Comment on the forum We have waited a long time for today – a true Canon 1D C sequel. This is also the first time since the 2012 Canon have released a ‘cutting edge’ DSLR for filmmakers. There’s good news and bad news – of course it costs $6500, has…
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Comment on the forum How about a new kind of camera benchmark – Netflix. Their production guidelines for original 4K content have been updated to include the Panasonic S1H. According to Netflix the S1H’s image in DCI 4K mode at 400Mbit 10bit 4:2:2 ALL-I plays in the same ballpark as…
Above: X-T30 versus the EOS RP (coming soon on EOSHD) Comment on the forum The Canon 90D targets wildlife shooters. I refuse to believe we’re a smaller market than wild boar pig lovers.
Comment on the forum If the Sony A6600 is a flagship camera, I’m a little pixie elf. It’s a flag at half mast kind of camera, in mourning of a once innovative camera division. 2016’s technology with a bigger battery. Interestingly a source who has been right many times before…
Comment on the forum In Apple’s attempt to overturn RED’s claims over visually lossless compressed raw video, the US Patent Office has published documents submitted by RED. These explain their side of the story with particular regard to REDCODE. If RED can continue to prove that the approach to their…
https://www.youtube.com/watch?v=s5e580-K2z8 Comment on the forum Sigma has surprised us all and announced a hybrid Cine/Stills full frame L-mount camera. Rather than the Foveon sensor Sigma traditionally uses, this one has a 24 megapixel full frame BSI CMOS sensor (likely the same as the Panasonic S1 and Nikon Z6).
Comment on the forum The wait for the A7S III goes on!
Comment on the EOSHD Forum The Panasonic S1H is here, offering extra recording modes over the S1, including subtle changes to the body. Full frame 6K/24p in 3:2 Almost full frame 5.9K at 30 in 16:9 Super 35mm 1.5x crop DCI 4K 60p 10bit Open gate 4:3 anamorphic mode (and…