Sam Morgan Moore (check out his take on this here) has sent me some high quality grabs direct from his ProRes footage today. Origin, the first 5D Mark III batch to land in London. The workflow was H.264 to ProRes 4:2:2 to TIFF then to high quality JPEG. I have to say image quality is really nice, a great base to work from and very gradable indeed. ISO performance even…
Month: March 2012
There is more to this camera than meets the eye. In my first look I was rather taken aback by the eccentricities of the camera and just could not work out what it offered over the cheaper NEX 7. Now in a surprised double-take, I am beginning to believe it is actually the best mirrorless on the market for stills. And the 1080p video mode – once you know the…
Slowly the new DSLRs are giving up their mysteries as they land in the laps of lucky pre-orderers who thanks to Canon and Nikon have had to blindly throw $3000 in their general direction, hoping that the camera does what they want. So next time if you are listening Canon and Nikon, tell us right from the start about things like image quality, scaling to 1080p and HDMI output quality.…
If you are interested in the NEX 7 cage get in touch with Philip and Wondo at ReWo’s website here The NEX 7 just became more attractive on a professional film set. Here is the ReWo cage for the Sony NEX 7. The shots below are of the most recent prototype. You may remember ReWo from the professional GH2 cage (see the EOSHD review).
I had the chance to interview Elle Schneider today of LA based Digital Bolex. Their D16 camera is a 16mm Bolex using existing off the shelf components and raw processing software developed in Canada. It shoots 12bit raw with no rolling shutter, although the sensor is much smaller and less sensitive than the one in the 5D Mark III.
Now I love this kind of enterprising spirit. A passion for filmmaking, a passion for technology and a “let’s build a rocket” mentality. The Digital Bolex project which seeks to build a digital cinema camera for indie filmmakers has now succeeded in passing their $100,000 target in just 24hrs – helped by taking pre-orders for the camera at $2500 each. In fact it is set to break $200,000 in just…
Canon have been on the record to say that the only rival they fear is Fuji (because of their expertise in sensors). Canon want to fear them and I want to like them. If only the GH2 was this good looking. Unfortunately I am having quite a hard time liking my X-Pro 1 when she is sitting side by side with the superb Sony NEX 7. Does it offer enough…
[vimeo]http://vimeo.com/38339934[/vimeo] The Leica M Noctilux which costs $11,000 is a full frame F0.95 photographic lens. The SLR Magic HyperPrime CINE T0.95 is a full frame F0.92 lens designed for cinematographers with Leica M mount which retails for $3,000 – a third of the Noctilux. It is quite a different lens to the Voigltander Nokton 25mm F0.95 for Micro Four Thirds. It covers a full frame sensor and APS-C mirrorless cameras like…