First the news. Magic Lantern have playback of raw files working with early stage code. Black and white and slow frame rate but works – already. Experimental audio recording has been added. Testers and early adopters will need to see if it in sync. Future nightly builds of the Magic Lantern…
Search Results: anamorphic (332)
[vimeo]http://vimeo.com/66033769[/vimeo] UPDATE: here’s 2.5K raw in 1:1 crop mode – [vimeo]http://vimeo.com/66124969[/vimeo] Huge thanks go to A1ex, g3gg0, 1% and the whole Magic Lantern team. I have no other words to describe it – this is huge news. Magic Lantern have done the seemingly impossible and given us a continuous raw recording…
[youtube]http://www.youtube.com/watch?v=bN-On2CusDM[/youtube] With the rise of J.J. Abrams, TV’s aristocracy has morphed into cinema’s with JJ Abrams to direct Star Wars Episode VII in the UK next year. J.J. Abrams comes from a family of TV industry figures, his father a TV producer and his mother an executive producer. His sister is…
[vimeo]http://vimeo.com/65260452[/vimeo] These past days I’ve been trying to make myself useful to Alex at Magic Lantern, testing the DNG raw video recording on the 5D Mark III with a nightly build of Magic Lantern. Here’s what the video quality looks like in the DNG video modes at 30fps. Click the…
[vimeo]http://vimeo.com/64917111[/vimeo] Is it any better? Rather than spoil the surprise please do go ahead and watch the short test video. You can download the original file at Vimeo here.
[vimeo]http://vimeo.com/64879501[/vimeo] Iscorama anamorphic on the 1D C and my test footage at Vimeo I shot with the Canon 1D C and Canon C100 Cinema EOS cameras recently with SlashCam in Berlin. The 1D C is the most Jekyll and Hyde camera I’ve ever used and a difficult camera to review. The 1D…
[vimeo]http://vimeo.com/63910035[/vimeo] First 1.50 minutes is sample footage, you can fast forward to 1.50 for the technical info Kickstart the HolyManta ND on FundedByMe This is something I’ve wanted for a long time! Focus and exposure are the most important things on a movie camera yet DSLRs don’t have a built in…
UPDATE: More details here Last year I found a sensor which seemed a perfect match for future 4K Blackmagic Cinema Cameras. I contacted the supplier CMOSIS who quoted me a rough price point which made 4K for $4K within reach. CMOSIS are a European company who are mass producing the…