Here’s a list of the new functionality coming in June for the Panasonic GH5S and G9.
In a surprise move, the affordable G9 will be getting a huge video upgrade. The new firmware bumps the 8bit 4K mode of the G9 up to 10bit 4:2:2 internal. There are also further AF improvements for the GH5 and G9, along with manual exposure control in high-speed movie mode on the S1, improvements to highlight rolloff in V-LOG and CFExpress card support – these cards offer up to 2000Mbps data rates, 300% faster than even XQD… Perfect for internal 4K RAW should Panasonic choose to implement this next.
On the Nikon Z7 how much difference does 10bit N-LOG make?
Is there a step up from the Canon EOS R when you record 10bit externally?
How does the Fuji X-T3 compare in F-LOG at 10bit internally?
All the questions and more I set out to answer here…
I was able to find a Nikon Z7 in Berlin and decided to shoot with it at least until the Z6 comes out, when I’ll reassess whether it is worth 3800 euros. Nevertheless, this camera tells us 90% of what we need to know about that one too.
Note: My camera is running firmware version 0.2! If the performance changes when updated, I will re-do the test
Does the Panasonic GH5S finally achieve full-frame like performance at ISO 12,800 against the best of the competition?
Here I put the little nocturnal fox in the ring with the Sony A7R III, A7S II, Nikon D850 and the plain old ‘non-video-orientated’ GH5.
Just last month I went to visit Panasonic UK for a hands-on with the new Panasonic GH5S. My full review is in the pipeline but first an introduction to the new camera on the block…
The GH5S has a newly developed 10.2MP sensor for enhanced low light performance with Dual Native ISO technology, as well as 240fps 1080p S&Q.
For the first time since the GH2 this sensor is an over-sized 1.86x crop multi-aspect sensor. Possible for the first time is 60p at Cinema 4K resolution (4096 x 2160), whereas the GH5 is just Ultra HD 60p. The field-of-view will be slightly wider in Cinema 4K on the GH5S compared to the GH5 due to the larger sensor. The new CMOS also brings colour improvements with a new 14bit readout and less noise.
In the last few weeks you may have heard rumors about the Panasonic “GH5S” from the usual places. It all sounds quite compelling. Rather than a high megapixel stills and video hybrid, the “S” model would focus even more on cinema with some astounding capabilities not seen on anything remotely similar.