herein2020 Posted October 29, 2020 Share Posted October 29, 2020 1 hour ago, Danyyyel said: (0% of usser including me are expecting and complaining about 10 bit h264 internal not RAW. I don't understand that obsession about size unless you want to do spy shots. I mean I can shoot RAW video with cameras that is smaller than my last dslr Nikon D750 and a flash on it. In fact I prefer and camera with an external recorder than one with all internal WOW spec that will overhead. In a any narrative, high end commercial and documentary filming where I think RAW can be warranted, those size a ridiculously small. I mean the z6 + ninja V might be barely bigger than a Canon 5d mark ii. So what has happened those last decade, everyone has become so much older that they can't hold less than a kilogram. I for one prefer a larger camera because the weight makes hand holding steadier but you want to know what I don't believe in? External recorders. For me it has nothing to do with weight or size, it has to do with one more thing that can go wrong, more wires to carry, more batteries to charge, and external recorders are a single point of failure if their hard drive gets corrupt. I agree with @MrSMW and @Phil A as a hybrid shooter every single extra piece of equipment becomes a PITA when on set as a hybrid solo shooter. For my use case I am almost always shooting solo, on a single shoot I could be dealing with light stands, studio strobes, remote flash triggers, photo camera body and diffusers; I could also be shooting video clips from a tripod or handheld, monopod, and sometimes gimbal.....mixed into all of that of course are lenses, expo discs, ND filters, and sometimes audio which includes lavs, XLR adapters, and transmitters / receivers or XLR wiring. Lets not forget continuous video lighting, smoke machines etc.. let's not forget the obligatory drone which is needed for a few big picture drone video clips, and if a timelapse is needed that's a 3rd camera body, and lets not forget underwater if its a lifestyle shoot that wants to showcase their pool or a modeling swimwear shoot so that's a 4th camera body....all as a one man shooter. So you ask what has happened over the last decade? What happened is customers expect more than ever before but at the same time they pay less than ever before. In my particular area the local market is saturated with photographers and videographers all under cutting each other bidding on the same clients; those same clients that half the time feel like cell phone footage is probably good enough anyway so why bother hiring us to begin with. So yes, I absolutely will gladly use the absolute smallest simplest configuration possible to get the job done. This is why I got the S5, this is why I have an EF adapter to minimize my lens kit, this is why I don't use anything external if I can help it including recorders or even monitors, and this is also why I don't care as much about RAW as I do about 4K 10 bit internally recorded. Yes BRAW 12:1 would be nice when its time to edit the footage but 10bit 4K recorded internally to dual cards is WAY more important to me as is a single lens mount that will work on everything from my C200 to my 5DIV to my S5. Specs are great to read about or watch on YouTube. but they are a tiny part of the big picture and the realities you face working in this industry every day. And I'm not talking about the big name commercial production industry, I'm talking about the in between industry where you are a shooter like me shooting weddings, music videos, small business promo videos, corporate events, real estate marketing videos, etc. There is a ton of paying work in this space that simply doesn't pay quite enough to bring in entire teams and assistants. Geoff CB, MrSMW and Amazeballs 3 Quote Link to comment Share on other sites More sharing options...
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