Since Photokina there have been a number of interviews with Panasonic, Sigma and Leica regarding the L-mount system and the alliance behind the new lens mount.
I was able to find a Nikon Z7 in Berlin and decided to shoot with it at least until the Z6 comes out, when I’ll reassess whether it is worth 3800 euros. Nevertheless, this camera tells us 90% of what we need to know about that one too.
All of the following photos were shot with my Canon FD 85mm F1.2 from 1976 on the Fujifilm GFX 50S. Medium format at F1.2?! Yes, it works and no vignetting!
I am really interested in what Fuji is doing at the moment, but with the most interesting cameras at the show just a development announcement and dummy body-design, we’ll have to wait a bit longer for them to truly reveal their cards.
This will be a short part 1, as I am about to get on my way from Berlin to Cologne to see all the new stuff at Photokina for myself! It’s been a mammoth few weeks for camera announcements and these two top them all.
First from Panasonic we have the first ever full frame cameras to shoot 4K/60p, beating Sony to the punch. Their A7S III is STILL not yet announced. The Panasonic S1 and S1R are probably why! For video they beat every full frame camera past, present and future!
Second we have the Fujifilm GFX 100MP development announcement, which will be a 2019 $10,000 medium format mirrorless camera. They also have a cheaper 50R “rangefinder” style GFX body at the show ($4500) but that is 1080p only like the GFX 50S it’s based on. It is the 100 megapixel one I am really interested in.
Back in June I reported on the joint sensor development between Fuji and Samsung. You can read all about that ISO Cell project here. This was 100% not a rumour.
Now you may look at the X-T3 and wonder where the new 26MP sensor comes from.