The new titanium PL mount SLR Magic Anamorphot cinema lenses are designed for RED users, Canon and Arri professionals. They’re also a great fit for the Sony A7S II and Samsung NX1.
I had a hands on with the new Sigma 35mm F1.4 DG HSM ART today, and compared it to my Leica Summicron-R 35mm F2.0, a $1200 lens.
Note: video is shot with no rig on an outstretched hand.
The SLR Magic 35mm T0.95 is an ultrafast manual focus lens targeted at cinematographers. It is a Leica M mount lens with bespoke adapters for mFT and Sony E-mount.
Until now I had been using this lens on my Sony FS100 but Olympus recently updated their OM-D firmware to support 5 axis stabilisation in video mode with all manual focus lenses.
Move over MoVI…
The Sony RX1 is a compact camera that beats Leica and Hasselblad for image quality.
- Full frame 35mm
- 16:9 format
- Hyper low light sensitive – even larger pixels than 1D X sensor
- Prototype to be shown in Japan between 5th-8th March
If you think the C300’s low light sensitivity is impressive, here’s Canon’s new image sensor. Is it destined for digital cinema cameras?