KineRAW tester Dan Hudgins has kindly updated us with new photos of the KineRAW S35 and downloadable raw CineForm clips on the EOSHD forum.
Search Results: blackmagic (419)
[vimeo]http://vimeo.com/42589604[/vimeo] Above: 240fps at 120mph by Bill Totolo shot on the FS700 Adam Wilt over at ProVideoCoalition has done the first really comprehensive look at the Sony FS700’s image quality with a lab test. So far we’ve had field reports but nothing that goes into depth about image quality. How…
Spot the difference! Those crafty Chinese are at it again! See the lenses on eBay here Cinematics have started offering ‘film lenses’ which are Zeiss Compact Prime copies – cinema modified Zeiss ZE (Canon mount) full frame lenses at up to one quarter of the price of a real Compact…
I’m a filmmaker, and the Canon APS-C line fails to deliver what I need. The 650D is the FIFTH APS-C DSLR Canon have released with no improvement in video quality. Starting with the 7D (1) we’ve subsequently had the 550D (2), the 60D (3), the 600D (4) and now the…
Go here to read DPReview’s look at the D800E movie mode vs the standard D800 Please bear in mind the situation can be improved dramatically by the right in-camera picture settings and Mosaic Engineering’s anti-aliasing filter for the D800, which is under development now (as of June 2012). DPReview have updated…
The Revenge Of The Great Camera Shootout is Zacuto’s antidote to pixel peeping camera tests. It airs June 15th online, but preview showings have been taking part around the world. It aims to show how any camera from the very top (Alexa, Sony F65) down (to the iPhone) are viable…
Ground control to Major Tom – Today Panavision unveiled a new Dynamax sensor for the TV and scientific industries, which does 12bit 2K and 1080p with a global shutter. It turns out this sensor contains NASA developed technology from the US state funded Jet Propulsion Laboratory.
In the last few weeks the already large number of options for filmmakers have been shaken up. Current cameras all seem to fall into different niches. There are the depth of field specialists – 5D Mark III and D800 with full frame sensors. There are the resolution and raw codec…