Without doubt my favourite camera series of the last 5 years has been the Panasonic GH range. But with the Sony A6300 on the horizon sporting a Super 35mm sensor with full 6K readout, is the future looking a bit shaky for Panasonic’s video wunderkind?
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Sony have announced a huge step up in specs for their A6000 series with the latest model, the A6300. With a completely new sensor, the camera now does a 6K full pixel readout to produce ‘perfect’ oversampled 4K video. For $998 at B&H Photo & Video this is a superb bargain…
How does the new Nikon D5 compare to the Canon 1D C flagship for 4K?
UPDATE: Unfortunately the D500 uses a heavy crop of the sensor to readout 4K video. More about this below. As well as the Nikon D5, we have a surprise. Although the Nikon D5 can only record 4K for up to 3 minutes at a time, the D500 can go for a…
[vimeo]http://vimeo.com/150802983[/vimeo] Here’s my illustration of ghosting, after-images and edge fuzzing in 4K on the Sony FS5. Shot on my camera with the latest firmware update (v1.1).
Comment on the forum Some of my favourite images are from cinema cameras and DSLRs from which attention has long since drifted elsewhere! Rest assured some of the older cameras on this list are better than any of the latest and greatest (if not in terms of usability then in terms of…
Comment on the forum Sony Independent Certified Expert Alister Chapman is a freelance videographer and runs workshops on occasion for users of Sony’s pro video cameras. You can check out his response to the FS5 problems widely reported by users, on his blog here. Now read my post about why he’s wrong!
[vimeo]http://vimeo.com/150618927[/vimeo] The Sony FS5 has had a largely warm welcome from the video community but there has been one thing bugging a lot of owners and potential buyers alike – the quality of the internal codec. Just how good or bad is it?