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Hi, I'm up to write my thesis in the next month. It's gonna be about the "newly" appeared filmmaker society between professionals and amateurs. They are far from amateur, but also doesn't have the luxury of a professionals budget. Let's just call them independent filmmakers. I would like to find out as much as i can about this new and very exciting uprising "movement". What effects was made by the internet, torrent, tons of tutorials, DIY, youtube, vimeo, facebook, twitter, web2.0 (etc) on the filmmaking industry/art? What tendencies can we observe in the camera/film developer mark
SmallHD DP6 Spec Product Video - BMCC This is an experimental spec product video from Smallhd's DP6. Gear: Blackmagic Cinema Camera. Nikon 85mm f1.8 Ais Konova K3 Slider Arri Fresnel 650 "no audio+ (4/4)_remix by etc." by SHOMOMOSE (http://shomomo.web.fc2.com/)
Hi, I m trying to set up the best lens kit for the price for the BMC camera. I need your opinion on what's better: OPTION 1: Samyang 8mm f3.5 (video version) Samyang 24mm f1.4 (video version) Samyang 35mm f1.4 (video version) Tokina 11-16mm f2.8 Price: approximately $2400 These are all full frame lenses (except for the last one), so they have future value and since all are EF, I would opt for EF mount BMC OPTION 2: Samyang 8mm f3.5 (video version) Samyang 35mm f1.4 (video version) Voigtlander Nokton 17.5mm f0.95 Voigtlander Nokton 25mm f0.95 Noktor SLR Magic 12mm
I have one question that has been creeping out since the announcement of the m4/s mount. Originaly I have planned to use my set of Samyang lenses (8, 24, 35) and Tokina 11-16, all EF mount as the main lenses for the BMC. Now with the announcment of m4/3 all world of lenses that I have used on GH2 opens up, including my absolute favorite LOMO OCT 18 mount russian lenses, however my dilemma is, if I opt to get m4/3 camera would I see any difference on my EF lenses (as opposed to going with the original mount for BMC) as well as how to change the aperture on my Tokina (as that would have to still