Colorizer Fujifilm Film Simulation LUTs for multiple cameras

[Attila Bakos]

Hello,

This is the official topic for all Colorizer products.
My main focus is bringing high-precision Fujifilm Film Simulation LUTs to multiple cameras.
The following formats are supported at the moment, click the links for videos and details:
Fujifilm X-T3/X-T4 F-Log
Sony S-Log2/S-Gamut3.cine
Panasonic V-Log L & HLG

I also sell ACES IDTs for cameras that are not natively supported by Davinci Resolve:
- Fujifilm F-Log/F-Gamut
- Nikon N-Log/BT.2020
- Sony S-Log2/S-Gamut3.cine
- Z Cam ZLog2
- GoPro Protune
These packs include a lot of 3D LUTs simulating the ACES Rec.709 look, so it can be valuable for Premiere users as well.

I also have Technical fixes for common color shift issues caused by bad interpretation of certain clips in Premiere. I strongly suggest you check this out if you're a Fujifilm user.

As a bonus I created a bunch of free online tools for creating and modifying 3D LUTs, so if you're into this kind of stuff, visit http://colorizer.net.

Thank you for your attention,
Attila

[Andrew Reid]

Attila's work is fantastic.

Please do check it out!

[PannySVHS]

Yeah, I remember the colour titans Attila and Sage exchanged compliments for one another. Kindest words between these wizards. If picking up paid work, I will consider both their work.

[Attila Bakos]

New ACES IDT packs are released:

• Leica L-Log/BT.2020
• Fujifilm F-Log2/F-Gamut

You can get them from here: https://colorizer.net/dev/index.php?op=aces

The Fuji one I did almost blindly, I couldn't get my hands on original F-Log2 clips yet, but since the data sheet is already out I created this package anyway. I used youtube framegrabs for verification and I can already see that if you bring F-Log and F-Log2 to the same contrast, the latter has more saturation, especially in the yellow-red area. And greens are a bit more yellow, foliage seems to be warmer.

[TheRenaissanceMan]

This is great! Any chance of an SLOG1/SGamut version for us F3 users?

[Attila Bakos]

16 hours ago, TheRenaissanceMan said:

This is great! Any chance of an SLOG1/SGamut version for us F3 users?

But that's already there in Resolve:

 

[TheRenaissanceMan]

1 hour ago, Attila Bakos said:

But that's already there in Resolve:

 

I was talking about the Fujifilm Emulation LUTs, for which you listed several other formats. 

[Emanuel]

Just bookmarked : ) Thanks to both @Attila Bakos and particularly to @Andrew Reid who doesn't mind and put the art in front, reason why made EOSHD the most important worldwide corner of web : P

 

Happy past camper... BTW ;- )

 

- EAG

[PannySVHS]

8 hours ago, TheRenaissanceMan said:

I was talking about the Fujifilm Emulation LUTs, for which you listed several other formats. 

I second that. @Attila Bakos

By the way, your last shots and the ones before in the F3 thread were very beautiful! Would love to see some of that in motion. @TheRenaissanceMan

[Attila Bakos]

17 hours ago, TheRenaissanceMan said:

I was talking about the Fujifilm Emulation LUTs, for which you listed several other formats. 

Ah I see. To create Fujifilm Film Simulation LUTs I need to have the camera for 1-2 weeks, and I don't know a single person in my area who owns it. The other thing is that it takes quite a lot of time for me to create these packs so I mainly go for cameras with large user base. In this regard I'm not sure about the F3.

[Django]

What about the Fuji LUTs for Canon Log?

[TheRenaissanceMan]

7 hours ago, Attila Bakos said:

Ah I see. To create Fujifilm Film Simulation LUTs I need to have the camera for 1-2 weeks, and I don't know a single person in my area who owns it. The other thing is that it takes quite a lot of time for me to create these packs so I mainly go for cameras with large user base. In this regard I'm not sure about the F3.

Honestly, that's completely fair re: F3. It's a pretty niche market. 

 

So these are tailored to specific cameras, not just the color space + gamma? That's amazing. I'm assuming that means I can't just use a color space transform to put an incompatible camera into an appropriate color space, or at least wouldn't be guaranteed optimal results?

[Attila Bakos]

5 hours ago, Django said:

What about the Fuji LUTs for Canon Log?

I have an EOS R so it will come eventually. I'm also saving up for an R5C and then I can do something for C-Log3 as well.

 

5 hours ago, TheRenaissanceMan said:

Honestly, that's completely fair re: F3. It's a pretty niche market. 

 

So these are tailored to specific cameras, not just the color space + gamma? That's amazing. I'm assuming that means I can't just use a color space transform to put an incompatible camera into an appropriate color space, or at least wouldn't be guaranteed optimal results?

Yes the packs are tailored for specific cameras, I take about 10k color samples from each camera and from these measurements I create LUTs using my own engine. It's quite a long process.