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Blackmagic Pocket Cinema Camera 4K RAW and ProRes 422 footage released for download

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Blackmagic have released the first files straight off the Pocket Cinema Camera 4K, for grading and evaluation.

How does the image stack up?

Read moreBlackmagic Pocket Cinema Camera 4K RAW and ProRes 422 footage released for download

Introducing the EOSHD Film LUT (for 5D Mark III raw and Resolve 10)

Download the LUT now

For the full guide to the world of raw video on the 5D Mark III – order the EOSHD Shooter’s Guide book by Andrew Reid

With the new version of Blackmagic DaVinci Resolve (10.0) you can grade and edit 5D Mark III raw DNG sequences, with image quality at the Adobe Camera Raw level for the first time and performance through the roof.

EOSHD Film LUT is an instant cinema style which quickly and easily improves the look of 5D Mark III raw video in Resolve 10. No grading skills required.

This LUT gives you a more film-like image, a less harsh electronic look compared to the standard Rec.709 colour space and default settings. It gives you more detail in the highlights and a smoother more natural feel to colour.

Read moreIntroducing the EOSHD Film LUT (for 5D Mark III raw and Resolve 10)

Raw goes mainstream – Adobe Premiere CC native Cinema DNG support tried and tested!

Cinema DNG raw video editing in Premiere CC first look

Adobe have the best debayer for raw around. I still convert my 5D Mark III and Blackmagic Cinema Camera raw files from DNG to an editable format in Adobe After Effects because the end result looks better than DaVinci Resolve.

Well as of today with Premiere CC update 12.1 Cinema DNG raw video is an editable format, directly in Premiere – dramatically speeding up the workflow for video shot with Magic Lantern on Canon DSLRs and the Blackmagic cameras.

Read moreRaw goes mainstream – Adobe Premiere CC native Cinema DNG support tried and tested!