[vimeo]http://vimeo.com/150618927[/vimeo] The Sony FS5 has had a largely warm welcome from the video community but there has been one thing bugging a lot of owners and potential buyers alike – the quality of the internal codec. Just how good or bad is it?
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The Sony FS5 is a miniature version of the FS7 cinema camera and Sony’s competitor to the Canon C100 Mk II. It’s also one of the most capable slow-mo cameras, with a 10bit 4:2:2 internal codec at 240fps.
We head into 2016 with a treasure chest of great cameras but how exactly do the mirrorless and DSLR cameras rank for video?
Since the issue of black levels in LOG mode on the Leica SL was raised on EOSHD, Leica have reached out to me. Here I can reveal Leica are working hard on video related refinements. Last week in Berlin, product manager Steffen invited me to see the new firmware in action.
I am having a huge sale of nearly all my gear. I have too much and it is time to reshuffle the deck! I have added more kit to the sale including the Panasonic LX100, Fuji X-T1 Chrome, Sigma 20mm F1.8 and more.
Can the Olympus cameras compete with a full frame Canon DSLR for those with extensive EF lens collections? And is video quality improved with the epic firmware updates just released?
[youtube]https://www.youtube.com/watch?v=SGg2N32Z-co[/youtube] For his upcoming snowy western Tarantino unearthed special cameras and 1.25x anamorphic lenses at Panavision which hadn’t seen the light of day since 1965. The film was shot on 65mm film and will get a ‘Roadshow’ release on Christmas day in amazing 70mm.
UPDATE: Subsequent 2016 firmware updates address the issues with L-LOG highlighted in this earlier 2015 article The Leica SL has hit Berlin already and retail units will begin to ship in just over a week. I took the final camera in my hands to suss it out from a video point…