There’s just been some pretty startling research published by a university in the UK which could herald the biggest change to imaging since the switch from film to digital. Indeed before it has even begun, 4K may become obsolete along with resolution itself – killed not by 8K or Super-Hi Vision but a completely different kind of technology. A vector based video codec has been developed at the University of Bath.
Browsing: News
The latest news on cameras, from EOSHD
The Nikon D5200 is equipped with a new Toshiba sensor and appears to outperform both the new full frame Nikon D600, Canon 6D and even the Nikon D800 when it comes to video. It looks like newcomer Toshiba didn’t get the memo “All DSLRs must suffer from moire and aliasing in video mode”.
What’s new? Timelapse interval recording Canon lens F-stop display on the monitor ExFAT file system support for SSD media SDI output now supports RP-188 timecode I’ve installed the update and here’s what I think…
I’m really impressed by this new Digital Bolex blog post detailing what they have been spending all this extra time on. The project has had a massive yet very sensible improvement on the original specs of the camera.
View or buy the Sony F35 for $12,000 on eBay US (this version is enhanced by Clairmont camera in Hollywood) A Hollywood workhorse to this day, the Sony CineAlta F35 (also rebadged as Panavision Genesis) is a Super 35mm PL mount digital cinema camera and also an extraordinarily good deal on the used market in 2013. It has 14 stops of dynamic range and a global shutter. It has taken CMOS…
I heard a great quote today in the world of motor racing. One of the top engineers at Mercedes F1 had shifted into a management roll, but he was really better at the sporting side. He said he was a racer not a businessman. For ‘racer’ replace it with filmmaker and his quote applies equally to artists… “I’m not an entrepreneur I’m a filmmaker, I want to make films without…
[vimeo]http://vimeo.com/40844162[/vimeo] A guest post by director Roberto Miller. Andrew asked me to write a brief article for EOSHD about the experience of making my feature film, Mandorla, now in post, with a pair of GH2s and LOMO anamorphic lenses. I’m happy to do so because, truth is, it’s Andrew and the EOSHD community that inspired me to go the GH2-anamorphic route, which achieved a cinematic look and vibe that I never…
Speed Booster at 35mm F1.0 on the Sony NEX 7 With the Metabones Speed Booster APS-C and Super 35mm sized sensors have taken a barrelling charge up to the door of full frame. Does it blow the doors off?