Emanuel

Ah so there's also travelers not to be forgotten here... ; ) Let me see, the best camera is that one you have with you, isn't it? Or should we infer we have to resign on our phone camera for that? ; -)

Indeed but when that 5DII popped up? (you even look like to repeat some post I had posted here before LOL) Let me see... 4Q 2008? We're speaking about what here, actually and more exactly? Tripod or slider shots? Is that? How much is the price range of that cinema camera BTW? Because it was mentioned US$ 1-1.5 grand, the same for the top smartphone offering all that PDAF has implemented from some time earlier than 4Q 2018. You know something? Something that really pisses me off is when we, me included if/when happens (hey, I am not perfect either! LMAO : ) tend to forget a point because we have something of our inner own -- like an investment we did, no matter how small it is... just to protect or to massage our self esteem ; ) This is not honest : ) I am not glad to feel like to have to write it anywhere, go figure here, but we're trading a subjective interest for a fact. Doesn't serve the truth or the reality of the facts. Reason why fanboys end to get a pejorative meaning over these and other boards, I'm afraid. But you have there good tap to focus, as far as it is reported from that video I commented... so, why bother with my AF remark? : X If it is because I've mentioned that. Let me tell you starting to present my disclaimer that for three years during my film school going along with 16mm film, I had to be focus puller without clue if me and my colleagues, we'd have the whole school to praise or curse our skills when the 'collective footage' was used to be pixel peeped @ big screen, just arrived from lab rushes. Moreover, what for that cap on the operator's head with the RED up there? : D As much helpful as AF or IBIS for handheld shooting, I presume...?! C'mon... give me you all of those old school lovers a break because I've already given to him @wolf33d on his usual point whenever a new release comes, pretty fair BTW : -)

Indeed. Helpful FAQ video. AF related too. I know a few of you spend hours of discussion on some pixel peeping when to my perspective, AF and IBIS are the crucial points of a $1-1.5 device. These cameras are or should be designed to be operated for a single shooter at any rate or some other doesn't mean much else : ) We are in 4Q 2018... : -) I think this may immediately answer you or anyone else shooting under those conditions: : -)

ah OK, so take a look here: http://urbanvideo.ca/avoid-video-flicker Hope this helps, E : -)

Of course. I guess he meant the typical 30p aka soap opera frame rate instead.

Looks some Iscorama glass coupled there. To me, bothers much more that flickering over there which could be corrected with the use of proper shutter speed BTW : ) Aside the dichotomy 50Hz vs 60Hz for 25/50/100 or 24/60/120 fps, respectively.

They react. BMD case these days. Panny has had some other story though. Not my advice as senior consultant for more than 25 years today. My dear Don, almost any camera can look better than the most recent technology in that so small box like GH5S is. It just depends on the shooter... (E ; -)

I'd tend to never be a fanboy of a company self-centered into the broadcast sector when we live media convergence days as ever before, if some people haven't understood yet. I don't find hybrids to be bad cinema cameras, rather the opposite or this website wouldn't even exist. Neither this thread with more than half million of views, trust me. People come here not because they're not happy with their hybrid cinema cameras. Only because they want much more. Hybrids are reaching that one. As observer and industry player, I'd say 5DII was only the first stone to be followed by that 'S' model by Sony with Panny to include 10-bit 4:2:2 in-camera, now even Fuji has added their 4:2:0 version. How long up to arrive to the BMD standards? Will it be so long? Is anyone sure of that will be a long road from today? C'mon... Why that same GH5S sensor? I've even asked to someone top ranked inside BMD, just a few days ago and he was unable to deny it... Disclosed information, he defended himself. Give us a break for a very simple reason: market and its players will dictate that one, step by step, from any incremental introduction now because giant leaps have been taken. Not marketing -- rather different than market(s) who actually establish the rules.

