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My cameras and kit

  1.   The first thing you have to think about, working with a camera like the Black Magic Cinema or Pocket Camera ist the power solution and how to split the video signal to serve video village, camera crane and so on.We searched a lot in the internet and found some solutions for HDMI signals.   Full article: CLICK
  2. With this recent price drop in BMCC, buying a 2.5K camera seems relevant again. Especially since it has one extra stop of dynamic range over the 4K version, and with the metabones speedbooster it actually has similar form factor regarding the DOF. And It could be a great B cam once you decide to get a 4K version (or if finances are low, get a pocket version as a B cam for 2.5K) Now my question is, would I need to buy a metoabones speedbooster for each of my lens types as I have contax yashica, Leica, Nikon, EF, etc... (which would be extremely expensive), or could I only get the EF to MFT ver
  3. Does anyone know if it's possible to create a good "recipe" for converting BMCC raw video to something similar to what the BMCC camera would create when it outputs Film Log ProRes - preferably using Adobe Camera Raw and After Effects? (I'll be using Resolve at some point, but I'm waiting for the new MacPro's to upgrade, and my 2012 Pre-Retina MacBook Pro can't handle Resolve).   To be more clear: I'd like to shoot RAW, but immediately batch convert to something that closely resembles what I would get if I had shot ProRes422 Film Log.     Is there such a recipe?  Or does
  4. Hi all, I've been hesitating forever of even thinking about starting the long process of collecting lenses, due to the inertia that the neverending onslaught of new technology brings. There are so many promising directions this whole world could go, from the super-16 BMPC to the full-frame Canon 5D Mark III RAW, so my current thinking is that it's most sensible to go with the largest coverage format (full frame) and collect lenses from there, and then if the market settles anywhere (super 35, full frame, APS-C), you won't have obsolete glass lying around. I'm looking for as many people as poss
  5. Hey Andrew,     I saw your post about working with premiere/ae with the bmcc and noticed you said you are using a macbook with an SSD as the main drive.     I just got my BMCC and havent been able to really use it at all because my macbook keeps crapping on itself everytime I try to do anything with the dng files or resolve. I have the same exact laptop as you I believe: Apple 2011 Macbook Pro 17' i7 8GB RAM.   I've been trying to do as much research as I can about installing an SSD as the main drive and switching the optical drive out of my computer in order to
  6. http://bit.ly/13fhLis   A beautiful beach wedding filmed in Long Beach Island, New Jersey. Enjoy the journey through Veronica and Bryan’s big day.   This is a sneak peek of the event.   Camera: Blackmagic Cinema Camera 2.5K (Shot in Prores, Video) GoPro Hero 3 Black Edition   Lenses: Canon 16-35mm 2.8L Canon 24-70mm 2.8L Nikkor Ai-s 85mm 1.8   Audio: Zoom H1   Software: Premiere Pro CS6 After Effects CS6 DaVinci Resolve   Song: A Beautiful Place to Be Artist: Tyrone Wells   SongFreedom.com  
  7. I am not affiliated with Audio Developments, nor have I received payment in conjunction with this offer.   I posted this originally on BMCUser.com, but thought that you guys might also be interested?? Audio Developments are a UK based company that make ultra high end mixers that can usually be seen gracing sound carts of major motion pictures. They have recently produced a mini-mixer aimed at the thinner wallet but retaining the quality they are renowned for. This thing is a beast and it has been offered to us at a discounted rate as a part of a group buy. We have had an offer f
  8. In this interview: http://vimeo.com/63892665#at=0   ... Petty says, that due to debayering the image of the Pocket BMCC was 'not so sharp as that of the 2,5k camera, but close'. He also talks about the idea to wrap DNGs as Quicktime files in order to facilitate playback (okay, I see Andrew wrote about this a week ago, I lost that then).   The interviewer made a short film with the BMCC and compared the camera to the 5D, this is his channel.
  9. SmallHD DP6 Spec Product Video - BMCC     This is an experimental spec product video from Smallhd's DP6.    Gear: Blackmagic Cinema Camera. Nikon 85mm f1.8 Ais Konova K3 Slider Arri Fresnel 650   "no audio+ (4/4)_remix by etc." by SHOMOMOSE (http://shomomo.web.fc2.com/)
  10. I'm currently use a canon 70-200 f4 with my iscorama 54 on my 5d mark II and it fits perfectly and allows me to zoom with the canon and focus with the isco.  I'm thinking about buying a BMCC and an not sure how to mirror this setup on that camera. I did look at the panasonic 35-100 f2.8 but its kinda pricey.   Also what is the widest lens that I can use on the BMCC with a iscorama 54? 28mm?     Any other suggestions?      Thanks Greg
  11. Just found this on Vimeo.  Awesome, can't wait to see more footage!!   http://vimeo.com/55887965
  12. I'm in a tricky situation.   I have been saving for the last 6 months to buy a camera (about 3k) and am troubled about which one I really should pull the trigger on.   I have been using purely Canon DSLR's for the past year by working for a friend filming and editing "cinematic" weddings as well as our first commercial work. For the past 4 months it has been enough for me to work full time on. We have used 5DmkII's and 60d's mostly with a full set up of L glass--all his.   Now I want to own something for myself. I'm used to Canons but not terribly excited about their n
  13. I loathe the idea of buying a camera whose rolling shutter speed is not significantly faster than the 5D mark ii. The BMCC would be far more appealing to me if it had a global shutter.A rotary disc shutter add-on could do the trick.The sensor is small enough on the BMCC that an appropriate rotary disc shutter needn't be very large.15cm in diameter is probably overkill, but the bigger the better for the purposes of eliminating rolling shutter.It could have a male mFT mount on the camera side and a female canon EF mount on the lens side.The shutter angle should be variable as in the Photoson
  14. Hi, Can anyone help me with these question? Now we can have the option to use BMCC with M4/3 mount,isn't that right? If that's right, can I use my anamorphic lens on BMCC? On GH2 ,with a sankor for example, I have to use at least a 50 mm lens to avoid vignette. How will be these issue with BMCC sensor? Best regards. Francisco.
  15. Awesome footage, some of the best footage of BMCC at the moment. [url="https://vimeo.com/49199056"]https://vimeo.com/49199056[/url]
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