AaronChicago

Been playing around with the GH5s and hope to have some samples up soon. I will say one thing about VLogL. The vast majority of people aren't properly converting V Log into a proper Rec709 color space. Using a LUT in Premiere just doesn't fully cut it. If you go to Resolve and set your input gamma to V Gamut, and output to Rec709 Gamma 2.4, luminance mapping to 500 nits, and saturation mapping ON (min 0.9, max 1.0) you get a full range of DR to manipulate contrast/saturation in Rec709.

Working on something now that I think you're going to like ; )

If you guys are throwing away your Canon lenses please DM me and I'll send you the address to my garbage can. I'll pay shipping.

Lack of OLED monitors as well. Dell was supposed to release a 31" OLED 5k and canned it.

Agreed 100%!
Now we just need the displays to catch up.
I have an LG OLED and it's wonderful, and there are a few HDR projectors (mostly 1080p) but there's a real lack of HDR computer displays and laptops out there - and to be honest I think I know why. The brightness would cause eyestrain at such close viewing distances.

I make commercial tracks from time to time. The music from this Comet Color video is one I made within a day.
 

If you guys are throwing away your Canon lenses please DM me and I'll send you the address to my garbage can. I'll pay shipping.

If you guys are throwing away your Canon lenses please DM me and I'll send you the address to my garbage can. I'll pay shipping.

If you guys are throwing away your Canon lenses please DM me and I'll send you the address to my garbage can. I'll pay shipping.

If you guys are throwing away your Canon lenses please DM me and I'll send you the address to my garbage can. I'll pay shipping.

If you guys are throwing away your Canon lenses please DM me and I'll send you the address to my garbage can. I'll pay shipping.

If you guys are throwing away your Canon lenses please DM me and I'll send you the address to my garbage can. I'll pay shipping.

SLR Magic 50mm 2x prime

I'll make sure to do a side by side with the UM46K when I get the GH5s.

Nice, I am wanting a gimbal solution for my GH5, however, traveling with LOTS of stuff is never fun.

I'll make sure to do a side by side with the UM46K when I get the GH5s.

I'll make sure to do a side by side with the UM46K when I get the GH5s.

I'll make sure to do a side by side with the UM46K when I get the GH5s.

SLR Magic 50mm 2x prime

I'll make sure to do a side by side with the UM46K when I get the GH5s.

Gh5s 14 Stop DR Confirmation?
 

The only way to stop all of the shit is to not participate. Teach younger kids to find more substantive content. I've been off of Facebook for 4 years now and it feels good!

I would also point to a very important observation by @AaronChicago...having a camera that can shoot in the dark can be a novel concept as with the A7s years ago, but beauty in Cinematography comes from light and how a good Gaffer shapes that light....being able to shoot in the dark may work for a brief emergency shot you have to get (referring to narrative of course) but as ugly as a midday image without the correct shade and bounce is, the equivalent is true for shooting practically in the dark...just the other side of the spectrum to shooting in noon sun...the image in both cases is flat and uninteresting...it's light in whatever form you use it, that creates the beautiful imagery we drool over in the Cinema...the camera comes fairly far behind that...that's maybe the biggest reason for me not rushing to get in a pre order....I don't shoot in the dark and the GH5 gives me a more than adequate night shot, of say cars moving by in a wide city street shot....if there are people in the shot and they are significant to the story, there would be lights too.

It would be great if Panasonic allowed the option of turning off internal sharpening.