Juxx989

Careful. I've been hurt before.

Samsung has joined forces with Fujifilm to develop sensor technology and says it will apply the new innovation to a large sensor.
Could the NX1 finally get a successor?
Read the full article

Thanks Man.. Looks Like If I strip my NX1 down to nothing and use the PWR Zoom or my Pancakes it's a go.   

Zhiyun-Tech Crane-M 3-Axis Handheld Gimbal Stabilizer
https://www.bhphotovideo.com/c/product/1296818-REG
 
$199 for the next 24 hours 

Hey gang, earlier this week I tested out my new Lilliput monitor as part of an old fashioned blackbird steadicam rig. This monitor is AWESOME!!! I can clearly see and pull focus with my manual lenses. The image is great when you are recording. Since this thing is so cheap, I thought I'd share it.
Lilliput A7S 7" 1920x1200 IPS Screen Camera Field Monitor 4K
https://www.amazon.com/gp/product/B074SGNC2X/

To my untrained eye the footage looks really nice. 

Hi people, i want to buy a wireless follow focus for my ronin mx setup
i watched the lenzhound as a primary option for my budget, 500$.
but i see the Follow Focus - ZW-B03 from zhiyun tech, and its cheaper and i watch good review about it, but i dont know if this pack will work on my samsung nx500 and with a ronin mx.

https://es.aliexpress.com/store/product/Zhiyun-Crane-2-servo-Enfoque-para-Canon-Nikon-todas-las-c-maras-gr-a-2-2/1381749_32860624816.html?spm=a219c.search0204.3.140.4b0f13f6AInDbk&ws_ab_test=searchweb0_0%2Csearchweb201602_4_10152_5722917_10151_10065_10344_10068_10342_10547_10343_5722817_10340_10548_10341_5722617_10696_10084_10083_10618_10307_10712_10713_5722717_5711215_10059_308_100031_10103_5722517_10624_10623_10622_5711315_10621_10620%2Csearchweb201603_32%2CppcSwitch_3_ppcChannel&algo_expid=f97f6fe7-0e21-4600-954b-c92bb12f50af-20&algo_pvid=f97f6fe7-0e21-4600-954b-c92bb12f50af&priceBeautifyAB=0
 
bye guys and sorry my english.

i agree too, it would be like premiere export review, they have diferent ways to do benchmark, like preset sequences with standard files, codecs, effects, etc...
It also dont replace the actual ways to test it, like youtubers do, its only shows to us another variables for choose a product.
 

Shot a Very Little Bit of Footage (forgot to charge batteries so couldn't shoot much)
Bonus if you can tell where the music is from!
Was Trying so different coloring techniques but had to stop. I had so many nodes I crashed it once. Using the Global Color Nodes really bogs my computer down.
But My Computer is Somewhat old and Resolve 15 is still Beta.
Ungraded

 
Graded

Recently I took my antiquated Collectors Edition NX-1 out for nostalgia purposes. Came up with this.
Shot it with the S-Lenses. Mostly 16-50 + 4 filters over it
(BTW Autofocus is null & void with 4 Filters stacked on it)
Ungraded Still below if Interested


 
 

You're an incredible colorist

Recently I took my antiquated Collectors Edition NX-1 out for nostalgia purposes. Came up with this.
Shot it with the S-Lenses. Mostly 16-50 + 4 filters over it
(BTW Autofocus is null & void with 4 Filters stacked on it)
Ungraded Still below if Interested


 
 

Recently I took my antiquated Collectors Edition NX-1 out for nostalgia purposes. Came up with this.
Shot it with the S-Lenses. Mostly 16-50 + 4 filters over it
(BTW Autofocus is null & void with 4 Filters stacked on it)
Ungraded Still below if Interested


 
 

Recently I took my antiquated Collectors Edition NX-1 out for nostalgia purposes. Came up with this.
Shot it with the S-Lenses. Mostly 16-50 + 4 filters over it
(BTW Autofocus is null & void with 4 Filters stacked on it)
Ungraded Still below if Interested


 
 

Recently I took my antiquated Collectors Edition NX-1 out for nostalgia purposes. Came up with this.
Shot it with the S-Lenses. Mostly 16-50 + 4 filters over it
(BTW Autofocus is null & void with 4 Filters stacked on it)
Ungraded Still below if Interested


 
 

Ah so the P4K does have IBIS! (In Built Instant Stick)

Agreed. If you're at all into post-processing and grading, the BM cameras are godsend, because they leave all the processing off to your own consideration. That's why they come with Resolve included - and I'd dare say it's way more powerful as a processing tool than any in-camera processors.

I just found a Q&A with a 'Black Magic Design Expert'. Let me know if there's a better way to display this. I'll try to add to it as more information comes.
















 

Speaking of Fan Art.....

I can Dig it...

Speaking of Fan Art.....

I can Dig it...

Light bulbs over your head? That sounds like a smart idea...

I preordered from Hotrod immediately after the BM presentation and I can confirm that the Deposit is non-refundable line was definitely there when I ordered. I know for sure it was because it made me pause for a beat to decide if I definitely wanted to order at that moment. 

As stated earlier, it was there when I ordered mine, and I'm their first order.

I am an indie filmmaker, I shot my first feature on Sony HVR-FZ 1, back in 2009 and a year later Canon 5D disrupted the market. We toiled hard to get over harsh video look and deep DOF of HVR Z1 and then 5D made us look like fools. Even though many known filmmakers appreciated the screenplay, but harsh video look was stumbling block. Then every other indie filmmaker was coming out with "cinematic" 5D, 7D footage and our film looked amateurish. That got me started with DSLR and understanding them.
I was shooting Panasonic GH2 till last year and finally I got GH5. I was absolutely loved it. I though 10 bit is new standard for indie filmmakers now, especially those who can't afford raw. Just few months later Panasonic released GH5S, which is even more suited for my work. I didn't need IBIS more than low light capabilities. I was anyways juggling between between GH2 and rented A7SII and then GH5 and A7SII. When I heard they already had GH5s in mind even before the launch of GH5, I felt cheated. Panasonic like any other camera manufacturer was trying to exploit market. I am Panasonic fanboy since Panasonic DVX100 days.
And then comes BPCC 4K, it gives 12 bit raw, which even Panasonic EVA 1 can't deliver. If it has same or similar sensor as GH5s, I don't need A7Sii. I hardly go over 10,000 ISO even on AS7sii. And it is cheap. It will force Camera manufactures to reduce price on cameras like Canon C200, EVA 1, Sony F7 and F5. IMO Raw will be new indie film-making standard, if not already and 10 bit will be new prosumer standard. It may have lots of issues, but I won't shooting another indie on anything less than 12 bit raw. If budget permits I will go for C200 or even better. But in worst case scenario there is always BPCC 4k to fall back upon. Point is BPCC 4k will disrupt the indie film-making landscape just as Canon 5D did back then.