Blackmagic have today announced a $1000 price drop on the BMPC 4K.
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The latest news on cameras, from EOSHD
[vimeo]http://vimeo.com/86130834[/vimeo] Above: interview with Illya Friedman of Hot Rod Cameras, by Dan Chung The GH4 is a consumer camera but one which has the most pro-camera leanings I’ve ever seen from a consumer or even prosumer model. Because of that many professional shooters are considering the GH4. Here then are some of the remaining questions from pros on the EOSHD forum answered…
Already we have 2 affordable 4K interchangeable lens cinema cameras due and we’re only a month into 2014. Red Dalsa created the first 4K cinema cameras and these were first shot with on set in 2006 (The Dalsa Origin – Wikipedia) Since then the rate of progress needed to commercialise such powerful hardware and sell it to consumers for $2000 in the case of the GH4 and $4000 for the…
It’s an open secret that the Blackmagic Cinema Camera was based around a sCMOS sensor from Fairchild Imaging. Now the company has announced it’s successor, the sCMOS 2.0
This chart is an overall look at the whole spectrum of video and cinema cameras from the Arri Alexa right down to the Fuji X series of stills cameras.
Christopher Doyle (In The Mood For Love, Hero), Stefan Ciupek (Digital Camera Supervisor, Slumdog Millionaire) and Franz Lustig (How I Live Now) will be at the Berlinale Film Festival in February with a Canon sponsored workshop for aspiring filmmakers.
What is it that makes Cooke cinema lenses so special?
[vimeo]http://vimeo.com/74444377[/vimeo] Full information on the AMIRA can be seen at CVP Looking at the Oscar nominations recently at EOSHD, with not a Red camera in sight, it’s clear Arri are a run-away success in the filmmaking industry. Now Arri are gunning for the Canon C300 and C500 with a camera which could seriously erode the market for Cinema EOS cameras at the high end of the broadcast and single-operator videographer market. The…