Martin BetterFly

Maybe Sony is trying harder in the Chinese market because it is a brand new market (relatively speaking) so it will be easy to break in and smash the status quo that is in other countries? 
 
Well that is no surprise, they're two of the biggest retailers in the world!
Kodak innovated to a limited extent, but they didn't push it, they wanted to protect their cash cow: film. 

Just like Canon, who is innovating to a small extent, but mostly is trying to protect their products from themselves (vs protecting against competitors!).

Have you learned about it from this review or on your own? :D 
Even though I dont own XT2 im following this tread from begging and do ocasional research on the web, 
The colors SOOC is one of the best ive seen, 
if fuji brings touch screen, fully articulated screen and maybe even ibis Ill jump the system, 
I want to scale down but I hate sony :P I would prefere FF aesthetics but I like the smaller lenses that are made specifically for APSC cameras and thats where Fuji wins
knowing that canon will never deliver with specs that what we all want and knowing I dont want MFT camera Fuji is the only altarnative  :D
 

Time to spend some quality time with the Panasonic GH5.
The wait is over and 3 years after the GH4 we have the highly anticipated new camera. In some ways an evolution but mostly, I'm glad to say a revolution.
Read the full article

Wait... I closed the thread when it got too political.
And this guy comes on, reopens another political thread and rants that he wants to stop.
Yep.... makes perfect sense to me.

I shot some high contrast scenes to test out what's the maximum dynamic range you can achieve without F-Log.
 

Apology to everyone including John Brawley - 
The Ursa Mini 4.6k from reviews is looking amazing .  They seemed to fix the various problems.
I'm going to do a skintone test on thursday with the sony f65 and red epic mx and canon c300 ii.
 

speed booster with AF and ND, it would be dream come true

Battle-Tested (used) KineMINI 4K From $2,499  4K 12bit RAW
http://www.kinefinity.com/shop/kinemini-battle-tested/?lang=en

Battle-Tested (used) KineMINI 4K From $2,499  4K 12bit RAW
http://www.kinefinity.com/shop/kinemini-battle-tested/?lang=en

Battle-Tested (used) KineMINI 4K From $2,499  4K 12bit RAW
http://www.kinefinity.com/shop/kinemini-battle-tested/?lang=en

As a Kinemini4k owner I'm really looking forward to these two new cameras (or one camera with 2 sensors). I admire the progress that Kinefinity has made since Kinemini days (only two years since the annoucement, along URSA which I was considering but the size and weight turned me off),
To me the guys behind Kinefinity listen to the customers feedback like nobody else and dont hold anything back. I remember when they released  their last firmware upgrade and for kinemini they improved the log color science, increased slow motion from 100 fps to 120, added ability to load your own luts into the camera :D added prores to their transcoding software, all of that for free.  
With these new cameras they addressed all the past issues and all my personal concerns, like sound, ergonomics, changed grip battery system, redesign the grip (that was my big concern), finally added in camera prores.
Plus keep in mind all Kinefinity cameras have the ability to put on them their active EF Kinenhancer which makes them the only cinema camera that allows you to put on speedbooster like adapter on a EF lenses. Something I have always wanted to do with BM cameras. The only down side to their EF system is no support for IS yet? (not confirmed anyway) which would be amazing especially now with this smaller run'n'gun like form factor that Terra camera has.
So in essence, Kinefinity Terra, a small form factor S35 cinema camera with a weight of a Canon 5d mk3, with 5K or 6K sensor which records 12 bit loosless RAW video with pretty amazing high speed frame rates, 15 or 16 stops of dynamic range, switchable global or rolling shooter, ability to shoot full frame (with kinenhancer), one of the most organic images for around 5k euro 


 

As a Kinemini4k owner I'm really looking forward to these two new cameras (or one camera with 2 sensors). I admire the progress that Kinefinity has made since Kinemini days (only two years since the annoucement, along URSA which I was considering but the size and weight turned me off),
To me the guys behind Kinefinity listen to the customers feedback like nobody else and dont hold anything back. I remember when they released  their last firmware upgrade and for kinemini they improved the log color science, increased slow motion from 100 fps to 120, added ability to load your own luts into the camera :D added prores to their transcoding software, all of that for free.  
With these new cameras they addressed all the past issues and all my personal concerns, like sound, ergonomics, changed grip battery system, redesign the grip (that was my big concern), finally added in camera prores.
Plus keep in mind all Kinefinity cameras have the ability to put on them their active EF Kinenhancer which makes them the only cinema camera that allows you to put on speedbooster like adapter on a EF lenses. Something I have always wanted to do with BM cameras. The only down side to their EF system is no support for IS yet? (not confirmed anyway) which would be amazing especially now with this smaller run'n'gun like form factor that Terra camera has.
So in essence, Kinefinity Terra, a small form factor S35 cinema camera with a weight of a Canon 5d mk3, with 5K or 6K sensor which records 12 bit loosless RAW video with pretty amazing high speed frame rates, 15 or 16 stops of dynamic range, switchable global or rolling shooter, ability to shoot full frame (with kinenhancer), one of the most organic images for around 5k euro 


 

As a Kinemini4k owner I'm really looking forward to these two new cameras (or one camera with 2 sensors). I admire the progress that Kinefinity has made since Kinemini days (only two years since the annoucement, along URSA which I was considering but the size and weight turned me off),
To me the guys behind Kinefinity listen to the customers feedback like nobody else and dont hold anything back. I remember when they released  their last firmware upgrade and for kinemini they improved the log color science, increased slow motion from 100 fps to 120, added ability to load your own luts into the camera :D added prores to their transcoding software, all of that for free.  
With these new cameras they addressed all the past issues and all my personal concerns, like sound, ergonomics, changed grip battery system, redesign the grip (that was my big concern), finally added in camera prores.
Plus keep in mind all Kinefinity cameras have the ability to put on them their active EF Kinenhancer which makes them the only cinema camera that allows you to put on speedbooster like adapter on a EF lenses. Something I have always wanted to do with BM cameras. The only down side to their EF system is no support for IS yet? (not confirmed anyway) which would be amazing especially now with this smaller run'n'gun like form factor that Terra camera has.
So in essence, Kinefinity Terra, a small form factor S35 cinema camera with a weight of a Canon 5d mk3, with 5K or 6K sensor which records 12 bit loosless RAW video with pretty amazing high speed frame rates, 15 or 16 stops of dynamic range, switchable global or rolling shooter, ability to shoot full frame (with kinenhancer), one of the most organic images for around 5k euro 


 

That was the reason I got Kinemini back in 2014 it shots raw 2k and 1080 in 60p croped 120fps

pass:
cinematic

http://fractalfilters.io/

I think you should take for consideration the recording time limits on those cameras, I have recently downgrated some of my grear back to canon 600d with magic lantern from sony a6000 and a5100 just cause with ML I have auto recording restart option. Maybe you should consider good old camcorder instead of mirrorless or dslr as they are not desiged for long recording times.

Umm.... Canonitis?  :P

Lowlight test has hit the web: