Administrators Andrew Reid Posted 3 hours ago Administrators Share Posted 3 hours ago Looks fantastic. Any interviews with the cinematographer / crew out there? They used Panasonic GH7 + Lumix 12mm F1.4 for most part https://www.eoshd.com/news/in-ny-and-la-theatres-january-major-new-movie-magellan-is-shot-on-the-panasonic-gh7/ sanveer and PannySVHS 2 Link to comment Share on other sites More sharing options...
PannySVHS Posted 3 hours ago Share Posted 3 hours ago Thank you for sharing, Andrew. This is looking great. I will watch it as soon as they show it in the cinemas over here. I am still curious to test a GH5 MK II due to it been tested by slashcam for displaying great rendering of texture and offering one of the best 4K images of any dslms out there in that regard. Its optional 1.4 crop mode makes it a great digital 4K S16 cinema camera. GH7 in 4k pixel per pixel mode might be closer to 16mm crop though. I would love a M43 sensor sized lumix pocket cinema camera with flexible cropping, like S16 1:1.66, S16 4:3 with full Super16 width, 2/3" 1:1, you name it. And while you are at it, Panny please give it an internal ND and still keep the EVF and great battery life plus full size Hdmi.:) Andrew Reid and sanveer 2 Link to comment Share on other sites More sharing options...
fuzzynormal Posted 17 minutes ago Share Posted 17 minutes ago Thankfully, we're so far beyond the camera being the gatekeeper to accomplishing beautiful cinema. There's no real technical limitation affecting the cinema we see here. I've always been partial to portrait focal lengths because of what they take away from an image, but it's great to see more creative cinematographers shooting wide. Lubezki pretty much hangs out there most of the time. Link to comment Share on other sites More sharing options...
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