nikon

Nikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p

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Just a few hours ahead of the launch, we now know the first video specs for one of the new mirrorless cameras from Nikon.

The Z6 and Z7 will both feature 4K video. N-LOG has been confirmed for the Z6 and of course should be in the higher-end Z7 as well. Hopefully the traditional Flat profile will be maintained as well, for those looking for something easier to grade. A very positive development is that the camera is confirmed to have a 10bit 4:2:2 HDMI output, a significant step up from the Nikon D850.

Read moreNikon Z6 features 4K N-LOG, 10bit HDMI output and 120fps 1080p

Imaging Resource takes a look inside Nikon’s sensor design studios, solves Sony misconceptions

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Comment on the forum

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Dave Etchells has a background in chip science and finally had the very rare opportunity to visit Nikon’s sensor design labs. It’s long been the perception in the photographic and filmmaking community that Nikon leans heavily on Sony for off-the-shelf sensors and is handed down parts. It’s led to opinions like “why would Sony give their best sensor to rival Nikon?” being quite common on camera sites and forums.

The answer, in actual fact, is that Nikon can beat Sony at their own game, with the 46MP full frame sensor in the D850 proof of the pudding. It does better 4K video quality than the A7R III at a higher megapixel count and edges it for stills quality too. Now let’s hear about some of the science behind it.

Read moreImaging Resource takes a look inside Nikon’s sensor design studios, solves Sony misconceptions

Masters of darkness – Panasonic GH5S and Sony A7R III in extreme low light

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Note: My camera is running firmware version 0.2! If the performance changes when updated, I will re-do the test

Does the Panasonic GH5S finally achieve full-frame like performance at ISO 12,800 against the best of the competition?

Here I put the little nocturnal fox in the ring with the Sony A7R III, A7S II, Nikon D850 and the plain old ‘non-video-orientated’ GH5.

Read moreMasters of darkness – Panasonic GH5S and Sony A7R III in extreme low light