wolf33d

Too soon was, perhaps, in november 2014, when nx1 arrived with h.265. Now it should be fine.

You Guys did not get it. This is just a gift to amount owners and to show people they don't give up on them.
A9 or 7RIII will get those improvement (better body, speed...) 
apparently it has 422 which is nice. 
Cant wait to see Nikon answer to 5D4/A99-2
probably a d820 with 42mpx and 4K. Could be a nice body to be paired with GH5 for the ultimate photo/video combo.

Full press release leaked
An extract:
 the FZ2500. This camera utilizes the same 20.1MP 1" MOS sensor as the LX10, but optimizes video performance with the inclusion of DCI 4K video recording and a true 24 fps frame rate, in addition to more conventional UHD 4K and Full HD recording modes. Also benefitting videographers, this camera includes Panasonic's CINELIKE D and CINELIKE V picture profiles for better grading capabilities, and V-Log L can be added via an optional upgrade. Additionally, high bit rate recording up to 200 Mbps is supported in both MP4 and MOV formats; video can be output over HDMI with a 4:2:2 10-bit signal; there is no recording duration limit; and a built-in ND filter can be used for enhanced control over exposure settings while recording

crappy shit. overpriced and shitty video spec. Same thing with good 4K and CLOG would have been a monster.
Maybe with the FF version coming soon we will have better luck. Oh wait... it will have 5DIV sensor and same video specs AKA no CLOG and awful crop. Thanks but no.
Let's see now Sony A9 and nikon mirrorless... 2017 here we come

crappy shit. overpriced and shitty video spec. Same thing with good 4K and CLOG would have been a monster.
Maybe with the FF version coming soon we will have better luck. Oh wait... it will have 5DIV sensor and same video specs AKA no CLOG and awful crop. Thanks but no.
Let's see now Sony A9 and nikon mirrorless... 2017 here we come

Full press release leaked
An extract:
 the FZ2500. This camera utilizes the same 20.1MP 1" MOS sensor as the LX10, but optimizes video performance with the inclusion of DCI 4K video recording and a true 24 fps frame rate, in addition to more conventional UHD 4K and Full HD recording modes. Also benefitting videographers, this camera includes Panasonic's CINELIKE D and CINELIKE V picture profiles for better grading capabilities, and V-Log L can be added via an optional upgrade. Additionally, high bit rate recording up to 200 Mbps is supported in both MP4 and MOV formats; video can be output over HDMI with a 4:2:2 10-bit signal; there is no recording duration limit; and a built-in ND filter can be used for enhanced control over exposure settings while recording

Full press release leaked
An extract:
 the FZ2500. This camera utilizes the same 20.1MP 1" MOS sensor as the LX10, but optimizes video performance with the inclusion of DCI 4K video recording and a true 24 fps frame rate, in addition to more conventional UHD 4K and Full HD recording modes. Also benefitting videographers, this camera includes Panasonic's CINELIKE D and CINELIKE V picture profiles for better grading capabilities, and V-Log L can be added via an optional upgrade. Additionally, high bit rate recording up to 200 Mbps is supported in both MP4 and MOV formats; video can be output over HDMI with a 4:2:2 10-bit signal; there is no recording duration limit; and a built-in ND filter can be used for enhanced control over exposure settings while recording

Full press release leaked
An extract:
 the FZ2500. This camera utilizes the same 20.1MP 1" MOS sensor as the LX10, but optimizes video performance with the inclusion of DCI 4K video recording and a true 24 fps frame rate, in addition to more conventional UHD 4K and Full HD recording modes. Also benefitting videographers, this camera includes Panasonic's CINELIKE D and CINELIKE V picture profiles for better grading capabilities, and V-Log L can be added via an optional upgrade. Additionally, high bit rate recording up to 200 Mbps is supported in both MP4 and MOV formats; video can be output over HDMI with a 4:2:2 10-bit signal; there is no recording duration limit; and a built-in ND filter can be used for enhanced control over exposure settings while recording

This isn't HD - it's like a pirated stream at 360p. 
That quality is absolutely terrible - my Canon XHA1 from 2008 shot better HD than this. 
To release this as a "launch movie" is crazy. 
Hopefully, like every camera launch movie, the person who made it hasn't done the camera justice.

Amazing tech. 
The reason why Canon can't give us anything in their DSLR is because they have to protect their cine line. 
Here is the catch. There cine line is full of shit spec wise so to protect shit specs you have to release even shitier specs.
Panasonic brings 4K 120fps RAW to their cine line. So no matter how amazing the GH5 will be they won't impact the lines above.
This is half a joke but not so far from the truth I am afraid..
https://***URL not allowed***/panasonic-announces-varicam-pure-with-uncompressed-4k-120-fps/
 
 
 

Not usually, but I wanted to try it out and it worked great. But for stills photos it's better not to shoot in live view mode. The normal AF for stills is ridiculously fast and accurate.

You're blind if m43/aps-c are almost equal. It's improving over previous generations, but so are larger sensors. There will always be a DR gap. Same with FF vs aps-c.
https://***URL removed***/reviews/image-comparison/fullscreen?attr144_0=panasonic_dmcgx85&attr144_1=sony_a6300&attr144_2=nikon_d7200&attr144_3=sony_dscrx100m4&attr146_0=200_4&attr146_1=100_4&attr146_2=100_4&attr146_3=125_5&attr177_0=off&attr177_1=off&attr177_2=off&attr177_3=off&normalization=compare&widget=351&x=0.13161460498548422&y=0.9816256977809582

thats the comment I added to his post.
Unfortunately I fear the worst. see comment above about heating.... 

