[vimeo]http://vimeo.com/65260452[/vimeo] These past days I’ve been trying to make myself useful to Alex at Magic Lantern, testing the DNG raw video recording on the 5D Mark III with a nightly build of Magic Lantern. Here’s what the video quality looks like in the DNG video modes at 30fps. Click the…
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[vimeo]http://vimeo.com/64917111[/vimeo] Is it any better? Rather than spoil the surprise please do go ahead and watch the short test video. You can download the original file at Vimeo here.
[vimeo]http://vimeo.com/64879501[/vimeo] Iscorama anamorphic on the 1D C and my test footage at Vimeo I shot with the Canon 1D C and Canon C100 Cinema EOS cameras recently with SlashCam in Berlin. The 1D C is the most Jekyll and Hyde camera I’ve ever used and a difficult camera to review. The 1D…
[vimeo]http://vimeo.com/63910035[/vimeo] First 1.50 minutes is sample footage, you can fast forward to 1.50 for the technical info Kickstart the HolyManta ND on FundedByMe This is something I’ve wanted for a long time! Focus and exposure are the most important things on a movie camera yet DSLRs don’t have a built in…
UPDATE: More details here Last year I found a sensor which seemed a perfect match for future 4K Blackmagic Cinema Cameras. I contacted the supplier CMOSIS who quoted me a rough price point which made 4K for $4K within reach. CMOSIS are a European company who are mass producing the…
For the second NAB in succession Blackmagic are bulldozing down the image quality / price barrier for film production. 4K compressed raw, global shutter and Super 35mm was the unique preserve of Sony with the F55 until today, and that was a $36,000 camera. This is a $4000 one. Gone…
[vimeo]http://vimeo.com/63285458[/vimeo] The Canon 1D C has taken to the skies for the first time thanks to Perspective Aerials founder Anthony Jacobs, who has just stepped up their drone to fly heavier cameras. The new rig has a custom built RC follow focus by Anthony Lenzo of Air Sea Land (ASL).
[vimeo]http://vimeo.com/53914149[/vimeo] Cheetahs at 1200fps on Vimeow I love slow mo and it is great to be able to do it now on the Nikon 1 series at 400fps, albeit limited to a low-fi look (the 1200fps on that camera is extremely low resolution!). Now the technique has gone 65mm – yes…