Attila Bakos Posted June 15, 2021 Share Posted June 15, 2021 Hello, This is the official topic for all Colorizer products. My main focus is bringing high-precision Fujifilm Film Simulation LUTs to multiple cameras. The following formats are supported at the moment, click the links for videos and details: Fujifilm X-T3/X-T4 F-Log Sony S-Log2/S-Gamut3.cine Panasonic V-Log L & HLG I also sell ACES IDTs for cameras that are not natively supported by Davinci Resolve: - Fujifilm F-Log/F-Gamut - Nikon N-Log/BT.2020 - Sony S-Log2/S-Gamut3.cine - Z Cam ZLog2 - GoPro Protune These packs include a lot of 3D LUTs simulating the ACES Rec.709 look, so it can be valuable for Premiere users as well. I also have Technical fixes for common color shift issues caused by bad interpretation of certain clips in Premiere. I strongly suggest you check this out if you're a Fujifilm user. As a bonus I created a bunch of free online tools for creating and modifying 3D LUTs, so if you're into this kind of stuff, visit http://colorizer.net. Thank you for your attention, Attila jpleong, Andrew Reid, TheRenaissanceMan and 3 others 5 1 Quote Link to comment Share on other sites More sharing options...
Administrators Andrew Reid Posted June 15, 2021 Administrators Share Posted June 15, 2021 Attila's work is fantastic. Please do check it out! Attila Bakos, PannySVHS and Emanuel 3 Quote Link to comment Share on other sites More sharing options...
PannySVHS Posted June 15, 2021 Share Posted June 15, 2021 Yeah, I remember the colour titans Attila and Sage exchanged compliments for one another. Kindest words between these wizards. If picking up paid work, I will consider both their work. Attila Bakos 1 Quote Link to comment Share on other sites More sharing options...
Attila Bakos Posted June 18, 2022 Author Share Posted June 18, 2022 New ACES IDT packs are released: Leica L-Log/BT.2020 Fujifilm F-Log2/F-Gamut You can get them from here: https://colorizer.net/dev/index.php?op=aces The Fuji one I did almost blindly, I couldn't get my hands on original F-Log2 clips yet, but since the data sheet is already out I created this package anyway. I used youtube framegrabs for verification and I can already see that if you bring F-Log and F-Log2 to the same contrast, the latter has more saturation, especially in the yellow-red area. And greens are a bit more yellow, foliage seems to be warmer. Emanuel, PannySVHS and kye 2 1 Quote Link to comment Share on other sites More sharing options...
TheRenaissanceMan Posted June 18, 2022 Share Posted June 18, 2022 This is great! Any chance of an SLOG1/SGamut version for us F3 users? PannySVHS 1 Quote Link to comment Share on other sites More sharing options...
Attila Bakos Posted June 19, 2022 Author Share Posted June 19, 2022 16 hours ago, TheRenaissanceMan said: This is great! Any chance of an SLOG1/SGamut version for us F3 users? But that's already there in Resolve: PannySVHS 1 Quote Link to comment Share on other sites More sharing options...
TheRenaissanceMan Posted June 19, 2022 Share Posted June 19, 2022 1 hour ago, Attila Bakos said: But that's already there in Resolve: I was talking about the Fujifilm Emulation LUTs, for which you listed several other formats. PannySVHS 1 Quote Link to comment Share on other sites More sharing options...
Emanuel Posted June 19, 2022 Share Posted June 19, 2022 Just bookmarked : ) Thanks to both @Attila Bakos and particularly to @Andrew Reid who doesn't mind and put the art in front, reason why made EOSHD the most important worldwide corner of web : P Happy past camper... BTW ;- ) - EAG PannySVHS 1 Quote Link to comment Share on other sites More sharing options...
PannySVHS Posted June 19, 2022 Share Posted June 19, 2022 8 hours ago, TheRenaissanceMan said: I was talking about the Fujifilm Emulation LUTs, for which you listed several other formats. I second that. @Attila Bakos By the way, your last shots and the ones before in the F3 thread were very beautiful! Would love to see some of that in motion. @TheRenaissanceMan Quote Link to comment Share on other sites More sharing options...
Attila Bakos Posted June 20, 2022 Author Share Posted June 20, 2022 17 hours ago, TheRenaissanceMan said: I was talking about the Fujifilm Emulation LUTs, for which you listed several other formats. Ah I see. To create Fujifilm Film Simulation LUTs I need to have the camera for 1-2 weeks, and I don't know a single person in my area who owns it. The other thing is that it takes quite a lot of time for me to create these packs so I mainly go for cameras with large user base. In this regard I'm not sure about the F3. TheRenaissanceMan 1 Quote Link to comment Share on other sites More sharing options...
Django Posted June 20, 2022 Share Posted June 20, 2022 What about the Fuji LUTs for Canon Log? Quote Link to comment Share on other sites More sharing options...
TheRenaissanceMan Posted June 20, 2022 Share Posted June 20, 2022 7 hours ago, Attila Bakos said: Ah I see. To create Fujifilm Film Simulation LUTs I need to have the camera for 1-2 weeks, and I don't know a single person in my area who owns it. The other thing is that it takes quite a lot of time for me to create these packs so I mainly go for cameras with large user base. In this regard I'm not sure about the F3. Honestly, that's completely fair re: F3. It's a pretty niche market. So these are tailored to specific cameras, not just the color space + gamma? That's amazing. I'm assuming that means I can't just use a color space transform to put an incompatible camera into an appropriate color space, or at least wouldn't be guaranteed optimal results? Quote Link to comment Share on other sites More sharing options...
Attila Bakos Posted June 20, 2022 Author Share Posted June 20, 2022 5 hours ago, Django said: What about the Fuji LUTs for Canon Log? I have an EOS R so it will come eventually. I'm also saving up for an R5C and then I can do something for C-Log3 as well. 5 hours ago, TheRenaissanceMan said: Honestly, that's completely fair re: F3. It's a pretty niche market. So these are tailored to specific cameras, not just the color space + gamma? That's amazing. I'm assuming that means I can't just use a color space transform to put an incompatible camera into an appropriate color space, or at least wouldn't be guaranteed optimal results? Yes the packs are tailored for specific cameras, I take about 10k color samples from each camera and from these measurements I create LUTs using my own engine. It's quite a long process. TheRenaissanceMan 1 Quote Link to comment Share on other sites More sharing options...
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