Andrew Reid 5,237 Report post Posted April 8, 2013 CVP are taking pre-orders and claim Blackmagic are again aiming for start of July with the new Production and Pocket Cinema Cameras. The Production Camera is expected to be EF mount. No mirrorless or Micro Four Thirds version. The mount on the Pocket Camera will be active M43 and compatible with Panasonic & Olympus lenses. Blackmagic's website is down (possibly due to high traffic), just as the official press release was due to be published [url=http://www.eoshd.com/content/10027/live-coverage-blackmagic-production-camera-4k-and-pocket-cinema-camera]Read the full article here[/url] Share this post Link to post Share on other sites
Kasper Mols 12 Report post Posted April 8, 2013 http://www.blackmagicdesign.com/products/blackmagicpocketcinemacamera This URL works for me! Share this post Link to post Share on other sites
ScreensPro 91 Report post Posted April 8, 2013 12 stops DR 4K raw and pro res... Onboard Upto 30p only (4k and 1080p) http://www.blackmagicdesign.com/press/pressdetails?releaseID=38121 Share this post Link to post Share on other sites
plotter 1 Report post Posted April 8, 2013 1 nahua reacted to this Share this post Link to post Share on other sites
HurtinMinorKey 186 Report post Posted April 8, 2013 Loss-less for viewing is very different that loss-less for editing. 1 P337 reacted to this Share this post Link to post Share on other sites
Chrad 177 Report post Posted April 8, 2013 The Pocket camera is goddamn beautiful. I mean, wow, wow. Wow. What an amazing machine. Share this post Link to post Share on other sites
J.P 5 Report post Posted April 8, 2013 Too bad there's no 50/60fps for the pocket cam. Would've been absolutely flawless, but I want it anyway of course :) 1 P337 reacted to this Share this post Link to post Share on other sites
mike_tee_vee 41 Report post Posted April 8, 2013 Is the GH3 still relevant? 2 P337 and Julian reacted to this Share this post Link to post Share on other sites
Neil Russell 0 Report post Posted April 8, 2013 A question for some of you more technically minded than me boffins out there. Will the MFT mount on the mini camera allow the use of an adapter for Canon FD glass like a Panasonic GH2? Share this post Link to post Share on other sites
terozzz 13 Report post Posted April 8, 2013 Pocket cinema camera whit up coming m3/4 metabone speedbooster.. OMG!! Cant w8 1 P337 reacted to this Share this post Link to post Share on other sites
Chrad 177 Report post Posted April 8, 2013 Is the GH3 still relevant? 1. Shoots slow mo 2. Bigger sensor 3. Takes photos If you want to take photos with the M43 lenses you use with your BMPCC, and get the bonus of a decent B cam that can be used for slow motion work, then yes. But it needs a price drop yesterday. Although, let's not forget that if you're so inclined, you can go to a store and take home a GH3 today. BMD have a lot to prove. 2 nahua and P337 reacted to this Share this post Link to post Share on other sites
ScreensPro 91 Report post Posted April 8, 2013 Is the GH3 still relevant? Every camera with overcrank remains relevant Share this post Link to post Share on other sites
Andrew Reid 5,237 Report post Posted April 8, 2013 The GH3 is mass produced. Blackmagic's cameras not yet. But they certainly point to the future and Canon, Panasonic, Sony, etc. will have to step up drastically if they want to have any part of this market... Share this post Link to post Share on other sites
Greg R Greenhaw 6 Report post Posted April 8, 2013 Honestly Its hard to work i'm so excited. Just pre ordered it Share this post Link to post Share on other sites
andy lee 1,030 Report post Posted April 8, 2013 Yes the big Japanese makers will have to respond - Share this post Link to post Share on other sites
Andrew Reid 5,237 Report post Posted April 8, 2013 At least the DSLRs still produce manageable file sizes. That still has a part to play. Share this post Link to post Share on other sites
Julian 598 Report post Posted April 8, 2013 According to John Brawley the Pocket Cam will get losless compressed DNG: Currently the prototype camera I have records only in ProRes 422 @ 10 bit, just like the BMCC. The plan is to add a NEW compressed RAW implementation of DNG. The spec allows for this be lossless (not lossy) and at 1.5:1 – 1.2-:1. The stills won't be much good on the pocket cam either. That is a downside for me, I'll have to buy a seperate stills camera, or hold on to my Canon 5D Mark 1. Share this post Link to post Share on other sites
Tzedekh 13 Report post Posted April 8, 2013 Loss-less for viewing is very different that loss-less for editing. Compressed CinemaDNG is mathematically lossless. Share this post Link to post Share on other sites
Caleb Genheimer 169 Report post Posted April 8, 2013 A question for some of you more technically minded than me boffins out there. Will the MFT mount on the mini camera allow the use of an adapter for Canon FD glass like a Panasonic GH2? Yessir. Anything adaptable to other M4/3 cameras is also adaptable to this. Share this post Link to post Share on other sites
Tzedekh 13 Report post Posted April 8, 2013 Yes the big Japanese makers will have to respond - Doing nothing is a response. Sony's cheapest 4K camera, the FS700, will cost at least three times as much when upgraded to 4K. Canon inexplicably seems enamored with 8-bit codecs, except for their raw option, which is only 10-bit. And Panasonic's only 4K camera is a small-sensor prosumer model. If and when they release their 4K VariCam, expect it to cost between the Sony F5 and F55 and have no raw option. Share this post Link to post Share on other sites
