[vimeo]http://vimeo.com/119633102[/vimeo] The KineMAX 6K cinema camera is nearing a release and I might have my hands on a prototype soon here in Berlin (I happen to be down the road from my friends at HDVideoShop who are the official European dealer). This is a significantly higher spec cinema camera on paper…
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The KineMINI 4K is an exciting update to the 2013 model. This now records 12bit 4K raw internally and one of the raw formats is compressed. A much improved DSLR battery grip provides ‘build in’ power via lithium cells similar to those used by Telsa Motors. The CPU has had a major upgrade making the camera far…
The SLR Magic APO HyperPrime CINE 50mm T2.1 is a soon to be released high end PL mount cinema lens. The expected price is $1999, less than half the price of a Zeiss compact prime. The Cooke S4i Mini 50mm T2.8 is $7850 at B&H and the full set is around $45,000. How do…
Last February I made the first EOSHD video quality charts 2014. This was an at-a-glance chart of image quality delivered by every camera I can possibly think. This year I’ve decided only to include the cameras I’ve direct experience of shooting with in my own filmmaking projects, with only a few exceptions such as the…
Panasonic have today released V2.1 firmware for the GH4. This gives us timecode and recording start/stop triggering over HDMI to Atomos devices such as the Shogun 4K recorder. The firmware also adds a few other features, read on to find out what they are…
Recently I backed the fps1000 high speed camera on Kickstarter, choosing the £1000 Platinum version with 1″ sensor. Its UK-based creator Graham Rowan says the camera will get a 4K Super 35mm sensor option in 2015. The existing camera has also been improved considerably since the initial plans, with numerous stretch goals…
[vimeo]http://vimeo.com/110221964[/vimeo] Song ‘Her’ from the EP collection ‘The Mud Here Has Memories’ by Bunny Suit. Copyright owned by Universal Music Publishing. Filmed by Andrew Reid. Featuring guest vocals from Aurora Aksnes. Poster frame shows close-up resolving power of the LX100 at 11mm F1.7 in 4K mode. The first retro-styled camera from Panasonic is the first ever compact…
[vimeo]https://vimeo.com/110269871[/vimeo] A while has passed since part 1 of this review but I’ve been spending a lot of time with the A7S in-between. I am really under the skin of this camera. That’s a good sign because somewhere along the way, the A7S became my main filmmaking tool. Perhaps surprisingly for me, a huge Panasonic GH…