Mattias Burling

Thats the first video Ive ever seen from the P6K and I must say... it looked extremely videoish. Surely there are some really cinematic footage out there that would better illustrate the point you where trying to make.
 

By being the only one Ive watched.. thought that went without saying.
Great, then you should buy it.
The motion, the clarity, the colors and the tones/curves.
So does mine.
Looks video to me.
Exactly, very smartphoneish. Not a fan.
Please note:
I have NEVER said that the P6K shoots footage that looks videoish and can't produce cinematic footage. All Im saying is that after reading your post about "proof" that the P6K is "more cinematic than the P4K" I was very disappointed after pressing play on that video.
But like I said there are most likely much better examples of cinematic footage out there.

By being the only one Ive watched.. thought that went without saying.
Great, then you should buy it.
The motion, the clarity, the colors and the tones/curves.
So does mine.
Looks video to me.
Exactly, very smartphoneish. Not a fan.
Please note:
I have NEVER said that the P6K shoots footage that looks videoish and can't produce cinematic footage. All Im saying is that after reading your post about "proof" that the P6K is "more cinematic than the P4K" I was very disappointed after pressing play on that video.
But like I said there are most likely much better examples of cinematic footage out there.

That's a Sony exclusive so I think Canon will avoid it unless they want a lawsuit.

That's a Sony exclusive so I think Canon will avoid it unless they want a lawsuit.

Or perhaps looks is subjective... just a wild idea.

A shadow is always the color opposite of the light on the color wheel. Late in the day when the sunlight is orange the shadow is blue. That's not a grade, it's real life determined by the laws of physics. 
 

Maybe.
 

It was merely a comment on the way to common notion that a colored shadow isn't "real" or is in fact "wrong". When in fact, a grey or black shadow is more incorrect than a colored one. Orange/teal isn't an unnatural grade made up by computers, its how the world actually looks in certain hours of the day.

Regarding the "pocket", Im still convinced the BMPCC4K was intended to be the BMCCii. They share much more similarities.

Marketing and movie making have one major thing in common which is why I enjoy it so much. 
It's all about human emotions. 
At the end of the day it's the only thing that's truly important. Budget, advertising space, cameras, actors, etc.. it's all just small cogs in a machine with one simple purpose. Affect human emotions in order to change a behavior or opinion.
That's the reason for my fascination and why I early on jumped from crew to the production office and later Psyops, PR and marketing.

+1
 
...and I hope they pick up my film which is being shot on a super 16 Arr sr 2

It still seems like you haven't fully understood. The Netflix 4K requirement is for productions made by Netflix. I can use whatever I want and if it's good enough they will accept.
To this day almost half of all the movies at the Oscars etc are shot on film or HD. And they all go on Netflix.
Netflix even still pick up TV shows shot on s16.
This has been talked about to death on this forum in the past. So let's get back to the real subject.

It still seems like you haven't fully understood. The Netflix 4K requirement is for productions made by Netflix. I can use whatever I want and if it's good enough they will accept.
To this day almost half of all the movies at the Oscars etc are shot on film or HD. And they all go on Netflix.
Netflix even still pick up TV shows shot on s16.
This has been talked about to death on this forum in the past. So let's get back to the real subject.

It still seems like you haven't fully understood. The Netflix 4K requirement is for productions made by Netflix. I can use whatever I want and if it's good enough they will accept.
To this day almost half of all the movies at the Oscars etc are shot on film or HD. And they all go on Netflix.
Netflix even still pick up TV shows shot on s16.
This has been talked about to death on this forum in the past. So let's get back to the real subject.

A shadow is always the color opposite of the light on the color wheel. Late in the day when the sunlight is orange the shadow is blue. That's not a grade, it's real life determined by the laws of physics. 
 

Regarding the "pocket", Im still convinced the BMPCC4K was intended to be the BMCCii. They share much more similarities.

I guess the difference is that even though no man is free from sinn, the orange dude is a confessed aspring rapist, a criminal and a diagnosed compulsive liar. Which, good or bad policies aside, makes him pretty unfit for the job and there for a more legitimate target.
Agreed, even though Im part of the problem. Its just one of those days
On topic,
The new sensor size and mount is a god send. The BMPCC4K should have had a smaller sensor or EF mount to make it less of a PITA.
To bad about the 6K though, since its totally unnecessary imo and the price of it is too rich for my personal usage of it. If it would have had 250fps in HD I would have preordered it instantly. 

I guess the difference is that even though no man is free from sinn, the orange dude is a confessed aspring rapist, a criminal and a diagnosed compulsive liar. Which, good or bad policies aside, makes him pretty unfit for the job and there for a more legitimate target.
Agreed, even though Im part of the problem. Its just one of those days
On topic,
The new sensor size and mount is a god send. The BMPCC4K should have had a smaller sensor or EF mount to make it less of a PITA.
To bad about the 6K though, since its totally unnecessary imo and the price of it is too rich for my personal usage of it. If it would have had 250fps in HD I would have preordered it instantly. 

Sure.. Same thing in the states. Manhattan and New Orleans is exactly the same. People look the same, eat the exakt same food, listen to the exact same music, its the exact same climate, exactly the same dialect.. oh wait..

Marketing as a whole, not just social media

Few professions doesn't come with a pile of boring extra work
For me it's the idea, planning, producing and marketing that's the fun part. The actual shooting is just a necessary evil.

Very interesting. My thoughts.
1. Boy am I glad I sold my second BMPCC4K before this was announced.
2. I don't care one bit about 6K.
3. But I care a lot about the bigger sensor and EF mount. Getting a good combo of lenses and/or adapters on the BMPCC4K that didn't vingette and didn't have massive barrel distortion was a PITA. I'm already kitted for EF. The Tamron 17-50/2.8 VC will probably live on it.

Very interesting. My thoughts.
1. Boy am I glad I sold my second BMPCC4K before this was announced.
2. I don't care one bit about 6K.
3. But I care a lot about the bigger sensor and EF mount. Getting a good combo of lenses and/or adapters on the BMPCC4K that didn't vingette and didn't have massive barrel distortion was a PITA. I'm already kitted for EF. The Tamron 17-50/2.8 VC will probably live on it.

From what I saw your posts are a lot about film festivals and popcorn. Something your target audience care very little about.
They care about one thing only, dogs being rescued.
I would start targeting dog owners, dog related groups and communities. On Instagram you can use up to 30 hashtags per post, use at least 10, if not 30. #dogsofinstagram #dogrescue etc. When you search hashtags on Instagram you see how popular they are, try different combinations and pick the once with +50k or something.
There are a million forums, FB groups and so on about dog, cat and other rescuing. Join them all.
As a dog owner I've seen a lot of dog and animal rescue channels on YouTube. I would approach the bigger once and try to cut a deal for a sponsored video. Maybe even a discount code with some kickback for the channel.
As anyone with a some what successful YouTube will tell you, the big numbers comes from other platforms such as blogs, etc. And still best of all, "unsocial media". Get on the news or in a paper and things start to happen quickly.
I used to work in marketing for the worlds second largest chain of animal hospitals and veterinary clinics and believe me, your TA is fanatic. Every time we got a rescue dog or cat that survived some type of ordeal it was a piece of cake planting the story in papers etc.
Until your movie hits big that hashtag is just a waste of the # key
But seriously, use that hashtag on all posts and then 29 to reach your TA.