HOT! Panasonic AG AF100 Micro 4/3rds interchangable lens pro camcorder – release date, late 2010 plus Sony prototype at NAB!

Amazingly the rumours were right once again, and somebody from NAB leaked the AF100 to 43rumors a day before the press release was due.

The implications here are enormous.

Read moreHOT! Panasonic AG AF100 Micro 4/3rds interchangable lens pro camcorder – release date, late 2010 plus Sony prototype at NAB!

Leica Summilux C cinema primes for the Panasonic AF100?

With the announcement of the AF100, Panasonic have got a jump on the professional video departments of other manufacturers, notably Sony and Canon. They also have a relationship with Leica.

Today I received news that new Micro 4/3rds cine lenses similar to the Summilux C range (housing by Band Pro, optical formulas by Leica) are going to form an integral part of the AF100 package.

Read moreLeica Summilux C cinema primes for the Panasonic AF100?

Put your AG-AF100 questions to Panasonic

(In the pic above, the 14-140mm lens seems to have some kind of adapter on the front of it – what is it?)

Here are some to start it off. I’ll be seeking to ask Panasonic and to get some answers!

The first interchangeable lens Micro 4/3rds camcorder is due to be released later this year and of course this is great news – so good to see Panasonic making intelligent use of their investment in the existing Micro 4/3rds technology.

Read morePut your AG-AF100 questions to Panasonic

EOSHD Shootout Part 1 – 5D versus GH1 in Low Light

https://vimeo.com/10657409

If possible please watch the test footage on a proper display via DVI or HDMI, not a laptop screen. It makes a HUGE difference in perception.

The results of EOSHD’s low light shootout between the mighty Canon 5D Mark II and the Panasonic GH1 are in! This is a real-life natural light test, this is what happens when you take out the cameras and shoot. There are no test charts. No technical waffle in the video (I left it for this article!). But I have selected the shots quite carefully to show a range of typical low light challenges.

I’ve also made sure that on-camera picture profiles are taken into account. They’re set quite neutral and to match the other camera as much as possible. I also included shots which compare different picture profiles and settings so you can get an idea of their effect on the camera’s footage relative to one-another.

Read moreEOSHD Shootout Part 1 – 5D versus GH1 in Low Light

The EOSHD Shootout GH1 versus 5D MK2 – GH1 Picture Profiles

https://vimeo.com/10563576 Note: The web levels the playing field. Full-screen it on a TV!

Welcome to Part 1, Video 1 – Low light and the GH1’s film modes

I’ve been conducting a shootout between the Panasonic GH1 and 5D Mark II, using everything I know about setting up the cameras and everything I have learned from others such as Philip Bloom. In the Zacuto shootout, Bloom said he couldn’t quite set up the GH1 as he wanted, and it’s clear the 5D Mark II has a less contrasty look with slightly more latitude (but not as much as 35mm film!)

I was determined to find the ‘perfect’ match-all situations film mode on the GH1 before starting the shootout.

Read moreThe EOSHD Shootout GH1 versus 5D MK2 – GH1 Picture Profiles