Bigger sensor, or faster lens? Which is most important?
Well, a lens you can change and your sensor you cannot.
Here’s how to stop worrying about crop sensors.
Just look how close we are to continuous 5K RAW on this $2000 camera…
The ideal run & gun solution for music videos?
You can now follow my friend’s band (and long-time EOSHD collaborator, Herdwhite) on Patreon! Click here to follow the progress of the Berlin based group and pledge as little as $1 per month…
I got to play with the new Olympus E-M1 II today, a pro Micro Four Thirds camera they hope will sell for $2000. It certainly pulls out all the stops to imitate a miniature 1D X Mark II.
This camera does NOT crop the sensor in 4K mode like the GH4. Instead, it over-samples from 5K down to 4K, using the full width of the sensor even with sensor-shift 5 axis stabilisation enabled.
Featuring a 237Mbit codec, the image quality in Cinema 4K mode is outstanding with very little rolling shutter.
“Creeeek” What was that sound? Was that the sound of the coffin lid closing on Olympus’s hope of ever getting any more video users?
For a long time Olympus have had the best video stabilisation on the market but failed to capitalise on it! The system was far more powerful than any OIS lens, smoother and more effective than any other camera for handheld shooting without a gimbal. An absolute pleasure to use. Goodbye tripod.
Sony haven’t been able to compete with their in-body stabilisation which has to carry a much larger, heavier sensor, and last year’s Panasonic’s system on the GX8 was a disappointment.
Now the GX80 / GX85 has us enthralled – finally that beautiful Olympus performance 5 axis stabilisation, but with 4K image quality.