wisely and it will be easier to balance inside and outside. Don't fight the sun, use it.
     
     
  20. Like
    froess got a reaction from Emanuel in Panasonic GH5S 4K / 240fps low light monster   
    https://vimeo.com/208637237
    https://vimeo.com/150067275
    Mostly handheld, without ibis. Lenses from 12mm to 35mm on the pocket camera.
     
  21. Like
    froess got a reaction from Emanuel in Panasonic GH5S 4K / 240fps low light monster   
    While IBIS is great, I agree with Axel.
    In my short video life, I always shot with cameras that didn't feature IBIS and that wasn't a problem.
    Something like this http://cn.aputure.com/V-Rig-MR-V1 is cheap, light and practical to carry around.
    If I am to do a shot with a long lens, I know I will need a tripod.
    But to each his own. I just never was someone who filmed with just his hands, always got some kind of support to minimize extra shakiness.
     
     
  22. Like
    froess got a reaction from Mark Tincho in Panasonic GH5S 4K / 240fps low light monster   
    https://vimeo.com/208637237
    https://vimeo.com/150067275
    Mostly handheld, without ibis. Lenses from 12mm to 35mm on the pocket camera.
     
  23. Like
    froess got a reaction from Stathman in Panasonic GH5S 4K / 240fps low light monster   
    https://vimeo.com/208637237
    https://vimeo.com/150067275
    Mostly handheld, without ibis. Lenses from 12mm to 35mm on the pocket camera.
     
  24. Like
    froess got a reaction from jonpais in Panasonic GH5S 4K / 240fps low light monster   
    https://vimeo.com/208637237
    https://vimeo.com/150067275
    Mostly handheld, without ibis. Lenses from 12mm to 35mm on the pocket camera.
     
  25. Thanks
    froess got a reaction from Axel in Panasonic GH5S 4K / 240fps low light monster   
    https://vimeo.com/208637237
    https://vimeo.com/150067275
    Mostly handheld, without ibis. Lenses from 12mm to 35mm on the pocket camera.
     
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