KineMAX Review Part 1 – Adventures in 6K Raw and 110fps Slow-mo

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Camera provided by Kinefinity and HDVideoShop. Final hardware but pre-release firmware with some modes such as “Golden 3K” for 16-stop dynamic range not yet enabled.

The Kinefinity KineMAX is a serious piece of kit. It is possibly the best image I have ever shot with.

The 6K Super 35mm sensor delivers an absolutely incredible raw image, internally recorded and also a CineForm Proxy for quick editing.

Read moreKineMAX Review Part 1 – Adventures in 6K Raw and 110fps Slow-mo

KineMAX 6K specs and raw footage

 

The KineMAX 6K cinema camera is nearing a release and I might have my hands on a prototype soon here in Berlin (I happen to be down the road from my friends at HDVideoShop who are the official European dealer). This is a significantly higher spec cinema camera on paper than anything else under the price of a Red Dragon for now.

Kinefinity have just released the first 6K footage from the camera and even some original material direct from the SSD card is available, for grading trials.

Read moreKineMAX 6K specs and raw footage

First sample video from the new KineMINI 4K – image quality looks impressive

These images (download the original 4K file at Vimeo to get even a clue of the full performance of the camera) are rather lovely. I’m also very impressed with the 2K slow-mo at 96fps. It is an improvement on the KineRaw MINI from last year which only shot 96fps at 720p, though there is still some moire and aliasing at the higher frame rate.

Read moreFirst sample video from the new KineMINI 4K – image quality looks impressive

Exclusive Q&A with Kinefinity’s Jihua Zheng on the 6K KineMAX and new 4K KineMINI

6K KIneMax resolution Kinefinity KineMAX

The KineMAX is a Super 35mm raw shooting 6K camera with 14 stops dynamic range, increasing to 16 stops in 3K mode, native ISO is 800. Impressive. I contacted Jihua of Kinefinity recently to talk about a few remaining questions I had on the recently announced KineMAX as well as the updated lower end model, now dubbed KineMINI.

Read moreExclusive Q&A with Kinefinity’s Jihua Zheng on the 6K KineMAX and new 4K KineMINI

Kinefinity KineRAW MINI review

Aside from Blackmagic there’s only one other company endeavouring to give us affordable cinema cameras at the moment and that’s Kinefinity. The MINI is a smaller cut down version of their S35, shooting 2K uncompressed raw to SSD from a Super 35mm sensor. It has an option for 4K to an external record (Q1 2014) and it’s a powerful piece of kit, though I have some reservations about usability.

Is the KineRAW MINI the early stages of a new Arri? A Chinese cinema camera industry?

Read moreKinefinity KineRAW MINI review