IronFilm

In another forum when people were speculating that it would probably just be ‘broadcast stuff’ John Brawley said “it will be worth watching” . As we know he’s pretty heavily involved in Blackmagic Cinema line cameras so 🤞

90% of customers do not care about overheating. Otherwise GoPro would have gone out of business five years ago. 
 
 

will be excluded from having new units previewed and condemned to oblivion and youtuber hell 🙂

 

Even a new version of the 1 inch sensor LX15 with 10 bit and full sensor 4k 60p would be super appealing. A larger focussing ring, Evf and bit bigger grip, perfect pocket cinema camera. With Pdaf all for 799 it would sell like crazy. Gh5 in Gx85 body, kye and I have been preaching that for a long time. Bring it on, Pana. I just bought your big ole S1H. Selling the S1 though.😊

...Or even put IBIS and PDAF in a version of the G100... (but the GX80/GX9/LX100 are much better looking cameras from a style point-of-view).
If Sony can sell small, expensive and thermally-compromised cameras I'm sure Panasonic could if they had the right product...

Burano is even getting some positive comments on reduser… so it must be good.
I love the naming convention.

You can add the FX9 top handle and get four channels of audio.
This camera is truly incredible and probably my next purchase from my C300 III unless Canon follows up with something equually as impressive quickly. The fact that this camera inherits almost everything from the most popular cinema camera in the world that doesn't have Arri in the name (the Sony Venice), while also adding features that its target audience (indie and doc owner operators) will love - namely IBIS, E-ND, downsampled 8.6k, Venice color and image, smaller form factor, etc -  is pretty incredible.
I mean, IBIS?! I did not expect to see IBIS and E-ND together for the first time ever in a cinema camera from Sony - but I'll take it. 
This is truly an incredible release. Probably the biggest cinema camera release (again, not called Arri) since the original Venice and the Red Monstro before that. 

I'm veryyyy excited about this. I'll probably never own one—I'm not at that level. But, it shares enough of the FX line's DNA and is cheap enough that I can see myself renting this for bigger projects. Seems like a real winner.

Z6 is an old camera these days?
Man, that makes me feel old now...
Not long until we can get an OG Alexa for $2.5K
 

Wait what... that math can't be right...

Every now and then I go to a party and see someone I haven't seen for a while.  They'll often say something like "Wow, how long has it been? Let's see, we last saw each other when..."
and I cut them off by saying "Stop - math isn't our friend any more!"

Plus (keeping all the usual good stuff, except very sadly the top display is going 😕 ) : 
New 25.2 million pixel image sensor
New engine
8.0 stops of image stabilization
7.5 steps Dual IS
C4K/4K 60p 4:2:2 10bit
V-Log
1.84 million dot tilt free angle monitor
3.68 million dot OLED viewfinder
Dustproof and splashproof
Pre-continuous shooting function
Real-time LUT
C4K/4K 10bit 120p/100p
8 direction joystick
Wifi
Bluetooth
  
Recording to a USB drive is cool!
Yes, the way I understand is that:
1) G9mk2 is announced and immediately (or fairly soon afterwards) available to purchase
2) while "the development of" the GH6X/GH7 is announced, with their available being either late this year or perhaps next year 

A GX95 with PDAF and mic in will be perfect.

I've been wanting to play with digital bolex for a while. Hard to find free time and come up with the project that would justify the rental cost but I'm hoping to get one before they all disappear. 

@IronFilmYeah it's going to be 5 years old pretty soon.

Z6 is an old camera these days?
Man, that makes me feel old now...
Not long until we can get an OG Alexa for $2.5K
 

I never did! Am tempted by it now or then, as it's the closest way you could get "mirrorless" (well, they're not, but kinda-ish) lenses used on the F5/F3, and not just merely DSLR or PL lenses. (or the very rare, one FZ lens that exists) 
As it sucks you can't use mirrorless lens on both your Sony FX/FS series cameras and  F3/F5/F55 cameras. 
But something like a set of TTArtisan, Voigtlander, Mitakon, or Zeiss ZM lenses in M Mount would be a choice set you could easily switch back and forth from a mixture of old or new Sony cameras. 
https://www.bhphotovideo.com/c/products/Rangefinder-Camera-Lenses/ci/8423/N/4288584243?sort=PRICE_LOW_TO_HIGH&filters=fct_mount-type_1345%3Aleica-m-mount
 

Z6 is an old camera these days?
Man, that makes me feel old now...
Not long until we can get an OG Alexa for $2.5K
 

