https://twitter.com/nokishita_c/status/1391641119931260932 Comment on the forum Controversy is brewing! Ever since 2017 an army of Panasonic GH5 fans and Micro Four Thirds users have been waiting for the GH6. They did not all go out and suddenly change to a $4000 Panasonic S1H. Our feedback has been continually piped to Panasonic…
Search Results: anamorphic (335)
Comment on the forum Panasonic S1 owners continue to get a generous deal. Panasonic has today announced firmware update 2.0 for the camera. In a nutshell, the S1 gets a lot of the S1H high-end recording options. 5.9K and C4K in 10bit. 4K/60p in 10bit. Anamorphic 4:3 12bit RAW at…
Comment on the forum 4K from a large sensor first arrived for $15,000 with the Canon 1D C. Later, Panasonic democratised it with the GH4. These images are as cinematic as ever today, but can we really go full on socialist 4K? 4K for $400? No – too expensive! How…
https://www.youtube.com/watch?v=RjxqTp0emzQ&feature=emb_title Comment on the forum Sony really excelled themselves this time. The FX3 is $400 more than the A7S III for less camera!
Comment on the forum Sony have released their latest pandemic camera. The FX6 is a cut down FX9 priced at $6K. Image quality and frame rates are pretty much the same as the A7S III, but due to an even lower resolution sensor there is no 4K in Super 35mm…
https://youtu.be/sMoOljDtVwc Comment on the forum I’d like to welcome Kazuto Yamaki, CEO of Sigma and the product manager of the Sigma Fp and Cinema lenses, Takuma Wakamatsu to the pages of EOSHD for this long interview! I have recently been shooting in cinemascope anamorphic with my Sigma Fp – the…
Comment on the forum Recently a lot of the action has been in the high-end camera market, with only Fuji, Panasonic and Sigma remembering to think about the rest of us interested in enthusiast tools with cinematic high quality video recording! Now Panasonic has gone a step further from the…
https://youtu.be/YW1-u4tB6Q0 Comment on the forum Coming soon: an EOSHD Interview with Fujifilm What do you get when you combine three things that shouldn’t go together – a medium format camera, a 200mph sport and a full frame Contax Zeiss zoom lens?