Panasonic’s Philipp Wolf showed me the inner-workings of the new GH3 at Photokina today. I was then let loose with the camera to shoot some test footage in 1080/25p ALL-I and 50Mbit 1080/50p mode. This camera was running firmware version v0.4 and so by no means final yet. What I found impressed me.
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Updated version: 17.36 GMT Described by Panasonic as a semi-professional ‘creative HD hybrid’ and a flagship model for the company, the Panasonic GH3 is finally here – 2 years after the GH2 arrived. The official unveiling answers some of the mysteries too.
[vimeo]http://vimeo.com/49420579[/vimeo] Could this be the moment Panasonic finally get the wider acceptance they deserve for the GH line? Here’s the first promotional short movie shot on the Panasonic GH3 by Philip Bloom.
Above – the new GH3 (click image to enlarge) First sample videos will be uploaded here – https://vimeo.com/groups/gh3 The GH3 will be revealed on Monday September 17th at a Panasonic press conference in Cologne, home of this year’s Photokina 2012. EOSHD will be there when the show opens on Tuesday to get all the juicy hands-on details.
Sony seem to have worked hard in optimising the A99 for video, and not just stills only. Point by point, EOSHD takes a first glance at the official information…
Check out the Blackmagic Cinema Camera versus 5D Mark III footage and blog post at EOSHD here With both cameras around the $3000 with a Canon lens mount, and the DSLR being such a popular choice for video, I thought I’d examine the reasons for buying one or the other. Which should you choose?
[youtube]http://www.youtube.com/watch?v=qU71wZBoA1E[/youtube] This from Michael Hession at Gizmodo. It really is a great idea – he has used the stills burst mode (the fastest ever on a DSLR) of the Canon 1D X to piece together a short video at 14 fps. The video has the dynamic range, resolution and overall quality of photographs. It is a massive step up from the video mode but of course 14 fps is shall…
If this rumour at SAR is true it could turn the industry on its head. Sony is about to wage war on the Super 35mm format, and wage a war on pros being locked into one line of lenses. Their higher end video cameras are going full frame with a mirrorless mount.