Re. ‘OG’ cams, does the S1H class as an OG cam?
In my book it does and I am considering buying up a lifetime supply of mint condition used units…
For anyone reading that doesn’t know, I am a 23 season wedding veteran, the last 12+ years a hybrid shooter.
This season I have been running a pair of S5ii’s and a single S1H.
Out of 10, I’d give the S1H a score of 9.
The S5ii, maybe a 7. At best.
The S1H kills the S5ii in almost every regard except for one, tracking AF and in that regard, it is not utterly terrible. In fact for my kind of use, it’s decent enough.
So why and where does the S1H ‘kill’ the S5ii in my considered opinion?
1: Build. It’s built like a tank yet is not ridiculously heavy. Personally, I would not class it as ‘heavy’, even with the battery grip. By comparison, the S5ii doesn’t feel ‘cheap’, but doesn’t feel in the same league to me.
2: Ergos. I have shot over 100 full day shoots with this thing and with or without battery grip, it is by far the best camera to hold and use I have ever had. And I have had a lot of cameras over the years!
3: The Shooting Experience. It’s on another level to the S5ii. It’s just faster everywhere than the S5ii. It just works like you expect and want a tool like this to whereas with the S5ii, I’m willing it to catch up and watching it jump around sometimes using AF with the rear LCD and then questioning the focus, the exposure and even the colour because the rear LCD just sucks next to that of the S1H. Yep, sucks. For clarity, brightness, colour etc, the S1H rear LCD is the only monitor I need.
4: Video. I tried open gate 6k 30p on the S5ii and liked the quality, but as a PAL region user, found the workaround in certain lighting conditions a pain in the arse. I also use a lot of modest speed (50%) slow mo and only able to achieve 80% with the S5ii is a bit of a bummer. But then the S1H can’t do it so I’m back to shooting 4k 50p on both.
This is where it’s a tie for me. On one hand the S5ii allows me to burn in a LUT which is my preferred way of working. On the other hand, I think the quality of the S1H video is slightly higher and more ‘filmic’, possibly due to that OLPF taking a bit of digital edge off it?
5. Stills. S1H easily. It just works. All day long. The S5ii just slows me down and almost always is slower to acquire focus, doesn’t feel as confident when it thinks it’s found it and the shutter button sound and tactility is shit next to that of the S1H. Yup, shit. I fkn hate it. Also, again, no moire issues with the files from the S1H and slightly more ‘filmic’ possibly as a result making this thing an equally capable and underrated stills machine as it is for video.
6. Battery life. No contest, the S1H just kicks the backside of the S5ii.
Conclusion.
The S5ii has better and more reliable AF in forward tracking scenarios. That’s its sole win. It can’t even argue cost as mint used S1H’s are now at similar levels.
Oh and it can burn in a LUT. No dealbreaker and my workflow would be easier if the S1H could and I wish they would add that feature in firmware but does not look likely now…?
9/10 for S1H and an easy win then, but where could it be improved for me?
A. Ideally, next gen, 6k 50p open gate, no crop. That’s it, I’m done remainder of my career.
B. Ability to burn in a LUT. It’s a given any S1 line replacement will get that.
C. More pixels please. I’d like to retire my 70-200 and I could get away with that (talking stills here) with something say 45+mp. The sensor from the S1R produced even better video (and stills) IMO, but a love child of the S1R and the S1H would be a perfect union for me. With a couple of updates of course.
Beyond that, I can’t think of a single thing. The S1H is the closest thing to camera perfection I have ever used.
I suspect of the current crop, only the Z8 could run it close or probably beat it but I’d need to test one properly in my real world use case work days to know for sure, but then whole new ecosystem and huge cost etc…
So my hope now is Lumix creates my next camera and has it available on the market by March 2024 latest because if there is no sign of that, the temptation to try a Z8 over the Winter…
The bottom line is as a full-time working pro, I need kit that A. just works and B. just gets out of the way and C. ideally, I enjoy using.
The S5ii kind of works, but does NOT get out of the way and (for me) is not a joy to use.
The S1H is my OG and ticks all 3 boxes.
 

Speaking of OG cams…
Nikon Z6 - 1080p NLOG (oversampled)

If I had no money I would be shooting with a Canon 50D. People keep saying the EOS M is the budget king (valid) but this camera literally costs $109.98 with shipping! That is freaking cheap for 14-bit RAW video!

Thanks for the honest review - it's a pass...

This was my main work camera for two years. I struggled with it. Coming from the C100, I thought that it would be a home run but I found myself missing the C100 a lot. The C100 was easier to handhold, had more reliable DPAF (even though it was center-weighted), and monitoring wasn't as confusing.
I was unimpressed with the H264 and only used CRL, recorded to a Solidpod that I mounted externally. Other C200 shooters have told me that they are okay with the noise levels, but to me the CRL footage was noisier than I was comfortable for client work at ISO 400 or above. After almost every shoot I would run NeatVideo on all of my footage, apply a LUT (unless they wanted CLOG2), and export ProRes files before handing it off to my clients. The resulting footage was really nice, but it took a lot to get there.
The day that I shipped the C200 out, I breathed a sigh of relief. I now have a C70, which addresses all of my problems with the C200.

Btw, the seller of the 5dii mailed me, if i wanted the nifty 50 f1.8 plastic fantastic and a camera bachpack for free. So i got a 5d2, less than 28.000 shutter counts, the 50 1.8 and a backpack for 150 eu. Now looking for cheap cf cards. Love the ergo and look of the camera body.