Close Menu
    EOSHD Shooter’s Guides
    • New EOSHD Pro Color 5 is out now, for all Sony mirrorless cameras including the A7S III!
    • EOSHD C-LOG and Film Simulation Picture Profiles for Canon
    X (Twitter) Instagram YouTube
    X (Twitter) Instagram YouTube
    EOSHD.com – Filmmaking Gear and Camera Reviews
    STORE
    • Forum
    • YouTube
    • Instagram
    • 𝕏
    • PRO COLOR 5
    • EOSHD C-LOG
    • Store
      • The EOSHD 5D Mark III 3.5K RAW Shooter’s Guide
      • The EOSHD 50D Raw Shooter’s Guide
      • The EOSHD Anamorphic Shooter’s Guide 2nd Edition
      • The EOSHD Sony A7 Series Shooter’s Guide to Full Frame Lenses
      • The EOSHD Panasonic GH4 Shooter’s Guide
      • The EOSHD Panasonic GH3 Shooter’s Guide
      • The EOSHD Panasonic GH2 Shooter’s Guide
      • The EOSHD Sony A7R II Setup Guide
      • The EOSHD Samsung NX1 Setup Guide
    • Cart
    • Contact
    • More
      • EOSHD Reviews
      • EOSHD Cinematography
      • About EOSHD / Andrew Reid
      • Blog RSS Feed
      • Facebook
    EOSHD.com – Filmmaking Gear and Camera Reviews
    You are at:Home » HOT! Canon developing 4K RAW video format

    HOT! Canon developing 4K RAW video format

    Andrew Reid (EOSHD)By Andrew Reid (EOSHD)January 27, 2012 News 2 Mins Read

    Canon 4K EOS DSLR

    Canon are developing their own RAW codec for 2K and 4K video. In a patent filed in July 2010 and published yesterday, Canon describe a codec which stores raw sensor data from a 12bit high resolution RGB sensor with Bayer colour filter array.

    The inventor is listed as Siu-Kei Tin (Milpitas, CA) for Canon.

    It seems Canon intend to use CF card as the recording format for the RAW codec rather than SSD drives, so it could well be destined for a DSLR as well as any C300 successor.

    Canon describe 4096 x 2048 RAW video at 12bit / 30fps as having a data rate of 2.8125 Gib/sec which is ‘too high for CF cards’.

    Unlike uncompressed RAW, Canon’s RAW codec would reduce this data rate (whilst maintaining image quality).

    From the patent –

    “One trend in video capture is high definition capture. In this regard, the acquisition format is not necessarily the same as the delivery format. For an example in acquisition format, movie cameras can often support 4K capture or higher”

    “As such, there are trends to support high resolution and high frame rate for video capture. By using raw sensor data output, however, data transfer rate and storage capacity of recording mediums can be limiting factors. Accordingly, there is a desire to output raw sensor data with reduced data transfer rate.”

    “One conventional solution that has been implemented in some camera products is to use a form of data compression. Unlike rendered RGB data (e.g., sRGB), however, linear light sensor data may not be amenable to well known compression algorithms such as H.264 (MPEG-4 AVC) or VC-1 (SMPTE 421M). Further, such compression generally introduces artifacts to the camera raw data, and these artifacts may be difficult to fix in the post-production. Thus, there may be a practical implication that, when shooting at high resolution such as 4K, one is limited to lower frame rate, such as 24 fps.”

    “Disclosed [patent]describe devices and methods for recording successive frames of raw sensor data depicting a moving scene.”

    The patent also describes a high resolution RGB sensor and colour filter array ‘which can correspond to a Bayer pattern’. Both DSLRs and the C300 use this sensor technology.

    Thank you to EOSHD forum member Tungah for drawing this to our attention

    PS

    Maybe this is the testbed?

    Canon 4K RAW

    4k c300 canon Cinema EOS codec compression dslr eos raw video
    Andrew Reid (EOSHD)
    • Website

    British filmmaker and editor of EOSHD. On this blog I share my creative and technical knowledge as I shoot.

    Related Posts

    FUJIFILM GFX ETERNA announced – Fuji enter cinema camera market

    Read More

    Panasonic hiatus worries, as flagship cameras remain nowhere to be seen in 2024

    Read More

    The future of cameras is NOT full frame

    Read More

    EOSHD Pro Color 5 for All Sony cameras

    EOSHD C-LOG and Film Profiles for All Canon DSLRs

    EOSHD Z-LOG for Nikon cameras

    Articles by category
    • Anamorphic
    • Featured
    • Filmmaking
    • Interview
    • Lens
    • News
    • Opinion
    • RAW Video
    • Reviews
    • Rumors
    • Satire/Opinion
    • Shooter's Guides / LUTs / Colour Profiles
    • YouTube
    Blog post archives
    • Instagram
    • Twitter
    • YouTube
    © 2025 Andrew Reid / EOSHD

    Type above and press Enter to search. Press Esc to cancel.