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My cameras and kit

Found 16 results

  1. I was recently a part of making a short movie, and the camera combination used, i thought might interest someone here. Also there might be someone thinking if the FS700 still works today, as i myself did. The film can be seen here (there are no subtitles, but the story is about a woman that gets stopped in the street by the police, because of the hoodie she is wearing. It's at satire on laws currently being implemented i Denmark) https://www.ekkofilm.dk/shortlist/film/trojen/ For the dialogue parts, we were cutting between a Gh5 and a sony FS700. It worked out great I think, all though it was difficult to get the colors to match. We were also filming outside, so that did not help, with the ever changing sun clouds. For lenses, we used a Canon 24-70 2.8 (with focal reducer) on the GH5, and a Tamron 17-50 2.8 on the FS700. Can you tell which is which? camera A camera B I would not use this camera combo for anything that should be matched quickly, but if you have the time, the FS700 files in 10 bit prores slog and the GH5 10 bit vlog files, were super great to work with. The result is not perfect, but we like it. I love both cameras, and I am amazed how great the FS700 and the odyssey 7q are! We were afraid we would have to change batteries all the time, but big NP-F batteries lastede around 2 hours each (1 in the cam that lasted longer and 1 in the odyssey 7q). Mounted on a shoulder rig, the FS700 is also pretty comfortable, in comparison with for instance, an URSA Mini and weighs about the same, with the odyssey. The buttons are a pain to reach though. For those interested, the dialogue was recorded with at Røde NTG1 shotgun mic to a Tascam 60d. Here are some other shots from the film. (if there is banding in the footage where you see it, it is jpeg/web compression, it is not in the final video file.)
  2. HUF heads to the summit in our latest "Ascensions" film After kicking the Ascensions Series off with up-and-coming streetwear brand THFKDLF, we now turn our attention to established streetwear imprint HUF. Each video in the series is shot amid a vast natural landscape, with the intention of representing a brand’s rise toward the summit in their field. Since beginning as a small shop in San Francisco in 2002, HUF has turned into a strong name in the skateboarding and streetwear worlds. Donning the brands spring and classic garments, the model heads through an abandoned quarry and up to the UK’s largest drop waterfall, showing off both the clothing and landscape to full effect. Video by: Naive Studio <iframe width="560" height="315" src="https://www.youtube.com/embed/b0khwTN4XNY" frameborder="0" allowfullscreen></iframe> http://www.highsnobiety.com/2015/08/06/ascensions-huf-video/ Filmed on the Sony Nex-FS700 Timelapse: Sony A6000 Lenses: Zeiss Touit 12mm f2.8 / 32mm f1.8 1920 x 1080 HD / 16:9 / 240fps / 24fps Music: Wife - Shards From the Album: Stoic EP Label: Tri▽angle Motion Titles: Yoke Creative yokecreative.co.uk Still Image: Benjamin Moore @photographmoore Love to know what people think! Kindest Regards Jonathan Edwards naivestudio.co.uk highsnobiety.com
  3. We wanted to try compositing basic 3D VFX in the background with GH4 4K video (inspired by videogames I used to write). I used 3DS Max to create a simple scene with an alpha channel and tried to composite everything in Premiere Pro CC. Unfortunately, PPro (and AE) have issues with the 3DSMax alpha channel (not a premultiplied color issue) and the low levels of the alpha channel appear to get clipped, cutting off subtle glows, etc., making correct compositing impossible. So I moved the background plate into 3DS Max and rendered the 3D elements directly on top. I had originally planned for a much more complex 3D scene, including having objects come out of the background and go around her head, but the time spent trying to work around the compositing issue took too much time.
  4. This music video was shot with a Sony Fs700 and Samyang lenses.Check the shots at night, they were all made at 50 fps, without help of any speedbooster, just the combination of the Samyang lenses and the right exposure.We had no help of any kind of light equipment, because we didn't have the budget... just the street lights. For those who are thinking to buy this camera, I can just say that the Sony Fs700 is really a good deal for what it can deliver. See for yourself. And the grain... was put on purpose on post-production to have that dirty effect.
