[vimeo]https://vimeo.com/103305439[/vimeo] The D810 now shoots better quality 1080p out of the box than the 5D Mark III. It isn’t 4K or raw but it’s good. In fact Nikon are now providing better image quality than Canon across the range in video mode. Beginning with the D3300 and D5300 which provide…
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Buy it now – $599 Ultra HD (3840 x 2160) has arrived on your desktop and it is cheap. This screen is like having a 28″ Retina display. For filmmakers and photographers has the time come to finally go 4K?
[vimeo]http://vimeo.com/106946973[/vimeo] At Photokina (Photokino for video users!) I briefly played with the Nikon D750. With the camera tethered to a sales rep stand and so much else for filmmakers at the show like the Sony A7S, Panasonic GH4, Samsung NX1, Blackmagic and Red, I didn’t really have much time for the Canon or Nikon…
[vimeo]http://vimeo.com/106819877[/vimeo] For those who find video very lacking on small cameras especially the Fuji X100S and X100T, Panasonic now have a high end retro-styled compact with 4K video. The sensor and EVF come from the GX7, which in turn is quite close to the GH4 in performance terms. We are talking…
[vimeo]http://vimeo.com/106772619[/vimeo] What informs the film look? Of all the technical aspects that do, I think it comes down to three key ingredients. 24p, a wide dynamic range and a 2x anamorphic lens. I and many other filmmakers chase that look. Well, I’ve just returned from Photokina in Cologne, Germany with a surprise. 2 years on from my first…
Day one at Photokina and first on the agenda is a catch-up chat with Sony product managers Bill Drummond, Ben Pilling and Robbie Fleming who had arrived fresh from IBC. I took a tour of the Sony booth and briefly tried the new Sony FS7 Super 35mm cinema camera for filmmakers!
I’m heading to Photokina today (Monday) for the 2014 show, here are the new developments to expect on the cinema and video side of the show.
It is rare to see a less than positive review of a camera online today and rarer still to see tough questions asked of camera companies in interviews. At EOSHD I don’t agree the ‘yes man’ relationship does the camera companies any favours at all. Here are my 10 tough questions…