Granted this is more a stills related camera than video but the Sony RX line is a favourite of mine – it has always packed absolute cutting edge technology and innovation into tiny cameras. And who doesn’t like tiny cameras? (My review of the RX100 IV is coming tomorrow, by…
Search Results: Sony A7 (499)
[vimeo]http://vimeo.com/136927545[/vimeo] By now you might be wondering which to pull the trigger on – the RX10 II or RX100 IV? The good news is I have now finally got round to finishing my review of the RX10 II and have also bought the RX100 IV to compare it with…
[vimeo]https://vimeo.com/134006713[/vimeo] The slow-mo capabilities of the new Sony RX cameras are groundbreaking. I’ve been shooting at 100fps to 1000fps and everything in between. Here is everything you need to know.
[vimeo]http://vimeo.com/120475177[/vimeo] Ferrari have a DNA. Cinema cameras have a DNA. You have to go back decades to see it evolve into the force it is today. For Ferrari it is the very specific engine sound and the looks. Arri are that spirit to cinema cameras. The DNA of the Sony FS7 is a compromise. Half EX1 and…
I am absolutely sure this sensor is a video sensor and not for stills capture. Why? Find out below…
Sony Active Pixel Color Sampling is coming. The new technology solves low light performance issues with global shutter sensors, makes ultra high frame rates possible and scraps the traditional bayer RGB filter altogether.
Day one at Photokina and first on the agenda is a catch-up chat with Sony product managers Bill Drummond, Ben Pilling and Robbie Fleming who had arrived fresh from IBC. I took a tour of the Sony booth and briefly tried the new Sony FS7 Super 35mm cinema camera for filmmakers!
The original Canon 7D was the first truly enthusiast HD-SLR. How does the 7D Mark II look alongside the competition for video shooting in 2014? I’ve selected the key video specs an enthusiast or aspiring filmmaker will look at in 2014 and compared the 7D Mark II with the three…