PannySVHS

Cool! Can´t wait to see you shoot some beautiful footage with it.
Really enjoyed your VLog and C100II shorts and tests. Where did you get that deal on the Odyssey with 1Gig of SSDs? Did you buy used?
You gonna forget about the GH4 Assasin combo?
Cool! Are you sure about that? Sorry for questioning. Should have done my research maybe!
I just really consider you guys my research partners by communicating with one another!:)

Hey,
beautiful Trailer, moody, sincere, coming of age intensity and melancholy!
Grade looked maybe a little bit stronger towards an orange and teal touch in certain parts.
I´d say 7DII, pretty clean HD and nice colors, S35 look.

Haha. I can't see that from my phone, so I do not feel stupid at all. Lol. 
I think now the question remains, how pissed is he at me for thinking it was shot on a Nikon dslr? And I might as well shoot everything with a Nikon DSLR because I think it looks as good as a proper cinema camera. Ignorance is bliss. 

hmm... i wonder...

I use Natural (contrast -5 and saturation -5) and I store it as CUSTOM profile 1 .....leave the NR and Sharpening at 0
yes you dial the colour back in in post ,Im shooting alot of night interior scenes in this movie on sets and I want to record a much shaddow detail as possible , I dont want crushed blacks in camera . so contrast and saturation are -5 , it works great this way . I shot a whole moive that way last year and we got superb results with it.
 
this was shot Natural (contrast -5 and saturation -5) with the colour dialed back in in post /grade. all that detail in the actors uniform would not be there with crushed blacks in camera .

Well, seeing how it says #bmpc4k in the Vimeo link I would follow Elagabalus on Blackmagic Production Camera 4k :-P

With Odyssey you can use Samsung SSD since the update from july last year, so media cost is actually the same for Atomos and Odyssey

My plan was to rent an FS700 this weekend but I found 2 amazing deals and just went for it (used). I bought Shield's FS700 with 2 Metabones adapters. Also bought the Odyssey 7Q with RAW bundle, and 2 512GB SSD's for $2400.

Hey guys!
On the Atomos site is an announcement for a Shogun Firmware Update to version 6.6, for Q1 2016, promising CDNG.
One thing to consider is the cost of media. Shogun takes normal SSDs, Odyssey needs media from Convergent Design.
cheers

Hey guys!
On the Atomos site is an announcement for a Shogun Firmware Update to version 6.6, for Q1 2016, promising CDNG.
One thing to consider is the cost of media. Shogun takes normal SSDs, Odyssey needs media from Convergent Design.
cheers

Hey, you are true camera lovers!:) Here are the ungraded shots.
I graded by eye, so the canon guess is taken as a compliment.
It´s a G6, graded in Davinci, lit with one 300w tungsten and a golden reflector. Shot on 3000Kelvin, Natural, all -2, but color at 0.
As for the aps c reference, it was shot with a china speedbooster!:) Great guessing, guys!
Lens was a Canon FD 28mm lens, F2.8, the dancing shot is a Tokina 11-20 2.8 on another china speedbooster.
Hope you liked the grade and thanks for that little fun guessing game.
The grain was put on top twice, once for the darks and another one for the highlights. Helped big, big time to make the ugly macroblocking
disappear. So G6 to the limits with ISO 1600 and a speedboosted Fstop of around 2.0.
Thanks for enjoying and cheers,
Marty


Exactly, G6! ApsC (through speedboosted lens) is right too, LX100, GH4, Panasonic, Sony, all great guesses. Thanks for the fun, guys!

Internet cred. 1337 FTW. +1
Or stick around for the next round and maybe win yourself that refrigerator!

Yeeey! What did I win???
 
 

Hey, you are true camera lovers!:) Here are the ungraded shots.
I graded by eye, so the canon guess is taken as a compliment.
It´s a G6, graded in Davinci, lit with one 300w tungsten and a golden reflector. Shot on 3000Kelvin, Natural, all -2, but color at 0.
As for the aps c reference, it was shot with a china speedbooster!:) Great guessing, guys!
Lens was a Canon FD 28mm lens, F2.8, the dancing shot is a Tokina 11-20 2.8 on another china speedbooster.
Hope you liked the grade and thanks for that little fun guessing game.
The grain was put on top twice, once for the darks and another one for the highlights. Helped big, big time to make the ugly macroblocking
disappear. So G6 to the limits with ISO 1600 and a speedboosted Fstop of around 2.0.
Thanks for enjoying and cheers,
Marty


Exactly, G6! ApsC (through speedboosted lens) is right too, LX100, GH4, Panasonic, Sony, all great guesses. Thanks for the fun, guys!

