Month: April 2012

Above: a Magic Lantern test running on a real living 5D Mark III in the wild Initial tests by Alex and the team at Magic Lantern show the hack will work with the 5D Mark III. Canon recently posted an updated firmware for the camera, allowing the file to be analysed and it seems Magic Lantern can be ported to the new camera.

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The future is here but it seems nobody checked to see if it looked any good. Shot with a 3D Red EPIC rig at 48fps, Peter Jackson’s return to the world of JRR Tolkien has been ‘stripped of the magic of cinema’ according to many who saw the advance press screenings by Warner Brothers.

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In the last few weeks the already large number of options for filmmakers have been shaken up. Current cameras all seem to fall into different niches. There are the depth of field specialists – 5D Mark III and D800 with full frame sensors. There are the resolution and raw codec specialists the Blackmagic Design Cinema Camera and Red Scarlet. There’s the slow mo specialist the Sony FS700 and my personal…

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Made in California – there’s a sensor that perfectly matches the specification of the Blackmagic Cinema Camera on the market. It is called the BAE Systems sCMOS (designed by silicon valley semiconductors company Fairchild Imaging who were acquired by BAE in 2011). It is capable of up to 100fps at 2.5K and features a global shutter, a sensor so powerful it is vacuum cooled.

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Photo by Illya Friedman – Hot Rod Cameras Pre-order the ÂŁ1925 / $3000 Blackmagic Cinema Camera here Click ‘How to Buy’ and follow link to your preferred dealer See Blackmagic’s summary of their new Cinema Camera at DPReview From the archives: Read EOSHD’s explanation of Disruptive Technology The Blackmagic Cinema Camera is to the digital cinema market what the iPhone was to Nokia and Motorola. Here I explain why it…

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