There's nothing here yet
By Mickey Gaidos
I shot this promotional video for the annual Tango Festival here in New Orleans.
Shot with c100II and GH5, I really wanted to test out the improvements in the lowlight capabilities with the GH5 over shooting last years festival with the GH4, I was impressed!
Edited in FCPX
By Elliot M
Hoping someone can help with this edit workflow question:
I currently shoot video on Canon DSLRs (in H264 MOV format), and edit on a late 2009 iMac (2.8ghz i7 processor, 16gb memory).
The films I make are mainly for web rather than TV broadcast, and beyond basic colour grade / tidying up, have minimal effects added (no CGI).
Until recently, I used Final Cut Pro 7, using FCP's Log & Transfer function to import and edit footage in Pro Res 422 format.
Having just moved to Premiere Pro CC 2017, I'm trying to figure out the most efficient workflow with the best resulting image.
Should I import and edit in native H264 MOV? Or ingest and edit as either Pro Res or DNxHD?
If Pro Res or DNxHD, what's the best way to ingest (or import / transcode)?
I've been reading mixed things via Google; mainly Adobe-related articles explaining a native workflow, vs various articles sponsored by transcoding software companies, saying that transcoding will have a better result.
Any thoughts would be much appreciated.
So I am about to purchase Canon's C100 Mark II. just a question about the slow motion options on the camera.
I want to make a clip that shoots in slow motion but while recording at 60 Fps i want to transition back to normal velocity while recording is it possible to do this? without any type of Atomos Ninja device? I don't want to have to go into video editing either to do it because it can diminish the quality of the slow motion and the transitioning.
I recently shot a music video with the GH4(in 4k) and GH2(1080) all the footage looks really good in preview playback but I notice a Gamma change with the .mov GH4 files if I open in FCP or VLC? I've had this problem with RED files and I just continued editing with the darkened gamma change because the files seem to correct themselves upon export. With that said I have a couple questions with how I should continue with this project or if there is a better way.
My workflow plan right now is to Transcode first all of AVCHD GH2 files with 5dToRGB to PRORES 422HQ
After that I'll import the PRORES files into FCP and drag a clip to the timeline and match the sequence settings to the clip because the final deliverable will be in 1080.
My question is with the 4k footage and if this workflow makes sense? Should I import the .mov files directly into the 1080 sequence? or should I transcode the .mov files to 4K PRORES? I know importing the .mov files will slow me down because I'll have to constantly render but I don't want to lose image quality in conversion.
My concern is the gamma will change and I wont know the true image quality until after I export. I just want to keep the images looking like they are.
What would be some of your workflows when working with the same type media?
Hello! I'm a student hoping to get some feedbacks from the community here! Would like to share with you a video I made in Myanmar.
I am trying to highlight the happiness within the people despite the rapid development of Myanmar through this video.
Hope you like it!