The Canon 700D / T5i is more a firmware update than a new camera. Indeed the only new feature in the hardware is that the mode dial now turns 360 degrees. If you are wondering whether to upgrade from your 60D or 650D, the answer may well come down to whether you find a use for that 360 degrees mode dial. You can now go from the M mode on…
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[vimeo]http://vimeo.com/61441075[/vimeo] Above – the compressed 2.4k version of 4K raw from the Nikon V1 (download the original at Vimeo) by Javier Sobremazas The Nikon V1 is $220 (body) or $300 (kit) on eBay – get it whilst you still can There’s a dark horse in our midst which very few know about, a camera which can shoot 4K raw at 60fps for $200.
[vimeo]http://vimeo.com/61304882[/vimeo] Catch the EOSHD interview with Leica’s Jesko von Oeynhausenand and hands-on with the Leica M type 240 here The new Leica M (dubbed type 240) has a CMOSIS full frame sensor, and a first for a Leica camera – video. Not since the Leicina 8mm camera (EOSHD article) has a Leica product been viable for cinema. The Leica M of course is primarily a photography tool, but it is…
[vimeo]http://vimeo.com/60401188[/vimeo] “They each have their own unique character. Which image do you prefer?” Iscorama VS Iscomorphot 8 2x VS Iscomorphot 8 1.5x by QuickHitRecord. This is a new weekly series on EOSHD. The forum is really booming at the moment. A while ago on the site I decided to redirect the article comments system into the forum and that has seen a big increase in the number of people using it not…
In the early days of DSLR video the codec was probably the weakest part of the camera. With the advent of uncompressed HDMI out – the codec is no longer a weak point but sensor sampling becomes an Achilles Heel. Can the Nikon D5200 benefit from a hike in image quality from using an external recorder?
[vimeo]http://vimeo.com/60135187[/vimeo] Let’s pit the $700 Nikon D5200 against the $3000 Canon 5D Mark III and see which one comes out alive.
https://vimeo.com/59832019 UPDATE: The HDMI output on this camera is uncompressed 4:2:2, for a leap in image quality over the internal 24Mbit codec! Check the forum for my ProRes noise grain sample shots The Nikon D5200 is the best mid-range Nikon yet for video. What is more of a surprise is the relish in which it takes on the much more expensive 5D Mark III, Panasonic GH3 and Nikon’s own flagship…
New in this update Robocop 2 Sony FS100 Isco 2x anamorphic with support system for 15mm rails Optex 1.33x anamorphic lens