  5. British Sculptor - George Triggs Commissioned by the League of Nurses and The National Health Service Filmed on the Sony FS700 and the Sony A6000 1920 x 1080 HD / 16:9 / 240fps / 24fps Any feedback would be greatly received.
  6. Our first shoot with the GH4 in 4K, edited and delivered in 4K (everything played in real-time in PPro CC ("Full") during editing; 2010 12-core 24GB MacPro and Quadro 5000). Watch in full screen if using a >HD monitor (1440p and 2160p available): Audio recorded with the FS700 (Audio Technica BP4029 stereo shotgun (Mid+Side)). Close ups with FS700. Background plate shot with GH4, JPG, full auto. Keyed with Ultra Key. Since many of the items were also green, I had to perform a bit of post work using Track Matte keys to mask off areas from the green screen keyer. A couple areas with motion not masked off and those go transparent (can be fixed by animating a Track Matte key). Could use a bit more color work- ran out of time. Everything done 100% in PPro CC- no round-tripping. File rendered to a custom profile at 3840x2160 32-40Mbit/s 2-pass H.264 MP4.
  7. Short film which was featured at the Sony Ci booth at NAB Las Vegas 2014. A journey consumed with grandeur yet desolate landscapes. Filmed on the Sony NEX-FS700 Lenses: SEL18200 / Nikkor f/1.8 50mm 1920 x 1080 HD / 16:9 / 240fps / 24fps
  8. Hi All, Here is my submission for this years Awards. Any further support, sharing via social media, general views and votes would be of great help! https://productionawards.sony.eu/videos/creative/ab2e516eac025fd3f5521bf1090d064b#.UysIFPs2KZQ Thanks for your time. Jon Edwards
  9. FS700 + Speed Booster cut with 5D3 RAW and iPhone 4S [video]https://www.youtube.com/watch?v=D6NKjnKPAU8[/video] Vimeo (HQ 1080p available for download) https://vimeo.com/67540334  
  10. This is a test with a Sony FS700. The biggest downside of this camera is the internal codec, not very gradable, there's a lot of work to be done so you can pull more out of the images without loosing much quality. This was also shot only with natural light, nothing more, soon i'll make a side to side clip so everyone can check the before and after. http://vimeo.com/61725983
  11. http://vimeo.com/59920628   ...I did all the "digital opticals", the glows and FX related to how slick their skater helps make your footage, lol.  My specialty usually swings more towards the photo-real, natural phenomenon stuff but I love these sorts of old school, optical printer style effects that I grew up loving as a kid.     They've always been a challenge to do, well at least, digitally but now that After Effects has both a 32bit workflow with, more importantly, linear-light colorspace, they're far, far easier to accomplish effectively.   Anyway, the spot is fun.  They should be posting the second spot Paul and I did any time now, for their Cine Squid this time.
  12. This was a post work i've done with footage from FS700. Not impressed at all with the image, crushed and noisy blacks and very little detail on them. Not very color grading friendly. Hope you enjoy it. Cheers. [url="https://vimeo.com/54260882"]https://vimeo.com/54260882[/url]
  13. This video, for the band Aloosh, is currently unlisted, but I thought I'd come and give you guys a sneak preview as this is my favorite online hangout ;)   All shot in Snowdonia using FS700, there's a lot of tasty treats getting made and broken in sloooooooow motion here....   [url="http://youtu.be/cuMjew8TbnE"]http://youtu.be/cuMjew8TbnE[/url]   You can watch part one here if you've not seen it already:   [url="http://youtu.be/PNGquFXmLOU"]http://youtu.be/PNGquFXmLOU[/url]   The band's album can be heard at www.aloosh.co.uk if you're interested...   JG
  14. Here's part one of a new music promo film I shot in Snowdonia using the FS700. I think there's one shot in there from RX100.Some nice CG in there too! Enjoy! [media]http://www.youtube.com/watch?v=PNGquFXmLOU[/media]
  15. Here's 3 quick fun shots made on FS700 at 400FPS. I've hired this for a couple of music promos so I just made some quick shots to try it out. ;) It's a great camera, but the screen potion is pretty retarded, and the ND filter wheel feels incredibly cheap. [url="https://vimeo.com/48076374"]https://vimeo.com/48076374[/url]
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