[vimeo]22806106[/vimeo] So I’m continuing to explore Berlin, it is a fascinating place. Along the River Spree is an old abandoned theme park. Shuttered in 2002 after going bankrupt, the owners fled to Peru and were later arrested for drug smuggling.
Search Results: anamorphic (329)
Above: Tarkovsky shoots in the 70’s with the finest LOMO 35mm cinema optics. In 1972 the Russian master directed sci-fi classic Solaris using the very LOMO 35mm anamorphic lens which is the subject of this blog. It only took a year! Finally we can rack focus easily on an OCT18…
If you’d only go on eBay’s prices you’d assume the Iscorama anamorphic lenses had God-like properties. Maybe they’d part water with their patented easy focus mechanism. Could they heal a leaper with their flare? Possibly the hallowed Iscorama is able to bless you with a cinematic image.
[vimeo]20219795[/vimeo] Diopters are somewhat of a miracle with anamorphic lenses. My Tokina +0.4 helped cut the minimum focus distance of my Isco down to less than 4ft from 2 meters and helped sharpen it up at fast apertures like F1.4.
Find the full details on the DP6 here We are filmmakers. So why are we all shooting in the TV widescreen standard 16:9 and not 2.35:1?
View the full resolution flare gallery here One of the most essential styles of anamorphic shooting ahead of the aspect ratio, shallow depth of field and oval shaped bokeh is flare.
Buy it now I’ve been shooting in Berlin this winter with my LOMO anamorphic cinemascope lens. This is a Russian anamorphic used by Andrei Tarkovsky, who shot Solaris amongst many others with it on Konvas 35mm film cameras.