Sony have published a study into 4K in theaters. Called “Does 4K really make a difference?”. The advice is aimed at cinema companies upgrading to digital projection, who are faced with the choice of either 2K or 4K projection systems.
Search Results: blackmagic (422)
[vimeo]http://vimeo.com/54266780[/vimeo] At the moment I am using the Panasonic GH3 like a bit of a director’s viewfinder. But the advantage is, it is a rolling one. You can then put a draft cut together of the concept you’re thinking of shooting – like a live action storyboard, see if it…
[vimeo]http://vimeo.com/53623079[/vimeo] Above: A message from Andrew of SLR Magic SLR Magic are stepping into the world of anamorphic lenses. Developed afresh, this will be a 100% new custom designed anamorphic lens for filmmakers but priced accessibly for DSLR filmmakers as well as pros. The footage above is from the early…
[vimeo]http://vimeo.com/52338565[/vimeo] The Canon 135mm F2L is at the moment my favourite lens on full frame. For the kind of shooting I am doing here, I wanted to stand back from the scenery and punch in. How does it perform?
Sony are set to shake up the digital cinema market with a specs war, at less than half the price of the Epic and also at the C300 price point of $15k. The Sony F5 (priced to compete with the Canon C300) takes the compact form of the FS100 /…
The EOS 1D C is a $15,000 DSLR which is heavily based on the $6000 1D X but has extra recording modes for 4K/24p and 1080/50/60p. Canon’s product manager at Photokina (not a hired hand or a sales rep) to my surprise told me the main difference to the 1D…
[vimeo]http://vimeo.com/51618708[/vimeo] Download the video here (Vimeo Plus members only) As well as having the coolest name for a camera ever conceived, this is a camera that kind of makes you wonder what the Japanese camera manufacturers have been up to all this time. Although the 720/120fps mode is shared by…
Above: Lily & Niklas magic hour amour, shot with OCT 19 LOMO 35mm anamorphic The OCT19 mount is a Super 35mm cinema camera mount from Russia, essentially was their equivalent of PL mount. Long time EOSHD readers will know I am in love with the look of OCT 18 mount…