Hey, you are true camera lovers!:) Here are the ungraded shots.
I graded by eye, so the canon guess is taken as a compliment.
It´s a G6, graded in Davinci, lit with one 300w tungsten and a golden reflector. Shot on 3000Kelvin, Natural, all -2, but color at 0.
As for the aps c reference, it was shot with a china speedbooster!:) Great guessing, guys!
Lens was a Canon FD 28mm lens, F2.8, the dancing shot is a Tokina 11-20 2.8 on another china speedbooster.
Hope you liked the grade and thanks for that little fun guessing game.
The grain was put on top twice, once for the darks and another one for the highlights. Helped big, big time to make the ugly macroblocking
disappear. So G6 to the limits with ISO 1600 and a speedboosted Fstop of around 2.0.
Thanks for enjoying and cheers,
Marty


Exactly, G6! ApsC (through speedboosted lens) is right too, LX100, GH4, Panasonic, Sony, all great guesses. Thanks for the fun, guys!

Yeah, that Sigma camera has an organic look to it.  

Although the C300 does have 1920x1080 pixels for each colour channel it isn't a Foveon-like image you get out of it, far from it.
I believe the main reason Canon wanted to buy Sigma (they were rebuffed) was to get hold of the Foveon patents.
I believe they are desperately trying to come up with their own design, but had they been successful I would have expected to see it by now.
I am on the verge of buying a Sigma DP3 Quattro for timelapse (nice built in intervalometer). Resolution in terms of detail matches an 8K bayer sensor, maybe even upscales to 10K. Colour is on a whole different planet. It's certainly not the versatile stills camera the Sony RX1R II is but it offers something completely different in terms of how close the images are to film (which is also mutli-layered).
I am so glad Canon did not absorb Sigma.

I have added a few 4K DNGs here (FS700/OQ7):
https://www.dropbox.com/sh/afojwljvvzfnhix/AABdqI3IEm-TD14zVLjrHTUca?dl=0

I don't know if it's a small sensor necessarily, looks fairly wide. I'd also guess Sony though. could've been captured in 4k, but I'm thinking still 1080p. the edges of the lens might be a little soft, so that also makes me think interchangeable lens perhaps.. maybe a5100? no clue though I guess

Hey, you are true camera lovers!:) Here are the ungraded shots.
I graded by eye, so the canon guess is taken as a compliment.
It´s a G6, graded in Davinci, lit with one 300w tungsten and a golden reflector. Shot on 3000Kelvin, Natural, all -2, but color at 0.
As for the aps c reference, it was shot with a china speedbooster!:) Great guessing, guys!
Lens was a Canon FD 28mm lens, F2.8, the dancing shot is a Tokina 11-20 2.8 on another china speedbooster.
Hope you liked the grade and thanks for that little fun guessing game.
The grain was put on top twice, once for the darks and another one for the highlights. Helped big, big time to make the ugly macroblocking
disappear. So G6 to the limits with ISO 1600 and a speedboosted Fstop of around 2.0.
Thanks for enjoying and cheers,
Marty


Exactly, G6! ApsC (through speedboosted lens) is right too, LX100, GH4, Panasonic, Sony, all great guesses. Thanks for the fun, guys!

Smallish sensor look (of wide-angle lens stopped down a lot) and a lot of greens (if not colorgraded too much like this on purpose)
Verdict: GH2 / G6

Based on the deep focus, I am going to guess a small sensor camera, so I think it's either an LX100 or an RX10ii or RX100 iv... the lens part was a trick question.
I assume I'm wrong, but either way I like the look. 

No HXR required... I think all new FS700s are 4k ready too

To confirm... Yes, the atomos will take the raw feed from the FS700, via SDI, and convert to 10 bit 4:2:2 s-log.
The OQ7 has alot more features though, if you can spring the extra cash, go for it.

I know it does 4K Raw to 4K ProRes... Not sure about the 1080p downscale... Odyssey 7Q+ definitely does.