Image source: Frank Glencairn
NAB 2013 is being prepared and an eagle eyed Frank Glencairn has spotted what appears to be a giant ad board for Blackmagic’s next version of Resolve – version 10.
With the raw format becoming affordable for the first time this year (Blackmagic Cinema Camera, Red One, Ikonoskop) many aspiring filmmakers are considering taking advantage. But to edit raw you need to up the ante on the hardware side.
What is the most suitable (and affordable) editing rig for raw – Windows, Mac Pro or Hackintosh?
(Important: on the Vimeo page for this clip, click download to get the 2.5K 80Mbit clip. Don’t bother watching it full screen from the stream as it is a pale imitation of the full 2.5k file)
I’ve been experimenting today with Blackmagic Cinema Camera workflows.
I use Adobe Premiere as my main NLE. I am not an FX guy so rarely use After Effects. But it comes in very handy here.
Premiere cannot yet edit the CinemaDNG files natively, performance is very limited, it interprets the footage at 1fps, requiring you to fix this for every clip and image quality suffers greatly, possibly because it doesn’t allow you to edit in glorious 12bit.
Here’s the solution that’s working best for me…
Here’s a quick guide to the things I’ve found useful with my 5D Mark III video shoots so far.
Above snap taken with SLRMagic E-mount 28mm with SLRMagic macro extension tube on Sony NEX. Click here to buy the lens on eBay. Full review soon!
Premiere Pro CS5 aside, support for AVCHD has been poor to date on PCs and Macs. Are you tired of having to wait for media to transcode in Final Cut Pro? Can’t edit HX9v 1080/60p in Final Cut Pro X? Having trouble previewing AVCHD clips in Quicktime Player on a Mac? No thumbnail of AVCHD clips in the Finder?
Finally a solution is at hand.