In a historic interview granted only with the EOSHD YouTube Channel, a Canon colour science engineer finally sat down to talk about the EOS R5 overheating issues.
If EOSHD were a record player, there would be one particular groove it just couldn’t get over. It’d be the part of the record where she sings “why are Canon’s video specs so rubbish and where is the Canon full frame 4K high end mirrorless camera?”, and admittedly this isn’t the stuff of a number 1 hit single. I for one am very grateful the fat lady has finally shut up. I cannot put into words how relieved I am to no longer have to complain about Canon! Even the site name now makes sense! That gamble I made 10 years ago in believing Canon would run away with the DSLR video scene may yet pay off! It’s just that I’ve spent the first 10 years shooting mostly Panasonic and Sony. Canon seriously dropped the ball and for the longest time just didn’t seem to listen.
Speculative reasons for this have been legion – some say Canon lacked the technological capability to compete. Some say Canon wanted to avoid cannibalising Cinema EOS sales, or that Canon simply didn’t see a market for full frame 4K after the relative failure of the 1D C. Some say their sales had an unassailable lead with just 8bit 1080p (especially C300 and 5D Mark III) so why bother trying harder?
Now there’s another interesting theory, that Canon R&D works on a 10-year cycle with a big leap ready to storm the market at the end of each cycle, building on the initial success (reusing sensors in multiple bodies) with incremental improvements for 8-9 years before the next big leap. Let’s go all the way back to 2000 with the genesis of the Canon DSLR and CMOS sensor technology, fast forward 10 years and the cycle has resulted in a 5D Mark II taking the world by storm, a big leap on everything that went before and ahead of every other competitor at the time.
Fast forward another 10 years to 2020 and Canon looks to be doing a similar thing with the EOS R5. Could it be that Canon are just conservative, slow to make major moves, very calculated and taking the long term picture into account?
At EOSHD we like to ask the important hard-hitting questions with memes.
It’s common knowledge in the camera industry that RED owns an important patent for a cinema cameras featuring compressed RAW.
Now British third party accessory manufacturer Jinni Tech alleges RED “deceived the US patent office” and filed the critical patent late.
If you have ever taken a photo on a street or made a video in public, the European Union is opening you up to copyright claims by – get this – the owners of advertisements, building facades and even privacy violation claims from the general public.
Is this the beginning of the end?!
It hasn’t been mentioned much but now the dust has settled on the EOS R launch, I’ve just realised we are being seriously diddled.