[vimeo]http://vimeo.com/63910035[/vimeo] First 1.50 minutes is sample footage, you can fast forward to 1.50 for the technical info Kickstart the HolyManta ND on FundedByMe This is something I’ve wanted for a long time! Focus and exposure are the most important things on a movie camera yet DSLRs don’t have a built in…
Search Results: anamorphic (334)
UPDATE: More details here Last year I found a sensor which seemed a perfect match for future 4K Blackmagic Cinema Cameras. I contacted the supplier CMOSIS who quoted me a rough price point which made 4K for $4K within reach. CMOSIS are a European company who are mass producing the…
For the second NAB in succession Blackmagic are bulldozing down the image quality / price barrier for film production. 4K compressed raw, global shutter and Super 35mm was the unique preserve of Sony with the F55 until today, and that was a $36,000 camera. This is a $4000 one. Gone…
[vimeo]http://vimeo.com/63285458[/vimeo] The Canon 1D C has taken to the skies for the first time thanks to Perspective Aerials founder Anthony Jacobs, who has just stepped up their drone to fly heavier cameras. The new rig has a custom built RC follow focus by Anthony Lenzo of Air Sea Land (ASL).
[vimeo]http://vimeo.com/53914149[/vimeo] Cheetahs at 1200fps on Vimeow I love slow mo and it is great to be able to do it now on the Nikon 1 series at 400fps, albeit limited to a low-fi look (the 1200fps on that camera is extremely low resolution!). Now the technique has gone 65mm – yes…
The Flare Factory 58 is modified lens by fellow British filmmaker Richard Gale, and a regular member of the EOSHD forum. A few weeks go Rich sent me one of the first of the lenses, a Flare Factory 58 (serial 004). Humorously branded Dog Schidt Optiks (the ‘n’ is silent), Rich is…
http://vimeo.com/62177101 The Nikon V1 is a $300 camera – buy it now on eBay High speed shooting hasn’t been possible on DSLRs until now. Again it is the much dismissed Nikon V1 providing the creative inspiration…
https://vimeo.com/59832019 UPDATE: The HDMI output on this camera is uncompressed 4:2:2, for a leap in image quality over the internal 24Mbit codec! Check the forum for my ProRes noise grain sample shots The Nikon D5200 is the best mid-range Nikon yet for video. What is more of a surprise is…