Sony FS7 Review – Shooting 150fps in the dead of night

Ferrari have a DNA. Cinema cameras have a DNA. You have to go back decades to see it evolve into the force it is today. For Ferrari it is the very specific engine sound and the looks. Arri are that spirit to cinema cameras. The DNA of the Sony FS7 is a compromise. Half EX1 and half cinema camera, the ergonomics of the buttons, dials and menus need a complete overhaul in my opinion. So Sony haven’t got it all right yet but what they have done is put a Ferrari engine inside. The FS7 for £5199+VAT is an absolute bargain, with an ‘engine’ almost on par with a £18,000 F55 (though without global shutter). It’s a much more capable camera than the Canon C300 or Panasonic GH4.

Read moreSony FS7 Review – Shooting 150fps in the dead of night

Is this the ultimate EVF? OLED Zacuto Gratical to ship early February plus a quick look at the BMPCC Z-Finder

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Zacuto’s new EVF is now available to buy direct and it ships in early February. This is something I’ve been very much looking forward to. I’ve also been using the very small and light (and cheap!) Z-Finder for the Blackmagic Pocket Cinema Camera which you can read more on below.

Read moreIs this the ultimate EVF? OLED Zacuto Gratical to ship early February plus a quick look at the BMPCC Z-Finder

This is the Sony FS7

The Sony FS7 is Sony’s next e-mount Super 35mm camera, shooting 4K XAVC. Thanks to the E-mount you can use Canon EF lenses on it and the Metabones Speed Booster for when a full frame look is required. It has a 180fps slow mo mode, with an ergonomic design much improved and closer to the Canon C300, with top handle, top mounted LCD and built in ND filter. It really looks like Sony are going after the C300 market with this and it’s arguably going to be a much more capable tool. I’m impressed!! The camera will be announced today (Friday) …

Read moreThis is the Sony FS7