Inspecting the Fuji GFX 100, and having a cup of tea

Fujifilm GFX 100 with Canon Dream Lens

I often look at the 4 or 5 cameras in my bag and think “this cost me far too much and they’re all the same”. Then I have a cup of tea and try to forget about it.

Yes it’s true, the full frame market is overcrowded and image quality differences between them are getting smaller. What about selling 3 or 4 of those cameras, I thought to myself… And consolidating them into one giant mad one.

Read moreInspecting the Fuji GFX 100, and having a cup of tea

A monstrous Fuji X-T4 is coming, rumoured to shoot 6K/60p with anamorphic mode and IBIS – The “X-H2” we always dreamed of?

Fuji X-T4

Rumours have gained pace all over the place about the X-T4 and the discontinuation of the X-H2. I have to say this makes perfect sense if the X-T4 is going to be an X-H2 anyway in video terms. 10bit 6K/60p anyone?

Read moreA monstrous Fuji X-T4 is coming, rumoured to shoot 6K/60p with anamorphic mode and IBIS – The “X-H2” we always dreamed of?

Fujifilm hint at 44×33 large format “GFX-H100” filmmaker’s camera / open gate 4K3K

With Canon debuting the C500 II today, demand for a full frame in a C-series body is clearly there but Fujifilm is looking further into to the future. Their X-Trans IV sensor technology has already debuted in the GFX 100 and X-T3 but I can reveal a leaked slide-show shows Fujifilm might be taking the technology much further than we believed…

A large format 44×33 camera optimised for open gate 4K3K RGB (perfect for an anamorphic mode).

Read moreFujifilm hint at 44×33 large format “GFX-H100” filmmaker’s camera / open gate 4K3K

The digital film look on a budget – 10 years after the Arri Alexa, what gets closest for cheapest?

Hard to believe it, but EOSHD is nearly 10 years old!

2010 was a big year for digital cinema. The 5D Mark II was in full stride kickstarting DSLR filmmaking. Arri’s first proper digital film camera the Alexa was released and revolutionised filmmaking at the highest levels. Now all these years later I’m still looking – not for the sharpest, highest K, most featured packed modern camera but for a camera costing less than $1000 which has the most Alexa-like image.

Not on a technical level, of course, but in terms of the feel of the images and how cinematic the end-results are when viewed on the big screen.

Read moreThe digital film look on a budget – 10 years after the Arri Alexa, what gets closest for cheapest?

Nikon Z7 is at EOSHD HQ – better video than Sony?

I was able to find a Nikon Z7 in Berlin and decided to shoot with it at least until the Z6 comes out, when I’ll reassess whether it is worth 3800 euros. Nevertheless, this camera tells us 90% of what we need to know about that one too.

Read moreNikon Z7 is at EOSHD HQ – better video than Sony?

Photokina Part 2 – Panasonic S1R hands-on (sort of) plus Fujifilm X-T3 / EOS R hands on / Blackmagic Pocket 4K shipping news

All of the following photos were shot with my Canon FD 85mm F1.2 from 1976 on the Fujifilm GFX 50S. Medium format at F1.2?! Yes, it works and no vignetting!

I am really interested in what Fuji is doing at the moment, but with the most interesting cameras at the show just a development announcement and dummy body-design, we’ll have to wait a bit longer for them to truly reveal their cards.

Read morePhotokina Part 2 – Panasonic S1R hands-on (sort of) plus Fujifilm X-T3 / EOS R hands on / Blackmagic Pocket 4K shipping news

Photokina 2018 Part 1: Panasonic S1 and S1R full frame 4K/60p and Fujifilm GFX 100MP 4K Medium Format. WOW!

This will be a short part 1, as I am about to get on my way from Berlin to Cologne to see all the new stuff at Photokina for myself! It’s been a mammoth few weeks for camera announcements and these two top them all.

First from Panasonic we have the first ever full frame cameras to shoot 4K/60p, beating Sony to the punch. Their A7S III is STILL not yet announced. The Panasonic S1 and S1R are probably why! For video they beat every full frame camera past, present and future!

Second we have the Fujifilm GFX 100MP development announcement, which will be a 2019 $10,000 medium format mirrorless camera. They also have a cheaper 50R “rangefinder” style GFX body at the show ($4500) but that is 1080p only like the GFX 50S it’s based on. It is the 100 megapixel one I am really interested in.

Read morePhotokina 2018 Part 1: Panasonic S1 and S1R full frame 4K/60p and Fujifilm GFX 100MP 4K Medium Format. WOW!