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Colorizer Fujifilm Film Simulation LUTs for multiple cameras


Attila Bakos
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Hello,

This is the official topic for all Colorizer products.
My main focus is bringing high-precision Fujifilm Film Simulation LUTs to multiple cameras.
The following formats are supported at the moment, click the links for videos and details:
Fujifilm X-T3/X-T4 F-Log
Sony S-Log2/S-Gamut3.cine
Panasonic V-Log L & HLG

I also sell ACES IDTs for cameras that are not natively supported by Davinci Resolve:
- Fujifilm F-Log/F-Gamut
- Nikon N-Log/BT.2020
- Sony S-Log2/S-Gamut3.cine
- Z Cam ZLog2
- GoPro Protune
These packs include a lot of 3D LUTs simulating the ACES Rec.709 look, so it can be valuable for Premiere users as well.

I also have Technical fixes for common color shift issues caused by bad interpretation of certain clips in Premiere. I strongly suggest you check this out if you're a Fujifilm user.

As a bonus I created a bunch of free online tools for creating and modifying 3D LUTs, so if you're into this kind of stuff, visit http://colorizer.net.

Thank you for your attention,
Attila

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EOSHD Pro Color 5 for Sony cameras EOSHD Z LOG for Nikon CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs
  • 1 year later...

New ACES IDT packs are released:

  • Leica L-Log/BT.2020
  • Fujifilm F-Log2/F-Gamut

You can get them from here: https://colorizer.net/dev/index.php?op=aces

The Fuji one I did almost blindly, I couldn't get my hands on original F-Log2 clips yet, but since the data sheet is already out I created this package anyway. I used youtube framegrabs for verification and I can already see that if you bring F-Log and F-Log2 to the same contrast, the latter has more saturation, especially in the yellow-red area. And greens are a bit more yellow, foliage seems to be warmer.

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17 hours ago, TheRenaissanceMan said:

I was talking about the Fujifilm Emulation LUTs, for which you listed several other formats. 

Ah I see. To create Fujifilm Film Simulation LUTs I need to have the camera for 1-2 weeks, and I don't know a single person in my area who owns it. The other thing is that it takes quite a lot of time for me to create these packs so I mainly go for cameras with large user base. In this regard I'm not sure about the F3.

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7 hours ago, Attila Bakos said:

Ah I see. To create Fujifilm Film Simulation LUTs I need to have the camera for 1-2 weeks, and I don't know a single person in my area who owns it. The other thing is that it takes quite a lot of time for me to create these packs so I mainly go for cameras with large user base. In this regard I'm not sure about the F3.

Honestly, that's completely fair re: F3. It's a pretty niche market. 

 

So these are tailored to specific cameras, not just the color space + gamma? That's amazing. I'm assuming that means I can't just use a color space transform to put an incompatible camera into an appropriate color space, or at least wouldn't be guaranteed optimal results?

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5 hours ago, Django said:

What about the Fuji LUTs for Canon Log?

I have an EOS R so it will come eventually. I'm also saving up for an R5C and then I can do something for C-Log3 as well.

 

5 hours ago, TheRenaissanceMan said:

Honestly, that's completely fair re: F3. It's a pretty niche market. 

 

So these are tailored to specific cameras, not just the color space + gamma? That's amazing. I'm assuming that means I can't just use a color space transform to put an incompatible camera into an appropriate color space, or at least wouldn't be guaranteed optimal results?

Yes the packs are tailored for specific cameras, I take about 10k color samples from each camera and from these measurements I create LUTs using my own engine. It's quite a long process.

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    EOSHD C-LOG and Film Profiles for All Canon DSLRs
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