I need IBIS and proper video AF though. The AF wont happen, IBIS not sure. 

That looks amazing, but now we are dreaming at a 1500$ cameras having better spec than their cinema line.

That looks amazing, but now we are dreaming at a 1500$ cameras having better spec than their cinema line.

That looks amazing, but now we are dreaming at a 1500$ cameras having better spec than their cinema line.

Sorry I meant to say 4k30P, no 60p actually !!!
Source is Photorumors you can go look at it, they pointed out the the leaked GoPro5 manual which I read entirely before it disappears. 

I can confirm you, manual video, RAW audio, stabilisation, Linear mode for aerial video, nice touchscreen. 
No 4k60p, and stabilisation only works in 2,7k

And if you don't desire:
Stills DSLR size of form factor Decent codec 10bit Slow-motion Full frame Quite a lot to write off isn't it?!

Thanks for the article that I shared. Agree on every point. 
Agree too with your comment: I want both in one camera. 
The GH5 will take more than decent stills, but it absolutely wont make the job for me. I need D810 level still quality. 

So I might grab a D810 + GH5, but then 2 cameras with 2 systems of lens.... And my main use is travel (think 5-10 days trek in Rockies, Patagonia, Iceland, ...) so I am quite pissed. 
I tought the A7RII was the one. Bought it, traveled 2 weeks in Cuba and it appeared it was not enjoyable to use (such a pain to switch from stills setup to video setup, poor ergonomics, etc). But here we are the GH5 might be the best camera on the market for its size for video, and the D810 is the best world landscape camera under 20k$ (phase one anyone..?)
So for the moment I don't see a better option. Even if Nikon releases a good 4k option in the next DSLR, it wont have some of the amazing GH5 features like IBIS, good slowmo (hopefully),...
I just wish we get a 4k60p and minimum 120fps Full HD as clean as in an RX100, as well as A PROPER AUTOFOCUS IN VIDEO like the A6300, PLEASE PANA!
Then I am sold.
Oh and BTW imagine if the GH5 has a good video AF: that would be the BEST gimbal camera ever. Light, slowmo, good AF for tracking on the gimbal, and the power of its 5 axis IBIS + gimbal... wow that will look smooth as hell

"Wait for us, we're the leaders!" - Canon
Looking forward to GH5, LX200, and the Sony a9. Yeesh.

What a joke! Here it is anounced:
http://www.canonrumors.com/canon-announces-the-eos-5d-mark-iv-dslr/
This is extraordinary, their press release is completely video oriented. They say that they listen to the video customer and brought the best video specs.
how funny that is... Yet no C-LOG, nor word on crop, prehistoric codec while they put a real one in the XC10. They take us for pigeons so pigeons can go and get it but I will pass!
Very sad to see those confirmed specs. 

Nikon has Flat profile, which is amazing. 
They do not have C-LOG because they did not develop it in the first place and they did the Flat profile. 
My point was, Canon already has developed C-LOG. It is there, it exists, do you get that? So no reason not to put it in the 5D except market protection. 

Canon stinks. I can't wait for them to die like Kodak did, it will be well deserved. 
5 years we wait their camera to get nothing. They could have done 4k FF with the 300mbps codec of the X10 and CLOG and the 5DIV would have been an amazing camera for video and photo. Just 2 specs, that are ALREADY existing on canon products. 2 easy specs. Fuck that seriously, they take us for pigeons and they are right to do so. Because the thing is people will still buy their shit. 
 

What a joke! Here it is anounced:
http://www.canonrumors.com/canon-announces-the-eos-5d-mark-iv-dslr/
This is extraordinary, their press release is completely video oriented. They say that they listen to the video customer and brought the best video specs.
how funny that is... Yet no C-LOG, nor word on crop, prehistoric codec while they put a real one in the XC10. They take us for pigeons so pigeons can go and get it but I will pass!
Very sad to see those confirmed specs. 

What a joke! Here it is anounced:
http://www.canonrumors.com/canon-announces-the-eos-5d-mark-iv-dslr/
This is extraordinary, their press release is completely video oriented. They say that they listen to the video customer and brought the best video specs.
how funny that is... Yet no C-LOG, nor word on crop, prehistoric codec while they put a real one in the XC10. They take us for pigeons so pigeons can go and get it but I will pass!
Very sad to see those confirmed specs. 

Nikon has Flat profile, which is amazing. 
They do not have C-LOG because they did not develop it in the first place and they did the Flat profile. 
My point was, Canon already has developed C-LOG. It is there, it exists, do you get that? So no reason not to put it in the 5D except market protection. 

Canon stinks. I can't wait for them to die like Kodak did, it will be well deserved. 
5 years we wait their camera to get nothing. They could have done 4k FF with the 300mbps codec of the X10 and CLOG and the 5DIV would have been an amazing camera for video and photo. Just 2 specs, that are ALREADY existing on canon products. 2 easy specs. Fuck that seriously, they take us for pigeons and they are right to do so. Because the thing is people will still buy their shit.