tonysss

Does Anyone shoot Anything in normal speeds anymore? Jesus what is the deal with trying to see if Anything is worth a crap on a camera at 120p Slo Mo. Sam Peckinpah is alive and well.

Nice. But could have been shot on any modern cam over $1000.

GH5 - Sigma 18-35, Tokina 11-16 , / GX80 - Pann 42,5 1.7
 
 

You can either bump up the iso and apply Neat, or shoot underexposed then bump up the brightness / exposure in post. Also, it's recommended to shoot CineD and no Vlog with less light.

No, I use on this video  "like 709" 0,-5,-5,-2,0 ,knee manual point 80, Slope 99 , Luminance level 16-235, master pedestal +10 (but skintones is a little greenish)
And lately use CineD +2,-5,-5,-2,0 -  High -5/shadow 0 , iDynamic Low Luminance level 16-235, master pedestal +10
GX80 - (Hack cineD) +2,-5,-5,-3
 

GH5 - Sigma 18-35, Tokina 11-16 , / GX80 - Pann 42,5 1.7
 
 

GH5 - Sigma 18-35, Tokina 11-16 , / GX80 - Pann 42,5 1.7
 
 

https://videoproduction.training/cs/blackmagic-pocket-cinema-camera-4k-guide/?affid=ytc2

everywhere all the time slooooowmooootiooon .....  98% new videos from BMPC4K is slowmotion, this is new trend BM shooters ? I want normal speed please !!!
I know you did not have it yet, BMCC shooters, but do not overdo it ...

I disagree. I just used a Nikon d4 on a pro job and heard not one complaint from my client.

it looks like new users BMPCC4K , they discovered it SLOOOOOOWMOOOOOTION ?
everywhere slowmotion, I'm afraid to open the refrigerator, not to be there slowmotion....

Yeah the original Pocket camera is a Very special camera. I see little of it in this new one. but time will tell. I don't think other than some 9000 dollar camera anything can beat the original one. They are that good if you have the skill. And in reality it wasn't that hard to do. There is LOTS of good stuff from them on the web.

test2:
 

Link: 
 

Link: 
 

Link: 
 

Not a problem, I compare GH5, GH4, GX80, BMMCC, Panasonic at ISO400 and CineD , and BMMCC at base ISO 800 ProRes. Maybe already tomorrow.I can not do a scientific test, only put the camera in the same place with the same settings on a lot of contrast scene. (Sun and shadows)
I will give the result to VIMEO for download.

I am looking forward to all the "Pocket" rigs again
?

I have GH5,GH4,GX80 and BMMCC , and GH5 has biggest DR of all in 400 ISO , with less iso decreases DR.
BMMCC has smaller DR and noise shadow (in ProRes),  and other colors than Panasonics. 
The (CineD Hack) GX80 is more usable DR than BMMCC in ProRes

This card SONY M series, me perfectly working GH5 400MB/S
https://www.sony.com/electronics/sd-cards/sf-m-series

I have the FS700 and when using it in HD internally it is NOT sharp. I never use it. Definitely not 4k Downsampled to HD. The original c100 destroys this camera in sharpness because it downsamples the 4k sensor. 
I am sure you have heard it before, but I will say that the FS700 is amazing with used with Odyssey 7Q. Raw is awesome. And the 4ktoHD and 4kto2k prores modes are awesome because they are downsampled in the recorder when writing to the SSDs. Totally sharp. But this is with the recorder only.

GH5+18-35  Beginning of the day, preparation of the bride and groom, mostly monopod or handheld. During the day and at the ceremony i used Gimbal. And GX80+42.5 is hanging on the throat and everything is handheld. Pan 42.5 has fantastic picture and great stabilisation. (manual focus is bad, i used FN button for focus)
GH5 - Profile 709L , 0,-5,-5,-2 ,  luminance level 16-235 , Master Pedestal Level +5 , White balance AWB (A5,M1) exposure 0 ,  zebra 95 %
GX80 - Cinehack :-) . 0,-5,-5,0  White balance AWB (A5,M1) 
 

Only one to say: now having gh5 i dont want to buy RED camera))

:-) my wedding "combo"  GH5 Sigma 18-35 and spot shoot  GX80 - Pan 42,5 f1.7
 

:-) my wedding "combo"  GH5 Sigma 18-35 and spot shoot  GX80 - Pan 42,5 f1.7