Funny. The use of focal reducers is exactly the major sale point for MFT IMHO. This, affordable light MFT glass. And C-mount bargains on eBay. And... ...Pocket 4K doesn't fit in the category of small camera bodies though ; -)

Make it simple. Buy weather sealed lenses ; -)

Nice to know : ) How have you found the IQ of these two lenses?

I guess 'S' model is over for both Panny and Sony too. We could infer hybrid's milestone. No one can ignore BMD's role whether we like the brand whether not : ) I am like you. Nothing will touch Panny love. Once; it is forever ; ) Let alone YT where no other camera got such spread indeed. Fujifilm has gotten the best results in the hybrid realm with their aggressive business model now. Seems hybrid shooters are their targeted business today rather than that video world for social media like Panny or broadcast and corporate like Petty's brand. I wish BMD had their business vision rather than only codecs and color science to be fair. They could and should be further. But seems they don't like you use the word "should" LOL ; -)

GH6 will inevitably be a need here.

The whole point is BMD guys are slow to compete with hybrid features like AF and IBIS as for instance or even a different camera range in the same segment. Hybrids arrived to a certain point Jannard's DSMC intended to be. Scarlet 3K for 3K, now lowered to 1K-1.5K (BMD realized that but they struggle to deliver hybrid features).

...a camera or the brand itself? :-X Hybrid is something a CC will never be but a CC will tend you shoot more motion than stills when not only stills... I find this camera unique of a kind. They will be in trouble when X-H2 will be outside though. Albeit only if sooner than later. I guess 2019 shall be a terrific one anyways, maybe from scratch (only price will justify 2018 models by then) already from beginning, very early, perhaps Feb/March if/when X-H2 and GH6 will pop up ; -)

Man, have you looked/watched "The Color of Light"? @Cinegain

So you are happy with the smoother transitions when pulling focus, but not exactly with the tracking feature. Is that so? Any workaround for? What about lenses with your AF tests BTW?

Very clever, Jon ; ) People like toothpaste will never cease to find out a passage for ; -)

How have you handled going along AF on your X-T3 BTW?

BM fanboys are far, but so far away from their company policies... ; -) Tough business, no more no less. Sometimes can even happen to contradict the common sense behind : X Well, I guess some senior executives can be junior executives (or the contrary hehe) trading places in disguise... LOL

On the spot, Glenn. Will you notice it then? ; ) If you look after PDAF nothing will stop you to not end there ; -)

...and their superior color science & acquisition tech, no matter what : ) It is a bit pointless to try pretending to ignore that. Useless IMO. We have the right to favor something else if our IQ standards match fulfilled, though. May the holy grail be beyond pixel peeping ; -)

Competitors are there but they've raised the bar too. I believe there's room for all, trust me, they're not even worried with them. We arrived to a certain point it's not the major players to ignore innovator companies like Blackmagic anymore, rather the opposite. Numbers, the only God. Who pays the bill, after all? Is it really important to them? It should be... I don't think this is meaningless. Not only tech is important at least to my book. RED got the love of the clientele because their service, view and respect for their support basis.

Don't breathe too deep, they feel self-subsistent. Rather frustrating their corporate contempt. Their products and innovation would deserve much more. I hate to have to write this but never thought to feel like to post it. Half million of views and silence is all you can get there. They don't ignore to take advantage from anyways.

Andrew, mate, you did, I did... you probably even have no clue on the fact they are completely aware of all that. PR / marketing as they call it and sales department too at the higher level of their hierarchy, Grant Petty included. I've been in touch with them crossing different chains on the phone, trade of emails, giving them acute but also positive criticism. Unfortunately, seems they don't take it as welcome as it should. Can't obviously make them public but I am not satisfied either. I have a reputable organisation asking for 28 camera units and they are unable to understand their own role on the process. Bummer. RED could be expensive and all that. But I had Jim Jannard and Jarred themselves to establish proper communication. Never asked they could behave as friends or my own family but that's what I can say a dozen of years later about them instead (E : -)